[lit-ideas] Re: Bad Poetry Competition 2011
- From: Judith Evans <judithevans001@xxxxxxxxxxxxxx>
- To: lit-ideas@xxxxxxxxxxxxx
- Date: Tue, 7 Jun 2011 12:37:28 +0100 (BST)
> But derivative or not, one of the two poem-excerpts entered
> as "Photographs of K" in the BPC2011 was dashed off by me
> without conscious plagiarism having cut and pasted the
> other. Should obvious who's wearing no clothes there?
"One of the two poem-excerpts" is consistent with my "parts of". I didn't
bother, I see, to say I'd found a review of the poet's work (because of course,
there is a real poet) that quotes lines from one of the "parts" I had in mind.
So, tough luck, Donal.
--- On Tue, 7/6/11, Donal McEvoy <donalmcevoyuk@xxxxxxxxxxx> wrote:
> From: Donal McEvoy <donalmcevoyuk@xxxxxxxxxxx>
> Subject: [lit-ideas] Re: Bad Poetry Competition 2011
> To: lit-ideas@xxxxxxxxxxxxx
> Date: Tuesday, 7 June, 2011, 8:35
>
> --- On Mon, 6/6/11, Judith Evans <judithevans001@xxxxxxxxxxxxxx>
> wrote:
>
> >Hey! What's wrong with passionate grapefruit?!
>
> Lower case is unbecoming for the name of a post-punk indie
> band.
>
> > I had a strange reaction to the poems -- the ones you
> posted, Donal -- I was convinced I'd read them before. Parts
> of them, anyway. "Derivative", I think, is the word.>
>
> Not entirely which poems or excerpts are being referred
> to.
>
> "For she is everything that is the case" is a clear nod to
> and a lift from Wittgenstein - perhaps more romantic than
> calling her the totality of factual propositions or a ladder
> that you discard when you've climbed up it. I am not well
> enough versed in...everything can seem derivative after a
> while, so that I could convince myself I've come across the
> Bishop of Uppsala before even though we've actually never
> met.
>
> But derivative or not, one of the two poem-excerpts entered
> as "Photographs of K" in the BPC2011 was dashed off by me
> without conscious plagiarism having cut and pasted the
> other. Should be obvious who's wearing no clothes there?
>
> Donal
> London
>
>
>
>
>
>
> So
>
> "You couldn't make it up. Well, uh, someone did."
>
>
> Yes and no....
> Judy Evans, Cardiff, UK
>
>
>
> --- On Mon, 6/6/11, Robert Paul <rpaul@xxxxxxxx>
> wrote:
>
>
> From: Robert Paul <rpaul@xxxxxxxx>
> Subject: [lit-ideas] Re: Bad Poetry Competition 2011
> To: lit-ideas@xxxxxxxxxxxxx
> Date: Monday, 6 June, 2011, 22:51
>
>
> Look
>
> if I tried to write a bad poem I'd be
> afraid
> somebody would find meaning
> in it and give it a prize
> and me a fellowship to the
> Academy of Poetasters
> in Arcadia ego which is
> south of Id
> where they grow
> passionate grapefruit
> and the dogs sleep in the sun
> all day like tired lions
> before the steps of the Temple
> of Juvenile Jupiter
>
> in the Badlands parched
> number lands of Euclid
> and flat as a note from Ulysses' trombone
>
> I need a number
> pick one
> O! I am so sorry
> but we have for you
> this wimp's prize
> three month's vacation
> in Samothrace
> including the Gathering of the Underdogs
> on Mount Suribachi overlooking
> the pissgreen sea where Wally Stevens
> lost his images
> and all esperanza.
>
> We should start a magazine
> full of hopeless beauty
>
> Dun
>
> ————————————————
> I will get into the spirit of the thing, soon.
>
> Robert Paul,
> having dark thoughts in a green shade
>
>
>
> Entries (multiple entries allowed) should be presented one
> at a time and given a title: e.g. "Look".
>
> The entry should then consist of two parts
>
> (1) A poem or an excerpt from a poem written by a poet.
>
> (2) Something written by the entrant, which may bear some
> resemblance or no resemblance to what is written by the
> poet.
>
> The aim of the competition is to make it difficult to guess
> which of the two is the real poet.
>
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