[pure-silver] Re: Metering 135 vs 120
- From: Janet Cull <jcull@xxxxxxxxxxxxx>
- To: pure-silver@xxxxxxxxxxxxx
- Date: Wed, 27 Aug 2008 13:45:41 -0400
Mark, Thanks for taking the time to answer. I will try the two
meters, testing one against the other. I don't know why I didn't
think of that. I did have the shutter tested on both my Zeiss lenses
and they're fine. Thanks again.
Janet
On Aug 26, 2008, at 10:48 PM, Mark Blackwell wrote:
I use a Minolta IVF I believe and it has an adjustment buried in
the back so a tech could make the adjustments IIRC.
Mine can be either a reflective or incident light meter, but to be
a reflective meter it requires an additional attachment. Unless
you are using the extra attachment that makes it a spot meter, then
its a incident meter and that introduces a number of issues.
Let me suggest a couple of tests. Richard please chime in here if
you see some things that would help.
First is if you can do it on a bright sunny day it would be best.
Why? With that bright sunny day you have the sunny 16 rule to keep
you close. If you have a big difference between the meters, on a
bright sunny day the most likely one to be reading properly is the
one closest to the sunny 16. Without that all you have is two
different meter readings.
Second compare the readings with the in external meter and the
reading of the in camera with the camera pointed at a gray card
with the full frame covered by the card. If the meters readings
are close, it likely isn't the meters unless there is a drastic
difference between what they read and the sunny 16. If you find a
problem, Id probably just take them both to the shop. At that
point the tech can tell you not only that they are off and by how
much. If they can't correct the problem with an in camera
adjustment, you can compensate for the difference yourself.
I ran into this a few years ago and found another way to foul up. I
had been doing a lot of 35 mm with in camera metering, then moved
to one that had an external meter. I stuck a filter on the lens
and forgot to compensate for the filter factor. Then it took me a
while to figure out why I had thin negatives. Very very unlikely
in your particular situation, but something to check if others
happen to run into this type of thing somewhere down the line.
One other possibility is that the problem isn't in the metering,
but in the shutter. A slow shutter is more common, in that time
and use tends to make springs less effective and junk ect and all
sorts of things that happen via normal use can slow the shutter
down, particularly at slow shutter speeds. I have heard of a
shutter getting hung up at a higher speed than the dial would
show. It would let you move the dial to 1/125th of a second, but
the mechanics were stuck on 1/250th. If the shutter is electronic
it would be highly unlikely. I guess it might still drag, but the
electronics eliminate a lot of mechanical things that can go wrong.
My old 4x5 shutter is about a stop slow at slower speeds. As the
speed increase the drag drops off so there really isn't much of an
effect the way I play with the camera. To fix it would cost way
more than the camera is worth. I just adapt.
Now if you find that all that checks out, then Id use what ever
processing you need to get what you are looking for in a negative.
--- On Tue, 8/26/08, Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote:
From: Richard Knoppow <dickburk@xxxxxxxxxxxxx>
Subject: [pure-silver] Re: Metering 135 vs 120
To: pure-silver@xxxxxxxxxxxxx
Date: Tuesday, August 26, 2008, 5:34 PM
----- Original Message -----
From: <eroustom@xxxxxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Tuesday, August 26, 2008 3:14 PM
Subject: [pure-silver] Metering 135 vs 120
There is for me. I'm assuming it's a
difference in
metering. My 35s
have built in meters while I use a Minolta IVF for
the
mf. The
exposures seem to be very different so I always
have to
add
developing time for my 120 film. I shoot TMax
(finishing
off some
old film) and TriX.
That's an interesting problem. Why not chase down
the
metering issue, and leave a variable out of
processing?
Your minolta is an ambient light meter (I think), and
your
camera's TTL meter is an incident meter?
I've noticed some situations that have given me
readings
two stops off from each other when using my handheld
meter
against the TTL in my Canon bodies. But I assume
it's how
I'm using the meter(s), so I work to find the same
reading, or try to reason out why that's
happening.
Sometimes the lens (I use a 24, a 35, a 50, or 100)
brings
in less or more light to the TTL meter at the back -
or so
it seems - or they average differently, whereas the
handheld meter has no lens in front of it.
But an exposure value for Zone V, or 18% gray, for a a
given ISO should be the same from meter to meter, no?
Can anyone more experienced chime in on this?
Elias
Some meters seem to be calibrated for 12% mid gray. In
general, however, a reflected light meter should read the
same from an evenly illuminated 18% gray card that fills
its
field of view as an incident light meter reading the
illumination. There are some variations on this, for
instance, my ancient Weston Master II does not agree with
either my Luna Pro or with a Sekonic Studio Deluxe (Norwood
pattern) meter. This is with the correct equivalent Weston
speed set. I've come to the conclusion that either
Weston
included a fudge factor in its speeds or that the
calculator
is set up for some other reflectance for the pointer value
than 18%. In any case, I get the identical readings when
the
Weston speed is set for about half of the speed translated
from ISO speeds. I have a second Weston meter of a
different
type which shares this characteristic. My old GE meter
agrees with the two more modern meters. To be clear, the
Luna Pro and Sekonic agree exactly for both incident and
reflected light.
