[lit-ideas] Re: Erin's Course Dilemma

*John McCreery asked:

Conception? Or perception?

Is it not a principal lesson of modern science that what we take to be
immobility is only change at a pace to slow for unaided perception to grasp.

*A question for Neo of Elea, perhaps, not for Swann. 
 
'Perhaps the immobility of the things that surround us is forced upon them
by our conviction that they are themselves, and not anything else, and by
the immobility of our conceptions of them. For it always happened that
when I awoke like this, and my mind struggled in an unsuccessful attempt
to discover where I was, everything would be moving round me through the
darkness: things, places, years. My body, still too heavy with sleep to
move, would make an effort to construe the form which its tiredness took
as an orientation of its various members, so as to induce from that where
the wall lay and the furniture stood, to piece together and to give a name
to the house in which it must be living. Its memory, the composite memory
of its ribs, knees, and shoulder-blades offered it a whole series of rooms
in which it had at one time or another slept; while the unseen walls kept
changing, adapting themselves to the shape of each successive room that it
remembered, whirling madly through the darkness. And even before my brain,
lingering in consideration of when things had happened and of what they
had looked like, had collected sufficient impressions to enable it to
identify the room, it, my body, would recall from each room in succession
what the bed was like, where the doors were, how daylight came in at the
windows, whether there was a passage outside, what I had had in my mind
when I went to sleep, and had found there when I awoke. The stiffened side
underneath my body would, for instance, in trying to fix its position,
imagine itself to be lying, face to the wall, in a big bed with a canopy;
and at once I would say to myself, "Why, I must have gone to sleep after
all, and Mamma never came to say good night!" for I was in the country
with my grandfather, who died years ago; and my body, the side upon which
I was lying, loyally preserving from the past an impression which my mind
should never have forgotten, brought back before my eyes the glimmering
flame of the night-light in its bowl of Bohemian glass, shaped like an urn
and hung by chains from the ceiling, and the chimney-piece of Siena marble
in my bedroom at Combray, in my great-aunt's house, in those far distant
days which, at the moment of waking, seemed present without being clearly
denned, but would become plainer in a little while when I was properly
awake.'

Robert Paul
The Reed Institute
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