Re: first year (long)
- From: Rob McClure <rmcclure2@xxxxxxxxxx>
- To: leica@xxxxxxxxxxxxx
- Date: Sun, 15 Apr 2007 09:56:49 -0400
Doug,
Thanks for the photographic notes. As an aspiring bird photographer
(certainly not in your league) I found your comments enlightening. I
always enjoy looking at your work!
Rob McClure
On Apr 15, 2007, at 9:36 AM, Dave Saalsaa wrote:
Doug,
It has been our supreme pleasure to view your photos taken with the
DMR. Purely selfish reasons on our part to help you keep your
equipment, I assure you. Your wildlife photos continue to amaze me
and give me great satisfaction in viewing them. Keep up the good
work. You have a gift of talent for this type of photography that is
rare and wonderful.
Dave
----- Original Message ----- From: "Doug Herr" <telyt@xxxxxxxxxxxxx>
To: "Leica Users Group" <lug@xxxxxxxxxxxxxxx>; "LEG"
<leica@xxxxxxxxxxxxx>; <leicareflex@xxxxxxxxxxxxx>
Sent: Sunday, April 15, 2007 1:19 AM
Subject: DMR: first year (long)
It's been one year more or less since good fortune graced me with a
DMR. Its features that have made the biggest differences in my photos
are common to most DSLR cameras: the extremely low cost per
exposure, the superior high-ISO image quality, and the near-instant
feedback. The DMR's excellent dynamic range and color rendition have
also been a huge benefit. I will always be thankful for the
benefactor who offered the DMR to me on very favorable terms and for
those whose generosity permitted me to keep the DMR during my
family's crisis earlier this year.
My favorite pictures so far made with the DMR, with photographic
notes where appropriate, all at ISO 400 with -1 stop compensation
(prevents highlight clipping) except where noted.
http://www.wildlightphoto.com/birds/anatidae/cago01.html
Canada Geese - R8/DMR, 280 f/4 APO + 1.4x APO-Extender-R
One of my earliest DMR photos, and the one where I learned to
"chimp". I had been working close to the ground with the camera on a
tripod collapsed as low as it would go. I heard the geese coming and
saw that their probable flight path would give some good backgrounds.
No time to switch to shoulder stock or monopod so I picked the whole
rig up tripod and all to pan along with the birds. Exposures made
and geese gone, a silly grin came over my face as I reviewed the new
photos. I had learned to "chimp".
http://www.wildlightphoto.com/birds/tyrannidae/atfl00.html
Ash-throated Flycatcher - R8/DMR, 560mm f/6.8
With this photo I learned to take advantage of the DMR's high-ISO
capabilities and excellent shadow detail retention. The ISO setting
on the camera was 400, but I had set exposure compensation to -3
stops to keep shutter speeds workable (~ 1/125 sec), bringing up the
image tones during development and further refined with Photoshop.
This is cropped with no noise reduction.
http://www.wildlightphoto.com/birds/accipitridae/coha05.html
Cooper's Hawk - R8/DMR, 280mm f/4 APO-Telyt-R
In this pair of photos (second is below) I realized how much better
the DMR's color quality is than professional ISO 400 slide film. Both
photos are uncropped from the same location; the only difference is
the camera body.
http://www.wildlightphoto.com/birds/accipitridae/coha06.html
Cooper's Hawk - Leicaflex SL2/Provia 400F, 280mm f/4 APO-Telyt-R
It also dawned on me that to get the same image size with the film
camera I could use the 1.4x extender, and that with the extender's
loss of light I'd have to use a faster film to use the same shutter
speed as I did with the DMR and no extender. Thus a valid comparison
for my purposes is DMR @ ISO 400 vs. ISO 800 color film. In technical
quality it's no contest, the DMR wins.
http://wildlightphoto.com/mammals/artiodactyls/dash01.html
Dall's Sheep - R8/DMR, 560mm f/6.8 Telyt
ALASKA! I spent six summers in Alaska in my younger days and now on
the 30th anniversary of my first summer I brought the DMR. Chimping
and the histogram display made this photo possible. In my first few
exposures of this ram the brightest whites had lost detail due to
clipping; histogram review and subsequent exposure adjustments
brought back the detail in the brightest white areas (clearly visible
in the print)
http://wildlightphoto.com/birds/corvidae/grja00.html
Gray Jay - R8/DMR, 280mm f/4 APO
I was beginning to notice some aliasing and color moire in the fine
feather detail, particularly when using the 280 APO which can resolve
more than just about anything else. A photoshop plug-in from
fredmiranda.com tamed the beast, and only where it reared its head.
