[opendtv] Re: Repurposing Allowed? Fair Use?
- From: John Willkie <johnwillkie@xxxxxxxxxxxxx>
- To: opendtv@xxxxxxxxxxxxx
- Date: Fri, 27 Jun 2008 09:40:09 -0700 (GMT-07:00)
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I posted that link, in no small part, to demonstrate several things, including aspects of fair use. First, as I recall, YouTube pays fees to Ascap and BMI, so playing music is more or less okay (those two account for the vast majority of licensed music in the U.S.) The film clips were, to my eye, carefully crafted to stay within fair use. That is, they are very short (generally no more than 5 seconds) and their inclusion doesn't use -- with one exception -- audio from the film. They don't give you the essence of the film, just a taste. However, and with copyright there is always a however, a general ASCAP or BMI license doesn't give the holder a license to "syncronize" the audio to unrelated video, this is never fair use, and requires an individual license. But, usually holders don't go against non-commercial uses. (There is big money in syncronization licenses.) The purest uses I have seen of music on YouTube is when the video just shows the song playing on a turntable. I'd just love to see a copyright holder try to assert that a sync license pertains to that. Under my understanding of "sync" (attained in the second semester at the TV/Film department of San Diego City College, a junior college), that's a clear, if de minimus violation of the sync rights in the song. Less pure is when they show liner artwork, with potentially other copyright questions may arise. I'm a fan of a rather obscure British group named "Barclay James Harvest." In thier history, the probably sold 50,000 of their 12 albums in the U.S. (They were seriously big in the U.K and Europe.) I was suprised just how many of their songs are available on YouTube, including a live version of their "Hymn" that I had only heard about once, thirty years ago, by a guy who read about in New Musical Express or Melody Maker. It's a wonderful piece of music, particularly for Christians, and not to be confused with their "Suicide" which deals with, well, guess what? They made the mistake of being signed by MCA (Music Cemetary of America), controlled by Universal, and I've even seen self-pirated copies of their albums in used record stores. (Apparently pirated by cohorts of the late mobster Morris Levy in the mid-1980s, actions that earned him an indictment right before he died. Levy owned Roulette records "Crimson and Clover", and robbed from many artists via his record labels and 'ownership' of the Peppermint Lounge.) It even looks to me like there might be a YouTube-influenced resurrection (a pun?) of BJH. I just enjoy plucking the ignorant who see these issues either in black or white, or who can rationalize that their desire trumps all laws and the explicit rights of others, and then they try to shout down anyone that says something that interferes with their generally favorable view of their desires. I tend to know when I transgress on the rights of others. John Willkie
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