[pure-silver] Re: Kodak vs Ilford
- From: Graham Hughes <graham@xxxxxxxxxxxx>
- To: pure-silver@xxxxxxxxxxxxx
- Date: Thu, 20 Mar 2008 18:05:10 -0700
HP5 I'm not so strong on, but generally speaking TMax films are
considered to be very "modern" with an extremely linear exposure curve
and little to no toe; Tri-X and HP5 have a pretty linear exposure
curve but with a noticeable toe and shoulder. What this means in
terms of shooting is that Tri-X and HP5 will record shadow detail that
the TMax films won't necessarily (something you can correct for by
mild overexposure in-camera), but if you have a wide range of
brightness in your subject the older films will show much less
separation in the high tones. This can be quite irritating and
require extensive fiddling in the darkroom to bring those highlights
back from muddiness. You can partially compensate for this by using
the right paper--Forte's Polywarmtone was much beloved in my darkroom
for its ability to tame XP2's absurd shoulder.
The Delta films are usually reckoned to be intermediate between the
two; less tolerant of exposure errors than Tri-X or HP5, less grainy
than either, and more tolerant of exposure errors than the equivalent
TMax films. I haven't found Delta 400, the one I shoot the most, to
be meaningfully grainy compared to TMax 400 or Tri-X, and it is
generally a trooper. Delta 3200 is great when you need it but I
prefer Neopan 1600 for general high speed use; the Delta film is
grainier and has an odd exposure curve IMHO. I have little or no
experience with Delta 100; I generally shoot FP4+ when I want
something around that speed, which is a delightful film.
Graham
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