[lit-ideas] Not The Trouser Guy
- From: Jlsperanza@xxxxxxx
- To: lit-ideas@xxxxxxxxxxxxx
- Date: Wed, 4 Nov 2009 02:42:35 EST
In a message dated 11/4/2009 2:22:17 A.M. Eastern Standard Time,
ritchierd@xxxxxxxxxxxxx writes:
You clearly haven't tried "Tristes Tropiques," the post punk band.
----
When they tour in England they go by "A World on the Wane".
Excerpts from the obit in the D. Telegraph:
"Levi-Strauss's] originality was to interpret myth and custom not so much
as the distinct creation of a particular culture, but as different
expressions of images universally innate to homo sapiens. In elucidating these
common mental structures he relied less on meticulous observation in the field
than upon a series of imaginative insights which were often greeted with
scepticism in the pragmatic Anglo-Saxon world."
Typical DT ideo-stereotype if ever there was one.
"The true meaning of myth, Lévi-Strauss held, lay below the narrative
surface, and was to be detected by considering the changes apparent in
different
versions of the same legend. In his own metaphor, he studied the
relationship between various narratives rather as a musician would seek to
weave
together different instrumental parts to form a symphony."
A mixed metaphor, if ever there was one. More like 'variations on a theme',
if you ask me. Thus, you'll agree that the Little Red Riding Hood story is
pretty much the same in the original grim version of the brothers as the
more romantic Perreault we are all familiar with via Walt Disney.
"Though comprehensiveness was the very essence of Lévi-Strauss’s approach,
his researches were concentrated chiefly on various tribes of Amerindians.
He maintained that the structure of the human mind was more easily elicited
in “cold” primitive societies, where the existing way of life was not
questioned, than in the “hot” societies of the developed world, where the
pursuit of progress undermined stability."
"Lévi-Strauss’s principal anthropological monument is Les Mythologiques, a
four-volume work which demands from the reader both penetration and faith.
The first volume, Le Cru et le Cuit (1964), presents the origins of
cookery as a paradigm of the transition from nature to culture that runs
through
a legion of myths."
"The second volume, Du Miel aux Cendres (1966), considers honey and
tobacco as ritual embodiments of fundamental antitheses pre-existing in the
brain."
Well, I wouldn't say about honey but tobacco was a main problem with is
cigarrettes. But, as Claude says, it's a pre-existing antithesis in the brain
(of the smoker).
"The third volume, L’Origine des manières de table (1968), and the fourth,
L’Homme Nu (1971), concentrate on the North American Indians. The same
myths, Lévi-Strauss insisted, manifested themselves in both North and South
America, but “from one region to the other an interior transformation evolved
deep within them”. Whereas for the South American Indians the advent of
civilisation is symbolised by the passage from the raw to the cooked, for the
North Americans it is represented by the invention of ornmanents and
clothing, and eventually by the introduction of trade."
"The text of Les Mythologiques was littered, though hardly illuminated, by
all manner of visual aids — diagrams, arrows, charts of the night sky,
fragments of algebra, and an array of small boxes shaded with hatchings and
cross-hatchings."
"While Lévi-Strauss’s capacity for creating complex intellectual jigsaws
was never in question, it was not always obvious what relation his hypotheses
bore to reality. The English anthropologist Sir Edmund Leach drew
attention to the Frenchman’s propensity for discovering exactly what he was
searching for. “Any evidence, however dubious,” Leach complained, “is
acceptable
so long as it fits with logically calculated expectations; but wherever the
data runs counter to the theory, Lévi-Strauss will either bypass the
evidence or marshal the full resources of his powerful invective to have the
heresy thrown out of court.”
Well, it takes a DT reader that this is damn by faint praise! The
ad-hocness galore. Popper would be turning on his grave.
"Lévi-Strauss himself accepted the limits of his method."
And L. Helm was wondering about one.
"“The idea behind structuralism”, he explained, “is that there are things
we may not know but we can learn how they are related to each other. This
has been used by science since it existed and can be extended to a few other
studies — linguistics and mythology — but certainly not to everything. “
The great speculative structures are made to be broken. There is not one of
them that can hope to last more than a few decades, or at most a century or
two.”"
