I didn't say that the early color films looked like a cheap postcard. What I did say is that early three-strip Technicolor and such have oversaturated color, and that this was probably the result of technicians giving the film a color pallette similar to what people were used to seeing on postcards and in magazines. After a while, once the public became more used to color, the amount of color saturation was definitely toned down. It used to be that if you walked into a used bookstore, they would have boxes and boxes of old postcards for sale. Many people collected postcards and I doubt people thought of them as "cheap," in some derogatory sense. If you take for example photographs of the 1933-34 Century of Progress exhibition, which took place just prior to the availability of color film, people either saw black-and-white photographs, or most likely, color postcards that were either drawings or were hand-tinted photos. Is it any wonder that the early color films tended to follow this same sort of color pallette? --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list