[rollei_list] Re: OT: Slide Film and E6, now digital

I've been deleting all messages in this thread because I haven't an interest in" E-6 v. digital", BUT that's not the actual subject is it? Please change the subject line when you take that fork in the road. Thanks.
----- Original Message ----- From: "Eric Goldstein" <egoldste@xxxxxxxxx> 
To: <rollei_list@xxxxxxxxxxxxx>
Sent: Monday, December 24, 2007 10:48 AM
Subject: [rollei_list] Re: OT: Slide Film and E6, now digital



Depending upon who you talk to and what the demands of the work is, it
is digital which can have the more delayed/onerous work flow... many
who earn their living shooting returning to film for efficiency on
some projects...

Relative to analog and digital, tubes versus solid state, I'd add that
many vintage tube mics and processors are now gold bricks because they
are regarded are delivering sound qualities which are highly desirable
and which nothing else can truly emulate. Defining the goal of all
audio equipment as being straight transformation, amplification or
reproduction is not to understand the art and craft of audio
production or music making IMO...


Eric Goldstein


Elias wrote:


Spent is the right word. Despite the cost of film and processing, and the
delayed workflow, the cost of getting into a digital system is quite high, 
and doesn't end at the camera.

E

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