"The son of a painter, Claude Lévi-Strauss was born in Brussels on November
28 1908. When the First World War broke out he was sent to Paris to live
with his grandfather, a rabbi, in whose household he soon lost his faith. He
was educated at the Lycée Janson de Sailly in Paris and at the Sorbonne,
where he read Law and Philosophy."
A lot of Bergson we assume, but little more.
"As a teenager he became interested in Freudian psychoanalysis and Marxism.
After completing his studies, Lévi-Strauss taught in secondary schools.
Among his colleagues was Simone de Beauvoir, who remembered him warning his
students “in a deadpan voice, and with a deadpan expression, against the
folly of the passions”."
It has always struck me that those diatribes are mostly uttered by the
most passionate of men! With French secondary students it _IS_ different --
hence the deadpan voice, I assume.
"In 1934 Lévi-Strauss became Professor of Sociology at Sao Paulo
University, which had recently been founded on a French initiative."
Read: zillions of francs. The Brazilians objected to the teaching in
French, though. And Claude had to learn a Portuguese of sorts. ("What money
can't
buy").
"During his four years with the faculty he travelled extensively in the
interior of Brazil, visiting the communities of Caduveo and Bororo Indians."
Oddly he missed the ornaments, if not the tobacco. True, they go around
mainly naked, it would seem. But then, the weather.
"In 1938 he resigned his Chair and embarked on a year-long expedition,
funded by the French government, up the Rio Machado to the wilds of Matto
Grosso, where he studied the Nambikwara and Kawahib tribes and encountered
another, previously quite unknown to anthropology, whose members referred to
themselves as Mundé."
And here the comment is on that hateful DT (Daily Telegraph) use of the
particle 'quite'. He is quite dead. It was quite unknown. NOT translatable!
And in need of 'disimplicature'. Oddly, if you disimplicate the explicature
it becomes, 'he encountered an unknown tribe'. The free paraphrasis of the
statement in its healthy logical form shows it is a SILLY thing to say! For
we may assume that if there _were_ 'anthropologists' (serious students of
their own kind) among the Munde, they knew about them (the Munde).
"The Second World War saw Lévi-Strauss as a French army officer,
responsible for liaison with the British."
"After the fall of France he escaped to the United States,"
Not the verb that you'll read in "Le Figaro" obit! Makes him sound like a
veritable rodent.
"where he took up a visiting professorship at the New School for Social
Research in New York City. In this post he was greatly influenced by Roman
Jakobson, who had developed a mathematical view of language which stressed not
so much the meaning of individual words as the overall configuration of
the grammatical relationships between them."
"Back in France after the war, Lévi-Strauss published La Vie familiale et
sociale des Indiens Nambikwara (1948), and Les Structures Elémentaires de
la parenté (1949). In opposition to “Functionalist” anthropologists, who
argue that kinship systems are a response to differing patterns of social
organisation, Lévi-Strauss contended, in the second book, that kinship systems
reflected underlying principles of the human mind."
"A basic principle, he sought to demonstrate, was an unconscious – and
therefore fundamental – aversion to incest (the incest taboo) which was
interlinked with systems of exchange and gift-giving throughout the ages."
Wasn't this FREUD's discovery? But then, beware of Freud. Look at what
Freud says about homosexuals. The Oedipus Complex not resolved, etc. And then
you see a straight man praising (and perhaps babylike sucking) the mammary
glands of a female and makes you wonder if it's not the straight man who
has, if anyone does, an unresolved Oedipus complex. It's all very ---
complex, and 'taboo's the word. (Cfr. Geary' obit on the 'uncle' playing the
sexual role of the 'father' in Amerindian tribes of the Matto Grosso).
"These in turn were symbolic gestures that underwrote the whole network of
relationships that were the basis of human society. A work of enormous
erudition if, at times, almost ludicrous complexity, it established
Lévi-Strauss as one of the foremost anthropologists of his generation."
'Ludicrous complexity' is, with 'quite unknown', one of those Daily
Telegraphisms you have to bear and grin to. I find it ludicrious that they
would
use that adjective, since the implicature would seem that the complexity
was NOT ludicrous to CLS, but then it was!
