[pure-silver] Remove Dark Slide Before Commencing Artistic Career
- From: "Stein" <rstein@xxxxxxxxxxxxxx>
- To: <pure-silver@xxxxxxxxxxxxx>
- Date: Sun, 1 Oct 2006 09:00:15 +0800
Dear Mark and Speedy,
Ahh, the glorious art that has flashed briefly on the front side of a
dark slide....the unrepeatable moments that have had to be repeated ten
seconds later ...
Nothing to the wonderful compositions and glorious tones that have been
burned into the emulsion of a piece of film between the time that you draw
the dark slide and the time that you discover that you did not close the
shutter after viewing through the ground glass. Actually, this has lead to
some of the nicest semi-abstract work I own.
Recently I did a Cleopatra shoot and ended up with the death of C, asp
and all. It was a rubber snake held to a real bosom, but I made the classic
error of pulling the darkslide on an open shutter, shooting, realising my
error, and then re-triggered the flash anyway. And then flipped the holder
and did it the right way.
The result was much the same - Cleo and her snake lay so still that
there was no motion blur - the only difference in the exposures was the
burn-in effect of the modelling lights. The heavy blue gel effect from one
set of lights was entirely cancelled by this. It actually looked very nice.
Uncle Dick
PS: As Cleopatra tried on the costume in the studio she turned around to me
and asked " Does this dress make my asp look big?"
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- Follow-Ups:
- [pure-silver] Re: Remove Dark Slide Before Commencing Artistic Career
- From: Sauerwald Mark
- References:
- [pure-silver] Re: short developing times
- From: Sauerwald Mark
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- [pure-silver] Re: Remove Dark Slide Before Commencing Artistic Career
- From: Sauerwald Mark
- [pure-silver] Re: short developing times
- From: Sauerwald Mark