[LRflex] R10 Speculation response. (also long)
- From: David Young <telyt@xxxxxxxxx>
- To: leicareflex@xxxxxxxxxxxxx
- Date: Thu, 18 Oct 2007 09:18:45 -0700
All:
Interesting speculations! Some of your ideas are
certainly better than mine, so here are my takes on some of your comments:
----
Mehrdad wrote:
so 24 in development, probably means 6-8 production lens.
You could be right ... at least at the
start. However, from what I have heard, I would
expect all of them to see production, within 12
months of Photokina. The sheer number of lenses
planned indicates a mount change ... even if the
mount is fully compatible with existing lenses,
some changes would be needed for electrical
contacts (as was done with the Pentax K100s and
K10d). If full (or even partial) compatibility
is maintained, many of these 24 could be existing
optical designs, in new AF mounts. Time will tell.
one of the problems with m8 and canon FF and the usage of wide angle
is how the rays hit the sensor, now may be (this is my hypothesis
after couple glasses) with just a bigger sensor, the wides can hit the
right spot on the sensor and the camera electronically masks the "bad
areas"
How the rays hit the sensor at the edges is much
more of a problem with the M8 than with any dSLR
due to the short distances between the rear
elements and the senor. The mirror box forces
the rear elements further away from the sensor,
reducing -though not eliminating - the
problem. With newer microlens technology, a FF R
camera could (repeat: could) work quite well.
That being said, I like your idea, but cannot see
how it would work. Of course, it's early in the
morning for me, so my head is, perhaps, much too clear!
if there is a mount change or any of the current
R ROM lenses are compromised, i will pass on on
the new R digital, as the investment will be way
too much, i do like to have an avenue to AF
lenses but at my pace and when i am ready.
Personally, I'm with you... if the current lenses
are useable only in aperture priority, with stop
down metering, I might as well stay with my
current (or newer) Canon's and adapters.
----
a aa wrote:
One reason I can think of for having a larger than full frame sensor
is to allow built into the body anti-shake, where the last few mm of
the sensor will not be within the image circle of the lens.
Ah yes ... anti-shake. I'd not thought about
this! I like the idea, for it makes sense!
I am curious about film in the new R system.
Will there be an AF film body too?
My understanding is that the new R10 is a pure
digital camera and there are no plans for film
"R" at this time. If you wish to use film, the R9 is still available.
----
William Abbott offered:
That would allow the sensor to be moved relative
to the image for image stabilization. Think about it.
Another good idea and one which I had not
considered. Whether physically moved, or
electronically moved, a slightly larger sensor
would make this practical! As Mehrdad pointed
out, the larger the sensor, the harder in camera
IS is to make work. But if it were moved
electronically, it would be more reliable (any
moving sensor must be connected by a flexible
circuit, and flexing will invariably cause
failure, given enough time) and blindingly
fast. In this case, the sensor need only be
slightly larger than FF, and thus work with existing mounts.
----
Frank Filippone said:
First of all, you do remember that this is the
LUG list and not the HUG list? Square stuff
goes to HUG, rectangular stuff to LUG. Got it?
Remember, the square idea was only idle
speculation, on my part, as to how a "larger than
full frame" sensor might be used with current
glass. It has not been publicly mentioned, or
even hinted at, by anybody! So don't get too
wound out about this one! I do not think it practical, on any level.
New mount is probably required, or at least, for
some way of auto-focusing the lens?..maybe those
silent wave motors and some more contacts on the
back of the lens? Could preserve all the past
and look forward to the future??
That is what I would like to see.
24 lenses in development? Sounds a bit
grandiose?.. Must include all the Panasonic
?Leica? lenses, etc. 6 M lenses a year? What
for? Replacement for the 50 Summicron is
probably first?..then what? All the other focal
lengths have recently been updated?..Maybe a few more Summarits?
Hey! I only allowed that 6 M lenses would be
overkill... and that still left 18 for a new R
camera. I suspect we'll see two lens lines. A
Summarit (high quality, consumer) line and a
"pro" line with all the APO stuff. Now sure what
the nomenclature will be. Don't forget, that
with ISO's of 1600+, slightly slower lenses
remain very practical! They are less expensive
to design and simpler to build while maintaining incredible optical quality!
My guess would be 4 to 6 (135mm & shorter) in the
high-quality consumer line and the rest in the
pro line. But, once again, that's my guess. Not fact.
Speaking of Summarits, Christian Erhardt (Leica's
US Sales Manager) had some Summarits at
Rochester... but only for show, not for
loan. Apparently they are still "in development"
and I did not get to see them.