---
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx
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- » [pure-silver] Re: Metering 135 vs 120
- » [pure-silver] Re: Metering 135 vs 120
- » [pure-silver] Re: Metering 135 vs 120
- » [pure-silver] Re: Metering 135 vs 120
- » [pure-silver] Re: Metering 135 vs 120
- » [pure-silver] Re: Metering 135 vs 120
Mine can be either a reflective or incident light meter, but to be a reflective meter it requires an additional attachment. Unless you are using the extra attachment that makes it a spot meter, then its a incident meter and that introduces a number of issues.
Let me suggest a couple of tests. Richard please chime in here if you see some things that would help.
First is if you can do it on a bright sunny day it would be best. Why? With that bright sunny day you have the sunny 16 rule to keep you close. If you have a big difference between the meters, on a bright sunny day the most likely one to be reading properly is the one closest to the sunny 16. Without that all you have is two different meter readings.
Second compare the readings with the in external meter and the reading of the in camera with the camera pointed at a gray card with the full frame covered by the card. If the meters readings are close, it likely isn't the meters unless there is a drastic difference between what they read and the sunny 16. If you find a problem, Id probably just take them both to the shop. At that point the tech can tell you not only that they are off and by how much. If they can't correct the problem with an in camera adjustment, you can compensate for the difference yourself.
I ran into this a few years ago and found another way to foul up. I had been doing a lot of 35 mm with in camera metering, then moved to one that had an external meter. I stuck a filter on the lens and forgot to compensate for the filter factor. Then it took me a while to figure out why I had thin negatives. Very very unlikely in your particular situation, but something to check if others happen to run into this type of thing somewhere down the line.
One other possibility is that the problem isn't in the metering, but in the shutter. A slow shutter is more common, in that time and use tends to make springs less effective and junk ect and all sorts of things that happen via normal use can slow the shutter down, particularly at slow shutter speeds. I have heard of a shutter getting hung up at a higher speed than the dial would show. It would let you move the dial to 1/125th of a second, but the mechanics were stuck on 1/250th. If the shutter is electronic it would be highly unlikely. I guess it might still drag, but the electronics eliminate a lot of mechanical things that can go wrong.
My old 4x5 shutter is about a stop slow at slower speeds. As the speed increase the drag drops off so there really isn't much of an effect the way I play with the camera. To fix it would cost way more than the camera is worth. I just adapt.
Now if you find that all that checks out, then Id use what ever processing you need to get what you are looking for in a negative.
--- On Tue, 8/26/08, Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote:
From: Richard Knoppow <dickburk@xxxxxxxxxxxxx> Subject: [pure-silver] Re: Metering 135 vs 120 To: pure-silver@xxxxxxxxxxxxx Date: Tuesday, August 26, 2008, 5:34 PM ----- Original Message ----- From: <eroustom@xxxxxxxxxxx> To: <pure-silver@xxxxxxxxxxxxx> Sent: Tuesday, August 26, 2008 3:14 PM Subject: [pure-silver] Metering 135 vs 120There is for me. I'm assuming it's adifference inmetering. My 35s have built in meters while I use a Minolta IVF forthemf. The exposures seem to be very different so I alwayshave toadd developing time for my 120 film. I shoot TMax(finishingoff some old film) and TriX.That's an interesting problem. Why not chase downthemetering issue, and leave a variable out ofprocessing?Your minolta is an ambient light meter (I think), andyourcamera's TTL meter is an incident meter? I've noticed some situations that have given mereadingstwo stops off from each other when using my handheldmeteragainst the TTL in my Canon bodies. But I assumeit's howI'm using the meter(s), so I work to find the samereading, or try to reason out why that'shappening.Sometimes the lens (I use a 24, a 35, a 50, or 100)bringsin less or more light to the TTL meter at the back -or soit seems - or they average differently, whereas the handheld meter has no lens in front of it. But an exposure value for Zone V, or 18% gray, for a agiven ISO should be the same from meter to meter, no? Can anyone more experienced chime in on this? EliasSome meters seem to be calibrated for 12% mid gray. In general, however, a reflected light meter should read the same from an evenly illuminated 18% gray card that fills its field of view as an incident light meter reading the illumination. There are some variations on this, for instance, my ancient Weston Master II does not agree with either my Luna Pro or with a Sekonic Studio Deluxe (Norwood pattern) meter. This is with the correct equivalent Weston speed set. I've come to the conclusion that either Weston included a fudge factor in its speeds or that the calculator is set up for some other reflectance for the pointer value than 18%. In any case, I get the identical readings when the Weston speed is set for about half of the speed translated from ISO speeds. I have a second Weston meter of a different type which shares this characteristic. My old GE meter agrees with the two more modern meters. To be clear, the Luna Pro and Sekonic agree exactly for both incident and reflected light. --- Richard Knoppow Los Angeles, CA, USA dickburk@xxxxxxxxxxxxx===================================================================== ========================================To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
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- [pure-silver] Re: Metering 135 vs 120
- From: Mark Blackwell
- [pure-silver] Re: Metering 135 vs 120
- From: Mark Blackwell