[lit-ideas] Re: a niggling question
- From: "Mike Geary" <atlas@xxxxxxxxxxxxx>
- To: <lit-ideas@xxxxxxxxxxxxx>
- Date: Wed, 25 Feb 2009 13:39:19 -0600
"RHYME, THE SHINY DIME OF LANGUAGE"
OR MORE THAN YOU EVER WANTED TO KNOW ABOUT RHYME (RIME)
http://en.wikipedia.org/wiki/Rhyme
Types of rhyme
The word "Rhyme" can be used in a specific and a general sense. In the
specific sense, two words rhyme if their final stressed vowel and all
following sounds are identical; two lines of poetry rhyme if their final
strong positions are filled with rhyming words. A rhyme in the strict sense
is also called a perfect rhyme. Examples are sight and flight, deign and
gain, madness and sadness.
Perfect rhymes can be classified according to the number of syllables
included in the rhyme
a.. masculine: a rhyme in which the stress is on the final syllable of the
words. (rhyme, sublime)
b.. feminine: a rhyme in which the stress is on the penultimate (second
from last) syllable of the words. (picky, tricky)
c.. dactylic: a rhyme in which the stress is on the antepenultimate (third
from last) syllable ('cacophonies", "Aristophanes")
In the general sense, "rhyme" can refer to various kinds of phonetic
similarity between words, and to the use of such similar-sounding words in
organizing verse. Rhymes in this general sense are classified according to
the degree and manner of the phonetic similarity:
a.. syllabic: a rhyme in which the last syllable of each word sounds the
same but does not necessarily contain vowels. (cleaver, silver, or pitter,
patter)
b.. imperfect: a rhyme between a stressed and an unstressed syllable.
(wing, caring)
c.. semirhyme: a rhyme with an extra syllable on one word. (bend, ending)
d.. oblique (or slant): a rhyme with an imperfect match in sound. (green,
fiend; one, thumb)
e.. assonance: matching vowels. (shake, hate) Assonance is sometimes used
to refer to slant rhymes.
f.. consonance: matching consonants. (rabies, robbers)
g.. half rhyme (or sprung rhyme): matching final consonants. (bent, ant)
h.. alliteration (or head rhyme): matching initial consonants.
(short,ship)
It has already been remarked that in a perfect rhyme the last stressed vowel
and all following sounds are identical in both words. If this identity of
sound extends further to the left, the rhyme becomes more than perfect. An
example of such a "super-rhyme" is the "identical rhyme", in which not only
the vowels but also the onsets of the rhyming syllables are identical, as in
gun and begun. Punning rhymes such are "bare" and "bear" are also identical
rhymes. The rhyme may of course extend even further to the left than the
last stressed vowel. If it extends all the way to the beginning of the line,
so that we have two lines that sound identical, then it is called
"holorhyme" ("For I scream/For ice cream").
The last type of rhyme is the sight (or eye), or similarity in spelling but
not in sound, as with cough, bough, or love, move. These are not rhymes in
the strict sense, but often were formerly. For example, "sea" and "grey"
rhymed in the early eighteenth century, though now they would make at best
an eye rhyme.
The preceding classification has been based on the nature of the rhyme; but
we may also classify rhymes according to their position in the verse:
a.. tail rhyme (also called end rhyme or rime couée): a rhyme in the final
syllable(s) of a verse (the most common kind)
b.. When a word at the end of the line rhymes with a word in the interior
of the line, it is called an internal rhyme.
c.. Holorhyme has already been mentioned, by which not just two individual
words, but two entire lines rhyme.
A rhyme scheme is the pattern of rhyming lines in a poem. Internal rhyme is
rhyme which occurs within a single line of verse.
[The following is exclusively for JL, unless there are other Tamilian
speakers on list]
Rhyme in Tamil
There are some unique rhyming schemes in Dravidian languages like Tamil.
Specifically, the rhyme called 'edukai'(anaphora) rhymes on the beginning of
subsequent line of a poem. The effect of 'edukai', though a little strange
at first, rapidly becomes pleasant to the reader, and to the Tamil it is as
enjoyable as the end rhyme.
The other rhyme and related patterns are called 'monai' (alliteration),
't?odai' (epiphora) and 'irattai kilavi' (parallelism).
Some classical Tamil poetry forms, such as Venpa, have rigid grammars for
rhyme to the point that they could be expressed as a context-free grammar.
Mike Geary
proudly, like Pavarotti,
singing the virtues of the non-literati
for we are who are Memphis's emphasis
----- Original Message -----
From: "Paul Stone" <pastone@xxxxxxxxx>
To: <lit-ideas@xxxxxxxxxxxxx>
Sent: Wednesday, February 25, 2009 12:14 PM
Subject: [lit-ideas] a niggling question
To all the literati -- and Mike too,
The other day, I heard Burt Bacharach's "What the world needs now"
song. It was the piped-in music at a local grocery store. I remember
thinking, as I filled my shopping cart, "This song DOESN'T RHYME and
it's getting on my last nerve" [don't worry, I'm seeing someone about
such catastrophizing -- that's actual psychiatralogical newspeek].
Of course the line I'm referring to is the often repeated "no not just
for some, but for everyone".
You say to yourself, "where is this guy going with this?"
I want to know if there's a word (just like there was a word for the
stringy things in bananas -- 'phloem bundles' -- thanks DR and RP) for
the act of 'almost rhyming' but not quite.
paul
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