[pure-silver] Re: shamefully off topic

  • From: Shannon Stoney <shannonstoney@xxxxxxxxxxxxxxx>
  • To: pure-silver@xxxxxxxxxxxxx
  • Date: Thu, 17 May 2007 19:39:14 -0500

I need to review some things in Photoshop. Use it or lose it. When I was adjusting those pix that were off, I knew that I should deselect the sky, but I had forgotten how to use the layer masks, etc.


--shannon


On May 17, 2007, at 6:19 PM, EJ Neilsen wrote:

Shannon, Yes, labs can and do pull process E6 film. 6:00 is a standard
process time for a roller transport line. Most max out at a 2 stop pull or no faster than 4:00 or so. There is usually an extra charge but it is not a lot and can really help. And much more of a pull will make the color cross over much harder to over come. I'd suggest using a color bar in a few shots to give a way to see the color. You know color bars? They are used in copy work. They will give you a spot that you can place your color picker/old
days known as a probe and adjust to get black, white, etc.

The color needs to be dealt with as spot objects; don't fix the whole scene
just the area that needs adjustment. This is like using a split colored
filter for use with skies. And since this is going off topic; scanning I'll
fill you in off line.

Al Weber out in California was the first person I knew that was using a 2 stop pull and printing as Cibachrome. When used with a low contrast paper it made beautiful prints. It would be a similar type step to make your skies more printable in B&W. Expose for the dark areas with detail and develop for the highlights, add your filtration to tighten up the whole scene and then
make it come to life in the darkroom.


Eric Neilsen Photography
4101 Commerce Street
Suite 9
Dallas, TX 75226
http://e.neilsen.home.att.net
http://ericneilsenphotography.com
Skype ejprinter
-----Original Message-----
From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver-
bounce@xxxxxxxxxxxxx] On Behalf Of Shannon Stoney
Sent: Thursday, May 17, 2007 5:52 PM
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: shamefully off topic

Can you get a lab to do this for you?  I never process color film at
home.

I scan transparencies for digital printing.

Sometimes I have a hard time adjusting the color if it's wrong.  For
example, I shot a neighbor's house at Christmas for their christmas
card.  I used Velvia 100 with no filtration, and the tungsten light on
the porch and the interior lights made the color very weird. The grey
exterior turned way red/magenta. I fixed it as best I could in
photoshop but it never looked right I thought.  Same deal with some
inflated Christmas yard ornaments: they turned out really yellow where
they were supposed to be white. Those were easier to adjust, but then
the sky went weird.

--shannon

On May 17, 2007, at 1:28 PM, EJ Neilsen wrote:

UNLESS you are going to project your slide or use your transparency for
absolute color reproduction, if you are planning on making a print
with your
film, you can expose for more of the shadow and pull the film 2 stops. Practice this and you'll find that it works quite well. You are making
it up
any ways due to film choice, etc, so let the color go, you will adjust
it in
printing and or scanning.

Eric Neilsen Photography
4101 Commerce Street
Suite 9
Dallas, TX 75226
http://e.neilsen.home.att.net
http://ericneilsenphotography.com
Skype ejprinter
-----Original Message-----
From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver-
bounce@xxxxxxxxxxxxx] On Behalf Of Shannon Stoney
Sent: Thursday, May 17, 2007 10:04 AM
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] shamefully off topic

I know this is really bad to ask on this list, but... when exposing
transparency film, do you expose for the highlights (the opposite of
negative film)?

--shannon

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