As for the 24 including some Pana & M lenses, I
suspect you are right... I'm pretty sure the
total number was offered to throw the competition
off track, though I believe the number to be a correct total.
And for that other speculation on the 40M
pixels?.. sounds close to the 39MP back for a
Hasselblad?? and for that matter, so does the
?larger than full frame? sensor?.. makes me
wonder of Leica and Hasselblad ( or is that
Leica and Hassel-Imacon ?) have something up
their sleeves?. Wouldn?t that be
interesting? MF Leica? I am digging that idea!
I'm not!
Realistically speaking, Leica have stated that
they wish to re-capture their lost pro
market. Competing against Hassy and Mamiya would
be easier than competing against Nikon and
Canon. Perhaps a larger sensor in 6x4.5 format?
----
Douglas Sharp chimed in, with:
2 other possible reasons for FF+ sensor
1) 16:9 format (wider mirror - not deeper)
2) To minimise edge effects - slight sensor
curvature would mean a larger sensor size to cover a fullframe format
1) The 16:9 format has a strong "consumer"
connotation ... not sure if it would work to
attract the 'pro' market other than those doing
Pano work. Also, a wider mirror would make it
impossible for existing glass to work - the image
circle is not large enough. And Leica have
stated that current glass will work, even if only
via an adapter. Other than that "fly in the ointment", a good idea!
2) I like the curved sensor. If that proves
practical, it would give them a real leg up in
the FF market. However, knowing how sensors are
made, on flat wafers, I cannot see how this would
be practical. But then, who knows what Kodak
have up their sleeves? Both chaps from Kodak
were very clear they would not talk about what developments are "in the pipe"!
---
Keith Longmore added:
Speculation about what Leica will do is bound to
be fascinating (a 'merry sport') but at the end
of the day, the reaction of a far wider audience
than this forum will be the ultimate decider -
and not least, the reaction of the photographic press.
Well, Keith, we all have about 11 months to
speculate. Whatever it is, that Leica are
planning, they are letting us know just enough to
keep our interest up. OTOH, they are not letting
too many details out, as they do not wish their
competitors to know their plans.
In the end, the "larger than FF" sensor makes
sense to me, if in-camera IS is accomplished
electronically (as has been done in various
camcorders) as opposed to physically (as in the
Pentax K10d). It need then not be a lot larger,
and would allow the use of existing lenses.
Remember, much of this may be simply good
marketing. If we are all worried about
compatibility for our existing glass, and they
come out with (a) a ff camera with (b) IS via
electronic shifting on a 5% larger sensor and (c)
AF that is implemented by electrical contacts in
the existing mount (as per Pentax) we will all
be so relieved, that we are likely to run, en
masse, to the stores with our money in our hands!
In any event, trying to make sense of what was
said, will keep us all going until next
Photokina. At this time, Rose and I are planning
to be there for the introduction. I am hoping,
as with the M8, to have a sample, before that -
though this is not guaranteed. If it works out
that way, you will have a report on the first
day that publication is allowed. If not, I will
post a full report upon our return from Photokina.
As Frank said.. "Oh, well? in about a year, we will know??..( maybe.)"
Oh, and one more thing to speculate about ... Hr.
Kaufmann announced the creation, in Switzerland,
of Leica Cinema. Very few details on this,
although it seems they are going after the commercial projection market.
Cheers!
---
David Young,
Logan Lake, CANADA
Wildlife Photographs: http://www.telyt.com/
Personal Web-pages: http://www3.telus.net/~telyt
Stock Photography at: http://tinyurl.com/2amll4
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- [LRflex] R-10, M and X camera Info (long)
- From: David Young
Other related posts:
- » [LRflex] R10 Speculation response. (also long)
- » [LRflex] Re: R10 Speculation response. (also long)
- » [LRflex] Re: R10 Speculation response. (also long)
so 24 in development, probably means 6-8 production lens.
one of the problems with m8 and canon FF and the usage of wide angle is how the rays hit the sensor, now may be (this is my hypothesis after couple glasses) with just a bigger sensor, the wides can hit the right spot on the sensor and the camera electronically masks the "bad areas"
One reason I can think of for having a larger than full frame sensor is to allow built into the body anti-shake, where the last few mm of the sensor will not be within the image circle of the lens.
2 other possible reasons for FF+ sensor 1) 16:9 format (wider mirror - not deeper)2) To minimise edge effects - slight sensor curvature would mean a larger sensor size to cover a fullframe format
- [LRflex] R-10, M and X camera Info (long)
- From: David Young