Re: Nashville Photos

I agree Carl...and one thing I have noticed is that digital just does not seem to "cut it" if shooting sunsets or where the sun is creating a very vibrant red color in a scene, it comes close at times, but nothing like what I used to get when shooting he same scenes with velvia; and often the sun just plain looks funny in digital, I do not think the sensors can handle that as well as film does.
Don't get me wrong, I am not anti digital, love it for work, but there still are times where I think film still does a little better. 

Carl Socolow wrote:

Jim (and Harrison),
I have to differ with you. There ain't nothing like looking at chromes projected through good glass large onto a good screen. That is something I really miss. Although, as you said, there's something to looking at chromes on a light table as well. A client needed some reprints so I pulled out some architectural Hasselblad chromes I had done a few years ago and while louping them I was amazed and, perhaps nostalgiacally saddened, at the level of detail, dimension and plasticity inherent in the scenes. Sometimes there's more to life than "1s" and "0s". 


--
Harrison McClary
Harrison McClary Photography
harrison@xxxxxxxxxxx
http://www.mcclary.net
ImageStockSouth - Stock Photography
http://www.imagestocksouth.com
Tobacco Road: Personal Blog:
http://www.mcclary.net/blog


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