I should have added that I use either an M6 or a hand held light meter..... either are spot meters..... Comparison of metering "modes" in my head is lot more difficult than chimping.. even if it is a histogram.... And another advantage of digital photography...... Frank Filippone red735i@xxxxxxxxxxxxx -----Original Message----- From: leica-bounce@xxxxxxxxxxxxx [mailto:leica-bounce@xxxxxxxxxxxxx] On Behalf Of Mark Bohrer Sent: Tuesday, July 14, 2009 10:43 PM To: leica@xxxxxxxxxxxxx Subject: Re: We're getting married here, but the Hopi might show up Frank: After 40 years of photographing, about ten years of it with Leica M-series cameras, you get a feel for your camera's exposure meter and the images that result from following it. The Leica M8 and Canon EOS 1D mark II I used at Aztec Ruins give consistent readings, and I knew what I wanted to render in detail and what I could blow out. Chimping with small LCD screens on the backs of digital cameras, you really don't get a great idea of your fine exposure, especially in bright daylight when they're hard to see. A histogram display gives you a bit better idea - again, if you can read it in bright daylight. So that's how I arrived at base exposure for raw image files. Then it was a bit of electronic dodging and burning in Lightroom to bring out sky detail. I could have used my old 1/2 ND (grad) filters to do the same thing, had I remembered to bring them. The key tools were the 25mm f/2.8 Biogon T* ZM and EF 24mm f/3.5L TS-E. The TS-E lens isn't as sharp and has a lot more chromatic aberration than Zeiss and Leica optics, but it's a must to minimize converging verticals in architectural photography. Thanks for looking and commenting. Mark Mark Bohrer Active Light Photography www.activelightphotography.com Any Activity. Any Location. Your Story. Frank Filippone wrote: > > The shots are all very nice. > > But what really impressed me was the exposures in very difficult > lighting. That reminded me that with digital cameras, you have the > "Chimping Factor"... the ability to see your exposures, and make > modifications if the shot is not right, and take another exposure. > > Now that is something we just can not do with film..and is very > attractive. > > Frank Filippone > > red735i@xxxxxxxxxxxxx > > ========================================================= To Unsubscribe: Send email to leica-request@xxxxxxxxxxxxx with 'unsubscribe' in the Subject field. The acknowledgment that you then receive MUST be replied to per instructions. You may also log in to the Web interface to unsubscribe. ========================================================= To Unsubscribe: Send email to leica-request@xxxxxxxxxxxxx with 'unsubscribe' in the Subject field. The acknowledgment that you then receive MUST be replied to per instructions. You may also log in to the Web interface to unsubscribe.