[rollei_list] Re: OT: Slide Film and E6, now digital

and I have just been given (they didn't want it) the most mechanical of
all sound-making devices, a Hammond B3...

Listen to Greg Allman, or anyone else, play southern blues.  Maybe
someone can "model" the sound of the tone generators -- but they'd rather
not.... 
Peter Nebergall

On Mon, 24 Dec 2007 10:48:33 -0500 "Eric Goldstein" <egoldste@xxxxxxxxx>
writes:
> Depending upon who you talk to and what the demands of the work is, 
> it
> is digital which can have the more delayed/onerous work flow... 
> many
> who earn their living shooting returning to film for efficiency on
> some projects...
> 
> Relative to analog and digital, tubes versus solid state, I'd add 
> that
> many vintage tube mics and processors are now gold bricks because 
> they
> are regarded are delivering sound qualities which are highly 
> desirable
> and which nothing else can truly emulate. Defining the goal of all
> audio equipment as being straight transformation, amplification or
> reproduction is not to understand the art and craft of audio
> production or music making IMO...
> 
> 
> Eric Goldstein
> 
> 
> Elias wrote:
> 
> > Spent is the right word. Despite the cost of film and processing, 
> and the
> > delayed workflow, the cost of getting into a digital system is 
> quite high,
> > and doesn't end at the camera.
> >
> > E
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