[pure-silver] Re: Favorite Print Developer
- From: "Richard Knoppow" <dickburk@xxxxxxxxxxxxx>
- To: <pure-silver@xxxxxxxxxxxxx>
- Date: Mon, 22 Sep 2008 21:41:17 -0700
----- Original Message -----
From: "Jeffrey Thorns" <puresilver@xxxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Monday, September 22, 2008 9:32 PM
Subject: [pure-silver] Re: Favorite Print Developer
What kind of tea?
My favorite developer for printing on warm tone paper is
Ansco 130 with Glycin so old that it has turned milk
chocolate brown. It adds just a bit of warm stain to the
paper. The same can be achieved by adding a cup of tea to
the stop bath.
Dennis
The glycin may be adding a stain but it shouldn't. Tea
will stain the paper yellow or brown and can be used to give
the effect of a warm toned support. This is not a toner but
rather just a staining of the paper or the gelatin.
At one time many papers were offered in a variety of
support tints (probably in the Baryta layer). Kodak had a
color called Old Ivory which was popular with oil colorists.
Most of the old surfaces and textures would not be
acceptable to modern photographers. The very rough textures
were mostly intended to cover up fine detail so as to reduce
or eliminate the amount of retouching necessary for studio
portraits.
--
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx
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What kind of tea?
My favorite developer for printing on warm tone paper is Ansco 130 with Glycin so old that it has turned milk chocolate brown. It adds just a bit of warm stain to the paper. The same can be achieved by adding a cup of tea to the stop bath.Dennis
- [pure-silver] Re: Favorite Print Developer
- From: Laurence Cuffe
- [pure-silver] Favorite Print Developer
- From: ERoustom
- [pure-silver] Re: Favorite Print Developer
- From: Dennis Purdy
- [pure-silver] Re: Favorite Print Developer
- From: Jeffrey Thorns