[lit-ideas] Re: "The Day After Yesterday"
- From: Jlsperanza@xxxxxxx
- To: lit-ideas@xxxxxxxxxxxxx
- Date: Mon, 31 Jan 2005 14:11:30 EST
In a message dated 1/31/2005 1:41:55 P.M. Eastern Standard Time,
phil.enns@xxxxxxxxxxx writes:
J.L. wrote:
"it is _analytically_ *true* that 'the day after yesterday' _is_ 'today'."
Really? I would have thought that this phrase is a classic example of those
bits of language that escape _analytic_ analysis. For example, to what does
'yesterday' refer to?
Yesterday, all my troubles seemed so far away
----
Nothing escapes analytic analysis -- to Nietzsche!
One problem is that 'the day after yesterday' is _modelled_ (or 'modeled' as
the Americans spell it) after the phrase, I was thinking, 'the day after
tomorrow'.
Now, I don't know about Anglo-Saxon (Old English), but one has to admit that
the phrase 'the day after tomorrow' is a paraphrasis. In other languages,
there is a shorter expression ('pasado-manhana', in Spanish). (How's that in
Arabic, Mirembe?).
In a language like Spanish, then, the pun in _Sideways_ gets lost in
translation. Since there is a shorter way of saying 'the day after tomorrow',
the
phrase 'the day after yesterday' sounds doubly artificial.
Maya may be meaning that if 'today' is a _shorter_ way of saying 'the day
after yesterday', why not use, a la Grice, the briefer expression (recall his
conversational maxim, enjoining 'perspicuity', 'be brief').
I'm not sure what McCartney meant by 'Yesterday'. Literally, of course, we
_know_. We may doubt as to what he may have 'implicated'. The phrase, "Now I
long for yesterday" is particularly _ironic_ I find, but not _really_
contradictory ('analytically false'), is it?
In Sideways, I have found online, it has been suggested that the novel is
_obtusely_ titled "The day after yesterday", and in the film, it is _not_
obvious that Miles finds Maya's synonym-replacement altogether happy.
Thanks for your comments,
Cheers,
JL
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