The DMR's battery life was a problem occasionally, fortunately I was
car-camping and had 12-volt power available overnight.
http://wildlightphoto.com/birds/corvidae/stja02.html
Steller's Jay - R8/DMR, 560mm f/6.8 with 1.4x APO-Extender-R
I'm not a big fan of the cropped viewfinder OTOH it allows the SLR
user to see the action outside the frame lines and anticipate when
the action will be in the picture area.
http://wildlightphoto.com/birds/anatidae/come10.html
Common Merganser - R8/DMR, 560mm f/6.8 Telyt
I've gradually realized that the DMR's high-ISO image quality as made
the 560mm Telyt much more usable than with film; I can use higher
shutter speeds in weaker light and still get image quality equivalent
to E100G, my current favorite slide film. All the E100G photos made
of this bird were tossed due to subject motion.
http://wildlightphoto.com/birds/corvidae/ybma01.html
Yellow-billed Magpie - R8/DMR, Novoflex 400mm f/5.6
Birds with large areas of black and white plumage were always a
problem with film because I could get detail in the white areas or
detail in the black plumage or neither. The DMR's dynamic range plus
judicious histogram chimping helps keep the detail in these
black-and- white birds.
http://wildlightphoto.com/birds/rallidae/clra02.html
Clapper Rail - R8/DMR, 560mm f/6.8 Telyt
DMR's dynamic range to the rescue again. With film I'd have lost
shadow detail or white detail or both.
I'm showing these photos just 'cuz I like 'em. All: R8/DMR:
http://wildlightphoto.com/birds/falconidae/amke01.html
http://wildlightphoto.com/birds/turdidae/webl06.html
http://wildlightphoto.com/birds/recurvirostridae/amav01.html
http://wildlightphoto.com/birds/strigidae/leow01.html
http://wildlightphoto.com/birds/strigidae/nsow00.html
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- References:
- DMR: first year (long)
- From: Doug Herr
- Re: first year (long)
- From: Dave Saalsaa
Other related posts:
- » Re: first year (long)
- » Re: first year (long)
Doug,It has been our supreme pleasure to view your photos taken with the DMR. Purely selfish reasons on our part to help you keep your equipment, I assure you. Your wildlife photos continue to amaze me and give me great satisfaction in viewing them. Keep up the good work. You have a gift of talent for this type of photography that is rare and wonderful.
Dave ----- Original Message ----- From: "Doug Herr" <telyt@xxxxxxxxxxxxx>To: "Leica Users Group" <lug@xxxxxxxxxxxxxxx>; "LEG" <leica@xxxxxxxxxxxxx>; <leicareflex@xxxxxxxxxxxxx>
Sent: Sunday, April 15, 2007 1:19 AM Subject: DMR: first year (long)
It's been one year more or less since good fortune graced me with a DMR. Its features that have made the biggest differences in my photos are common to most DSLR cameras: the extremely low cost per exposure, the superior high-ISO image quality, and the near-instant feedback. The DMR's excellent dynamic range and color rendition have also been a huge benefit. I will always be thankful for the benefactor who offered the DMR to me on very favorable terms and for those whose generosity permitted me to keep the DMR during my family's crisis earlier this year.My favorite pictures so far made with the DMR, with photographic notes where appropriate, all at ISO 400 with -1 stop compensation (prevents highlight clipping) except where noted.http://www.wildlightphoto.com/birds/anatidae/cago01.html Canada Geese - R8/DMR, 280 f/4 APO + 1.4x APO-Extender-ROne of my earliest DMR photos, and the one where I learned to "chimp". I had been working close to the ground with the camera on a tripod collapsed as low as it would go. I heard the geese coming and saw that their probable flight path would give some good backgrounds. No time to switch to shoulder stock or monopod so I picked the whole rig up tripod and all to pan along with the birds. Exposures made and geese gone, a silly grin came over my face as I reviewed the new photos. I had learned to "chimp".http://www.wildlightphoto.com/birds/tyrannidae/atfl00.html