[pure-silver] Re: Same Exposure Different Prints?
- From: "Kurt J. Griffin" <kjg@xxxxxxx>
- To: pure-silver@xxxxxxxxxxxxx
- Date: Sat, 5 Jul 2008 19:10:32 -0700
More information on your developing routine would be
useful.
Enlarger is at end of table, wall directly to the left. The room
(box) is 8 foot square. At the center and top of the wall to the
left is my red safelight with a 15W bulb. The walls are all
unpainted particle board. Some stray light from the enlarger goes up
and out, but I don't see much of it bouncing back down. Not much
changes, besides my position and posture during exposure, I use a
black apron, so don't think I'm reflecting light at the paper during
exposure - regardless of where I'm standing when I push the button.
The trays are behind me. I take the print, turn and drop into the
developer. One hand pushes the sheet down with the tongs so it's all
below the surface while the other starts the 1 minute time. I
agitate by paddling back and forth with the tongs at one end of the
tray, occasionally giving the tray a tilt (this is my least regular
part of the routing). At around 5 seconds to I begin to grab the
sheet, I pull it out right on 1 minute and let it drip for about 5
seconds, until the stream turns to a few drips. with the same
procedure I put it into the stop for thirty seconds, then fix 1 for
30 sec, fix two for 30 sec (I use Ilfrod rapid, 1+9) then a water
holding bath, swoosh around for 30 seconds, take out to inspect,
then back into the water. Full archival washing steps and solutions
used at end of session.
E.
I had a similar problem, which got worse over time. Eventually, I
noticed that during each exposure (not during focusing), the
intensity of light varied enough to be seen with my eyes. It would
fluctuate quickly, so you might need a fast-responding voltmeter to
see it. Funny thing: my backup timer did the same thing. Problem
was solved when I got my StopClock.
Good luck with it,
Kurt Griffin
Tucson
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- » [pure-silver] Re: Same Exposure Different Prints?
- » [pure-silver] Re: Same Exposure Different Prints?
- » [pure-silver] Re: Same Exposure Different Prints?
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- » [pure-silver] Re: Same Exposure Different Prints?
- » [pure-silver] Re: Same Exposure Different Prints?
- » [pure-silver] Re: Same Exposure Different Prints?
More information on your developing routine would be
useful.
Enlarger is at end of table, wall directly to the left. The room
(box) is 8 foot square. At the center and top of the wall to the
left is my red safelight with a 15W bulb. The walls are all
unpainted particle board. Some stray light from the enlarger goes up
and out, but I don't see much of it bouncing back down. Not much
changes, besides my position and posture during exposure, I use a
black apron, so don't think I'm reflecting light at the paper during
exposure - regardless of where I'm standing when I push the button.
The trays are behind me. I take the print, turn and drop into the
developer. One hand pushes the sheet down with the tongs so it's all
below the surface while the other starts the 1 minute time. I
agitate by paddling back and forth with the tongs at one end of the
tray, occasionally giving the tray a tilt (this is my least regular
part of the routing). At around 5 seconds to I begin to grab the
sheet, I pull it out right on 1 minute and let it drip for about 5
seconds, until the stream turns to a few drips. with the same
procedure I put it into the stop for thirty seconds, then fix 1 for
30 sec, fix two for 30 sec (I use Ilfrod rapid, 1+9) then a water
holding bath, swoosh around for 30 seconds, take out to inspect,
then back into the water. Full archival washing steps and solutions
used at end of session.
E.