On Monday, March 28, 2005, at 11:18 AM, Allen Zak wrote: > [...] It was not unusual to find professionals setting up shop with a > single 4X5 Speed Graphic [...] The Speed Graphic, with a few Grafmatic backs plus a roll-film back or two, is a MOST versatile instrument, and If I had to have just one camera, my Speed Graphic would be it. (It was the first camera I seriously bought on eBay, and indeed I bought it to be my only camera initially! I never thought I'd be able to afford an f/2.8 Rolleiflex, even on eBay.) Just consider the Speed Graphic's immense versatility. With a 127 mm lens it works as a semi-wide (when shot full frame), normal (when shot with a roll-film back), or almost-telephoto (with the negative or slide cropped to fill the size of a 35mm frame or thereabouts) ... and with an additional 240 mm or 300 mm lens, the Speed Graphic is a long-telephoto camera as well. It can be shot hand-held with no more trouble than a modern Polaroid camera. Indeed it can also shoot Polaroid films, for times when you want to show your friends their pictures right away: in that sense it's almost as rapid-result as a digital camera, indeed even more so because the pictures are of a decent size, not that dinky size visible only with a magnifying glass in the digital camera's LCD viewfinder. The Grafmatic back, when used, allows one to shoot six shots in quick succession, almost as rapidly as with a Rolleiflex or a Leica (though admittedly not as rapidly as with a modern motor-wind camera). And different Grafmatic backs or roll-film holders loaded with different films allows one to change films during a shoot as rapidly and as easily as with a Hasselblad or a Rollei SLR. The Speed Graphic's shutter speed (1/1,000 sec!) and wire-frame finder allows one to shoot action shots very easily. Its large negative size allows one to shoot using VERY high speed films, which can moreover be pushed to - what? 6400 ISO? More? - without the resultant images suffering from the slightest graininess: thus allowing available light photography under most conditions. Of course flash can be added as and when you want. Its Kalart rangefinder allows one to focus even more accurately than a Leica or a Rolleiflex. The Speed Graphic even has a few movements, so it can be used for landscapes and architectural shots as well, at least the less extreme ones. Macros? No problemos. And six 4x5 slides - a fully-loaded Grafmatic's worth - taken of a landscape or architectural scene, can be stitched together on computer to fill a slide the size of an 11x14, giving one a gigabit-plus picture which can be enlarged to mural-size without any loss of sharpness! Heck, what CAN'T the Speed Graphic do, except shoot movies? All it needs is for someone to sell a 30- or 40-megapixel digital back designed for it specifically, and you'd be in the best of all possible worlds, just like Professor Pangloss. And finally, if one wants an enlarger - not that an enlarger is necessary any more, but if one really does want one - a Speed Graphic can be converted into one without much trouble! Hoo boy. Talk about versatility. (Why they don't make them any more is a mystery to me.) Cheers.