[pure-silver] not so pure silver
- From: Shannon Stoney <shannonstoney@xxxxxxxxxxxxxxx>
- To: pure-silver@xxxxxxxxxxxxx
- Date: Fri, 27 Mar 2009 09:27:44 -0500
I have a show coming up in Abilene about an adobe house in Presidio,
TX. I have 12 black and white prints and I am fixing to get three
color prints made. This is the first time I've had a show with color
and b&w together, and I'm not sure how it's going to look, but I'm
going to do it anyway.
Then I started thinking about another project I'm working on, which
started out as b&w holga panoramas about domestic animals. Then I
found some old color negs with the same format: Holga, animals. But
they're color! Some of them are cool, though. So now I want to have
that project be mixed color and B&W too.
The color ones have to be printed by a lab, because I don't print color
at home and anyway some are transparencies. I guess I could make them
gray scale and have them printed that way by the lab.
I'm just wondering: do people on this list think that it looks strange
or disconcerting to have color and silver in the same show, by the same
person? You see group shows all the time with them mixed up, but then
you're not seeing all the pictures as one body of work. Maybe if one
person did them all, and there are color and b&w, it means there are 2
bodies of work? I also am thinking of including some photogravures in
the series about animals.
Once I saw a show in Houston by a photographer who had documented her
mother's life over about 20 years. She had silver, color, video,
everything. It didn't bother me at all. I wonder why we have this
"rule" that you should have a "unified body of work."
Also I have noticed recently that filmmakers are mixing b&w and color
in the same film: "I'm Not There" was like that, and "Shine a Light."
--shannon
http://shannonstoney-twors.blogspot.com/
http://branguslane.blogspot.com/
http://www.flickr.com/photos/shannonstoney/
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