if youcan read MORGUE in German, that is my advice, in literary terms coelh, I eve tried to read.. Quatsch...On Tue, 11 Mar 2008, Eric Yost wrote: > >>Benn's review of Rilke > > Read Gottfried's _Primal Vision_ long ago but the contents didn't stick > in memory, just the gray, trade paperback cover. It could've been the > translation. > > Maybe translation causes some texts to seem much more interesting, or > alternately much less interesting, than they really are. For example, I > have been assured that _The Alchemist_ by Paulo Coelho is considered > absolute garbage in Brazilian Portuguese and is widely despised there, > Yet his book is very popular in the US. > > Even less interestingly, there's a book called _The Technological > Unconscious in German Modernist Literature: Nature in Rilke, Benn, > Brecht, and Döblin (Studies in German Literature Linguistics and > Culture)_ by Larson Powell. I can imagine that reading such a work would > be like sleeping in a graveyard in late autumn. Not even dogs for > company and a skittish wind like the end of Chopin's second sonata ... > plus literary theory. > > With grim resolve, > Eric > > > > _____ > > The novel of ideas. The novel of manners. The novel of grim witness. The > novel of pure dreaming. The novel of excess. The novel of unreadability. > The comic novel. The romance novel. The epistolary novel. The promising > first novel. The sad, patchwork, grave-robbing, over-my-dead-body > posthumous novel. The suspense novel. The crime novel. The experimental > novel. The historical novel. The novel of meticulous observations. The > novel of marital revenge. The beach novel. The war novel. The antiwar > novel. The postwar novel. The out-of-print novel. The novel that sells > to the movies before it is written. The novel that critics like to say > they want to throw across the room. The science fiction novel. The > metafiction novel. The death of the novel. The novel that changes your > life because you are young and open-hearted and eager to take an > existential leap. > > - Don DeLillo, from "A History of the Writer Alone in a Room" (1999) > > ------------------------------------------------------------------ > To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, > digest on/off), visit www.andreas.com/faq-lit-ideas.html > off address: #201 West Building, Philosophy, Duke University box 90743, Durham, NC 27708 home ph#: [1] 9196881856 cellph#: [1[] 9195997065 (voicemail is available on said numbers) email palma@xxxxxxxx ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html