[pure-silver] Re: Pre-soaking film

  • From: Eric Nelson <emanmb@xxxxxxxxx>
  • To: pure-silver@xxxxxxxxxxxxx
  • Date: Fri, 30 Apr 2010 22:38:24 -0700 (PDT)

Thanks, Richard, I had always wondered about that!



________________________________
From: Richard Knoppow <dickburk@xxxxxxxxxxxxx>
To: pure-silver@xxxxxxxxxxxxx
Sent: Fri, April 30, 2010 10:26:19 AM
Subject: [pure-silver] Re: Pre-soaking film

    Roll film has to be quite flexible because in many cameras it must make 
fairly sharp turns. 35mm film OTOH, usually follows a fairly straight line from 
supply to take up spool. Sheet film is the thickest because it has to stay flat 
in film holders. Now, film pack film was on the same support as roll film 
because it had to be flexible to work in the film pack where it is pulled 
around to the back when changing films.
    35mm film was designed originally for use in motion picture cameras and 
projectors where it is subject to considerable strain so must be strong and 
resistant to tearing.
    The support thicknesses have not changed much in many decades but emulsion 
thickness has. One reason for the much improved resolution of modern films is 
the reduction of "irradiation" or scattering of light within the emulsion 
mainly because the emulsions are thinner. Since the emulsion is a fraction of 
the thickness of the total film thicknes this does not make much difference to 
the overall thickness.
    Film flatness is determined by several factors, not least of which is the 
camera design. In both roll film and 35mm still cameras the film is located 
mostly by the back plate. Right after the film is wound it may be held taught 
between the guide rollers but soon it relaxes so that the film or backing paper 
of roll film lies against the back plate. Although back plates are often called 
pressure plates they exert no pressure on the film. Rather they create a narrow 
channel between the plate and guide rails that the film runs though. In 
Rolleiflex and Rolleicord cameras the back plate is located by little tabs, or 
what I call feet, that rest on machined reference surfaces next to the guide 
rails. The shifting plate in later cameras serves to adjust the thickness of 
this channel for either 35mm film or 120 roll film with paper backing. An 
examination of the back plate will find that some have two sets of "feet" of 
different lengths which are brought to
 bear on a common reference surface pad or that there is a single set of feet 
and two reference pads of different hights. The shifting of the back plate also 
moves it out of the way of part of the Rolleikin but the main purpose is the 
channel thickness adjustment. 220 film, because it has no backing paper should 
require a narrower channel to properly locate the film although the difference 
may not be enough to affect focus significantly.

--
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx 


      

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