"In 1950 he became director of the laboratory of Social Anthropology at the
Ecole Pratique des Hautes Etudes at Paris University, and in the early
1950s did field work in East Pakistan and the South Pacific. His short study,
Race et Histoire, was published by Unesco in 1952. Then, three years later,
came his masterpiece, Tristes Tropiques — translated into English by John
Russell as A World on the Wane (1961)."
Because he thought that "Sad Tropics" missed the clever alliteration.
"This was an intellectual autobiography concentrated on his pre-war travels
in Brazil. Lévi-Strauss described how the book sprang out of depression: “
So I said, 'I had enough, I shall never come to anything, so I can write
very freely about whatever passes through my head.’"
Geary crossed this out, "crossed my mind", he wrote. "It goes over your
head, but it crosses your mind, never your head", he explains. "French people
should not aim at English puns"
""I wrote without scientific scruples, without worrying whether the result
was scientifically sound. The result was a sort of wild fantasy.” In the
book, Lévi-Strauss formulated his distinction between “Nature” and “Culture”
based on language and man’s unique ability to see an object not merely as
itself, but also as a symbol. It was in this ability to symbolise, a
characteristic shared by all humans, no matter how primitive, that he sought
the
unconscious similarities of the human mind."
This 'homo symbolicus' of CLS strikes me as utterly narrow-minded. Hey, my
cat uses many symbols!
"These “universal attributes” were the inspiration for Lévi-Strauss’s
intellectual quest. But in detecting them, he was also accused of reductionism.
Even his severest critics would not deny his importance, however, his
immense influence beyond his chosen field, or the sense of intellectual
excitement he was able to generate. This lay in his highly original
interpretation
of data, in the poetic scope of his associations and in his methodology,
which was always capable of shedding new light on established facts even if
his conclusions were sometimes subject to doubt. By the time that Tristes
Tropiques was published the tribes about which he wrote had largely
succumbed to famine and disease, a fate which the author seemed to regard as a
foreshadowing of that in store for Western culture."
"“I knew that, slowly and steadily, humanity was breeding such situations
as a sick body breeds pus,” he wrote. “It was as if our race was no longer
able to cope with its own numbers... War and defeat had accelerated a
universal process, and facilitated the establishment of an infection that
would
never again disappear from the face of the world.” In 1958 Lévi-Strauss
issued a collection of his essays under the title Anthropologie Structurale
(1958, English translation 1964). Two years later he took over the Chair of
Social Anthropology at the Collège de France; his inaugural lecture was
published in Britain as The Scope of Anthropology (1967). La Pensée Sauvage —
the English translation of which, The Savage Mind, appeared in 1966 — was
one of his most important books. It presented the complex totemism prevailing
among Australian aborigines as the expression of the world view that
orders and explains their everyday lives. Lévi-Strauss’s later works included
Anthropologie Structurale Deux (1967), La Voie des Masques (1975, English
translation 1983), Le Regard Eloigné (1983), Paroles Données (1984), La
Potière Jalouse (1985) and Histoire de Lynx (1991). The sage’s views were
never
predictable. Asked to deliver the 1971 Unesco lecture on the causes of
racism, he took the opportunity, even while condemning all forms of
discrimination, to attack anti-racist propaganda for undermining “ancient
individualism”
and for driving humanity towards the insipid goal of a world
civilisation. He was appointed a member of the Légion d’honneur in 1964 and
elected to
the Academie Française in 1973"
"taking Henri de Montherland’s chair. In 1978 President Giscard d’Estaing
solicited Lévi-Strauss’s aid to ensure that France remained “a lighthouse
for the world in the evolution of ideas and societies, as it has done
throughout its history”. Lévi-Strauss did so by continuing to give lectures,
write articles and indulge his love of music."
"His attempt to create a scientific basis for the study of culture was
recognised by the Centre National de la Récherche Scientifique, which awarded
him its Gold Medal, the highest French scientific distinction. Though bound
to Paris, Lévi-Strauss preferred to live in Burgundy. “I like trees, I like
plants, I like animals,” he explained. “But I am not very fond of humans.”
Claude Lévi-Strauss married first, in 1932, Dina Dreyfus; secondly, in
1946, Rose Marie Ullmo — they had a son; and, thirdly, in 1954, Monique
Roman, with whom he had another son."
May he R. I. P.
J. L. Speranza
The Swimming Pool Library, Villa Speranza, Bordighera
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