[pure-silver] Re: Gelatin filters
- From: Bill Stephenson <photographica@xxxxxxxxxxx>
- To: pure-silver@xxxxxxxxxxxxx
- Date: Wed, 19 Dec 2007 17:45:31 -0500
Or there's Lee's competition - especially in stage lighting: Rosco
http://tinyurl.com/25lb6w
-Bill
On Dec 18, 2007, at 11:29 AM, Ole Tjugen wrote:
At least Lee "fel" filters are made from polyester: http://
www.leefilters.com/downloads/assets/System_Brochure.pdf
På Tue, 18 Dec 2007 15:58:48 +0100, skrev Helge Nareid
<hn.groups@xxxxxxxxxxxx>:
Frank Filippone wrote:
I may be wrong, but I thought Gel filters, as now made, are
actually
polyester or something that has nothing to do with gelatin, but
he name came
from the older manufacturing process that did use gelatin.
Well, the "classic" Kodak Wratten filters were certainly made with
gelatin, the reason being that the dyes could be added in an
aqueous solution without having to heat the gelatin, which could
otherwise affect the dye. This allowed for very precise control of
the absorption spectra for the filters. Up to the invention of the
Wratten filters, it was quite common in scientific and technical
photography to use dyes in acqueous solution, held in a cuvette in
front of lens - possible in the lab or studio, but impractical in
the field.
Adding dyes to optical glass requires the glass and dies to be
heated to the melting point of glass, which seriously limits the
possible dyes which can be used, and can also cause significant
batch-to-batch variations.
As I said, earlier, I also believe the Wratten filters were
protected by a thin layer of lacquer on each side, which would
provide some protection against absorbing humidity from the air.
Today's filters do not degrade "melt" in wet area use, which I
thought would
be a big issue in natural gelatin....
Absorbtion of water is certainly a problem with gelatin in high
humidity situations, as everybody on this list should know. Once
again, I believe the lacquer provided some protection, but as I
recall, a drop of water on a gelatin filter would spoil it.
There are certainly modern filter types made today which use
various kinds of optical plastics. Off the top of my head, I don't
know what materials are used, however.
- Helge Nareid
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Ole Tjugen
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- Follow-Ups:
- [pure-silver] Boosting contrast in paper development
- From: İbrahim Pamuk
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- [pure-silver] Gelatin filters
- From: joe mcguckin
- [pure-silver] Re: Gelatin filters
- From: Richard Knoppow
- [pure-silver] Re: Gelatin filters
- From: Helge Nareid
- [pure-silver] Re: Gelatin filters
- From: Frank Filippone
- [pure-silver] Re: Gelatin filters
- From: Helge Nareid
- [pure-silver] Re: Gelatin filters
- From: Ole Tjugen
Other related posts:
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- » [pure-silver] Re: Gelatin filters
- » [pure-silver] Re: Gelatin filters
- » [pure-silver] Re: Gelatin filters
- » [pure-silver] Re: Gelatin filters
- » [pure-silver] Re: Gelatin filters
- » [pure-silver] Re: Gelatin filters
På Tue, 18 Dec 2007 15:58:48 +0100, skrev Helge Nareid <hn.groups@xxxxxxxxxxxx>:
Frank Filippone wrote:I may be wrong, but I thought Gel filters, as now made, are actually polyester or something that has nothing to do with gelatin, but he name camefrom the older manufacturing process that did use gelatin.Well, the "classic" Kodak Wratten filters were certainly made with gelatin, the reason being that the dyes could be added in an aqueous solution without having to heat the gelatin, which could otherwise affect the dye. This allowed for very precise control of the absorption spectra for the filters. Up to the invention of the Wratten filters, it was quite common in scientific and technical photography to use dyes in acqueous solution, held in a cuvette in front of lens - possible in the lab or studio, but impractical in the field.Adding dyes to optical glass requires the glass and dies to be heated to the melting point of glass, which seriously limits the possible dyes which can be used, and can also cause significant batch-to-batch variations.As I said, earlier, I also believe the Wratten filters were protected by a thin layer of lacquer on each side, which would provide some protection against absorbing humidity from the air.Today's filters do not degrade "melt" in wet area use, which I thought wouldbe a big issue in natural gelatin....Absorbtion of water is certainly a problem with gelatin in high humidity situations, as everybody on this list should know. Once again, I believe the lacquer provided some protection, but as I recall, a drop of water on a gelatin filter would spoil it.There are certainly modern filter types made today which use various kinds of optical plastics. Off the top of my head, I don't know what materials are used, however.- Helge Nareid===================================================================== ======================================== To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
-- Ole Tjugen====================================================================== ======================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.
- [pure-silver] Boosting contrast in paper development
- From: İbrahim Pamuk
- [pure-silver] Gelatin filters
- From: joe mcguckin
- [pure-silver] Re: Gelatin filters
- From: Richard Knoppow
- [pure-silver] Re: Gelatin filters
- From: Helge Nareid
- [pure-silver] Re: Gelatin filters
- From: Frank Filippone
- [pure-silver] Re: Gelatin filters
- From: Helge Nareid
- [pure-silver] Re: Gelatin filters
- From: Ole Tjugen