[lit-ideas] Re: Research Down Under
- From: Robert Paul <rpaul@xxxxxxxx>
- To: lit-ideas@xxxxxxxxxxxxx, David Ritchie <ritchierd@xxxxxxxxxxxxx>
- Date: Sat, 16 Jun 2007 12:31:21 -0700
David Ritchie writes
I would like to know more about how such a committee works. We don't
have one. Neither do we have a code that spells out what the
consequences might be if you choose to challenge the college's social
contract, or simply lose your temper repeatedly and in public.
The committee works (as do all committees) by the seat of its
collective pants and by following a number of rules and guidelines
which, although I was on it years ago, I can no longer remember. Most
of the research in question was proposed by psychology students for
thesis projects. It's conceivable that economics or biology might have
run certain proposals by the committee.
What would happen if you threw a fit because you weren't allowed to go
forward with your project? You'd be reasoned with, given a cookie and
warm milk, and asked to lie down and listen to Delius' 'On hearing the
first cuckoo in the
Spring,' until you agreed to submit another proposal and we unlocked the door.
How do you think the committee might have avoided some of the problems
in this mess. Here's how I'm imagining the conversation.
The exact nature of the mess still isn't clear to me; as I said
earlier, the actual aim of the project (or 'research') isn't set out
in what I've read.
"Professor X your thesis student wants to make a movie that puts
mentally disabled people in situations that a reasonable person would
call demeaning. Why should we allow this?"
"The project explores tensions in the area that lies on the border
between what is taboo and what is funny. Like all good art, it takes
risks but the intent is to imitate Borat's strategy, embracing
prejudice in order to illuminate prejudice, to show what people really
think when their guard is down. I can't guarantee that the student
will succeed or that the result will not be offensive to some or even
many people. But in my judgment there is in this project value which
outweighs the potential for harm. "
Well, X, it's been known for a long time that some things once taboo
are now the subject of comedy; as for appealing to Borat for
justification, most of us know from our own lives how people behave
when their guard is down, in many, many, different situations. We do
not need this project to reinforce that historically well documented
point. We have only, for example, to visit Joe's Bar, which is just
around the corner, and eavesdrop. Art has no special priviledge when
it comes to demeaning, mocking, ridiculing, and embarrassing the
mentally disabled. Many of them live their lives being seen as The
Other, and thereby as fair game for the jibes of fools. Examing their
reactions to this would seem to be the province of psychology, not art
I'd remind you, because you may have mislaid your notes, that we do
not sanction experiments which result in harm other persons, whether
the harm is physical or mental, in the absence of their informed
consent; and only then rarely. In this case, it would seem as clear as
a mountain spring that your proposed subjects are not capable of
giving informed to consent. We therefore do not approve your project.
p.s.
I have just received a letter from one of your colleagues in the
Literature department, who supports your project because it is
'transgressive.' Upon receiving it, my suspicion that this was one of
them Po-Mo scams was confirmed,
and your entire research group has been suspended for two months
without the possibility of parole.
Cal Irvine
Chair, Committee on Research that Strikes us as Suspicious from the Git-Go
Mutton College
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I would like to know more about how such a committee works. We don't have one. Neither do we have a code that spells out what the consequences might be if you choose to challenge the college's social contract, or simply lose your temper repeatedly and in public.
How do you think the committee might have avoided some of the problems in this mess. Here's how I'm imagining the conversation.
"Professor X your thesis student wants to make a movie that puts mentally disabled people in situations that a reasonable person would call demeaning. Why should we allow this?"
"The project explores tensions in the area that lies on the border between what is taboo and what is funny. Like all good art, it takes risks but the intent is to imitate Borat's strategy, embracing prejudice in order to illuminate prejudice, to show what people really think when their guard is down. I can't guarantee that the student will succeed or that the result will not be offensive to some or even many people. But in my judgment there is in this project value which outweighs the potential for harm. "
- [lit-ideas] Re: Research Down Under
- From: Robert Paul
- [lit-ideas] Re: Research Down Under
- From: Judith Evans
- [lit-ideas] Re: Research Down Under
- From: Judith Evans
- [lit-ideas] Re: Research Down Under
- From: David Ritchie