David Young offered: >>>> For George, Axel and everyone who kindly commented, here is an attempt to > emulate Dr. Ted's patented "Swishy Pan" shot. > > http://www.furnfeather.net/Temps/Stake_04.html > > It didn't work out quite as sharp as I'd have liked, but I still like > it....<<<<<<<<<<< Hi David, Given I'm not supposed to be on this machine due to R&R (recovery & rest) I try to sneak in quick looks when SWMBO is out or busy . However catching me????????????? Death awaits me! Well not quite, but a verbal scolding the likes the Devil himself coudn't make up. :-) OK quickly: 1/ You must be on the straight stretch of the track never mind any corners. period! This allows a perfect left to right "Swishy Pan" of the moving bike! Go to manual focus and be focused on the track line he's running on before he gets to absolutely right angles to you. 2/ whatever it takes to get down to say 1/30th or 1/15th set and locked! When he starts down the straightaway pick him up in the viewfnder... "DO NOT TOUCH FOCUS EVEN IF HE'S BLURRED OUT!" WHY? Well if you've prefocused on the track he'll be flying past you he'll be infocus at that time! It doesn't matter what he looks like at the far end of the track as he enters the straight. He will ride into focus as he approaches your on track focus point right in front of you. 3/ Now you're following him through the viewfinder and swish-panning with him as fast as he is moving and follow through just like swinging a baseball bat or golf club. If you have motor drive start firing a frame or two before he gets directly at right angle to you and flollow through a frame or two after he's passes. 4/ Or if you wish to live dangerously fire one frame as you and camera are swishing with him at exactly the same speed. "Don't think about it as it's far more important for you to physically be moving at the same speed he is. One frame or motor drive. And follow through. 5/ BUT YOU MUST FOLLOW WITH HIM UNTIL HE HAS PASSED YOU! DO NOT THINK OF THIS AS A "ONE SHOT WONDER MOMENT." As in "click and stop your body motion as you "click!" You must shoot and continue the body motion as fast as the rider is going. As soon as the next rider or two neck and neck come down the track shoot them in similar fashion. This kind of shooting exercise with digital is wonderful because you can look at it immediately right after the shot. Shoot lots of them in this fashion and you will create some very interesting effects with the bike sharp and the background a complete swishy-pan of colour! It's most important that you swish your body at exactly the same speed he is moving! Good luck. If you find the blurr is too much IE: the bike is blurring try a slightly higher shutter speed. Each sport dictates what the shutter speeds are depending on whether it's a runner or a 250 klm Ferrari blowing by you. Gotta go, I think I heard the car door! :-) cheers, Dr. ted ------ Unsubscribe or change to/from Digest Mode at: http://www.lrflex.furnfeather.net/ Archives are at: //www.freelists.org/archives/leicareflex/