Ash-throated Flycatcher - R8/DMR, 560mm f/6.8With this photo I learned to take advantage of the DMR's high-ISO capabilities and excellent shadow detail retention. The ISO setting on the camera was 400, but I had set exposure compensation to -3 stops to keep shutter speeds workable (~ 1/125 sec), bringing up the image tones during development and further refined with Photoshop. This is cropped with no noise reduction.http://www.wildlightphoto.com/birds/accipitridae/coha05.html Cooper's Hawk - R8/DMR, 280mm f/4 APO-Telyt-RIn this pair of photos (second is below) I realized how much better the DMR's color quality is than professional ISO 400 slide film. Both photos are uncropped from the same location; the only difference is the camera body.http://www.wildlightphoto.com/birds/accipitridae/coha06.html Cooper's Hawk - Leicaflex SL2/Provia 400F, 280mm f/4 APO-Telyt-RIt also dawned on me that to get the same image size with the film camera I could use the 1.4x extender, and that with the extender's loss of light I'd have to use a faster film to use the same shutter speed as I did with the DMR and no extender. Thus a valid comparison for my purposes is DMR @ ISO 400 vs. ISO 800 color film. In technical quality it's no contest, the DMR wins.http://wildlightphoto.com/mammals/artiodactyls/dash01.html Dall's Sheep - R8/DMR, 560mm f/6.8 TelytALASKA! I spent six summers in Alaska in my younger days and now on the 30th anniversary of my first summer I brought the DMR. Chimping and the histogram display made this photo possible. In my first few exposures of this ram the brightest whites had lost detail due to clipping; histogram review and subsequent exposure adjustments brought back the detail in the brightest white areas (clearly visible in the print)http://wildlightphoto.com/birds/corvidae/grja00.html Gray Jay - R8/DMR, 280mm f/4 APOI was beginning to notice some aliasing and color moire in the fine feather detail, particularly when using the 280 APO which can resolve more than just about anything else. A photoshop plug-in from fredmiranda.com tamed the beast, and only where it reared its head. The DMR's battery life was a problem occasionally, fortunately I was car-camping and had 12-volt power available overnight.http://wildlightphoto.com/birds/corvidae/stja02.html Steller's Jay - R8/DMR, 560mm f/6.8 with 1.4x APO-Extender-RI'm not a big fan of the cropped viewfinder OTOH it allows the SLR user to see the action outside the frame lines and anticipate when the action will be in the picture area.http://wildlightphoto.com/birds/anatidae/come10.html Common Merganser - R8/DMR, 560mm f/6.8 TelytI've gradually realized that the DMR's high-ISO image quality as made the 560mm Telyt much more usable than with film; I can use higher shutter speeds in weaker light and still get image quality equivalent to E100G, my current favorite slide film. All the E100G photos made of this bird were tossed due to subject motion.http://wildlightphoto.com/birds/corvidae/ybma01.html Yellow-billed Magpie - R8/DMR, Novoflex 400mm f/5.6Birds with large areas of black and white plumage were always a problem with film because I could get detail in the white areas or detail in the black plumage or neither. The DMR's dynamic range plus judicious histogram chimping helps keep the detail in these black-and- white birds.http://wildlightphoto.com/birds/rallidae/clra02.html Clapper Rail - R8/DMR, 560mm f/6.8 TelytDMR's dynamic range to the rescue again. With film I'd have lost shadow detail or white detail or both.I'm showing these photos just 'cuz I like 'em. All: R8/DMR: http://wildlightphoto.com/birds/falconidae/amke01.html http://wildlightphoto.com/birds/turdidae/webl06.html http://wildlightphoto.com/birds/recurvirostridae/amav01.html http://wildlightphoto.com/birds/strigidae/leow01.html http://wildlightphoto.com/birds/strigidae/nsow00.html
- DMR: first year (long)
- From: Doug Herr
- Re: first year (long)
- From: Dave Saalsaa