[opendtv] Re: State of the Art LCD 45" HDTV
- From: Craig Birkmaier <craig@xxxxxxxxx>
- To: opendtv@xxxxxxxxxxxxx
- Date: Thu, 28 Oct 2004 08:57:49 -0400
At 7:56 PM -0400 10/27/04, Tom Barry wrote:
>You must have very good eyes. I've usually figured that over 4 screen
>heights viewing distance 720p was fine, reserving 1080i/p for less than
>that.
Actually I was just being lazy. I did not want to take the time to
calculate the cycles per degree of potential resolution available at
the viewing distances I mentioned. And there are other factors that
complicate this discussion.
As I noted, the samples per inch of the display works out to be 49
samples per inch. Personal computer displays, which are nominally
viewed at a distance of about 30 inches typically have a DPI (same as
samples per inch) between 72 and 96. This suggests that the optimal
viewing distance is somewhere in-between that needed for a computer
display and that needed for a TV display. I guessed that it would be
4-5 feet (48-60 inches), which is clearly much closer than most
people would sit to watch TV ( but conceivable for viewing of an
information display in a signage application).
At a more typical TV viewing distance of 7-10 feet this display is
overkill - it would not be possible to resolve the available detail.
Tom is correct, that 720P is more than adequate for a display of this
size when viewed at the "Lechner distance."\
>But I've been wondering lately if I have to amend that a bit for fixed
>pixel displays with well defined pixels and no implicit filtering from
>CRT spot beam size. The fixed pixel displays may well create some
>artifacts that were not an issue back when the original viewing and
>visibility tests were mostly performed.
An interesting observation, but there is no need to amend your thinking.
The main difference with fixed pixel displays is that they are
capable of presenting detail that is not acceptable for video or
natural images, which require Nyquist filtering of the samples to
prevent the perception of aliasing. We can illuminate alternating
lines at full intensity - i.e. black white transitions. This ability
to present non-Nyquist filtered samples is critical when you want to
enhance contrast at the expense of some aliasing, as is the case with
the text you are reading now.
But every fixed pixel display can also present properly Nyqist
filtered samples, at the expense of perceived resolution and
contrast. You actually see more accurate image portrayal than with a
CRT because the samples are always in the right physical location and
the sample size (as compared to the spot beam size) is uniform
everywhere on the display (note that this may not be absolutely true
for projection systems because of the potential for lens distortions,
key stoning, etc.
The other obvious difference is that the "trick" that makes interlace
work on scanning displays, does not work with "constant illumination
displays." The human visual system integrates the scanning spot to
create the perception of moving images. By interlacing we sacrifice
vertical resolution in order to improve temporal resolution - the
human visual system integrates the constantly changing half vertical
resolution fields. This works quite well if we use enough filtering
to hide the artifacts of interlacing.
But with displays that illuminate entire video frames continuously,
for most or all of the temporal sampling period, the "trick" doesn't
work. We must create the information missing from the interlaced
sampling process to create complete frames. This can be done crudely
with spatial/temporal filters that hide the artifacts, or we can use
complex motion compensated prediction techniques to "predict" the
missing samples. The latter will typically produce more detailed
images, but suffers from problems with many types of imagery that are
very difficult to predict - for example;
- When new information is revealed between temporal samples (e.g. a
rotating globe).
- Plastic deformations - i.e. reflections off of non-planar surfaces
- New information entering the edges of the frame
Some of these issues can be improved with more temporal samples in
the prediction buffers. Some require complex calculations akin to
those used for the rendering of complex 3D animations.
Life is SOOOOOOO much easier when we sample images properly in the first place.
Regards
Craig
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- » [opendtv] Re: State of the Art LCD 45" HDTV
- » [opendtv] Re: State of the Art LCD 45" HDTV
- [opendtv] Re: State of the Art LCD 45" HDTV
- From: Tom Barry
- [opendtv] Re: State of the Art LCD 45" HDTV
- From: Olivier Houot
- [opendtv] Re: State of the Art LCD 45" HDTV
- From: Tom Barry