Lightroom
- From: Jim Brick <jim@xxxxxxxxx>
- To: leica@xxxxxxxxxxxxx
- Date: Tue, 30 Jun 2009 13:49:42 -0700
I believe that LR2 is probably the most significant software offering
for photographers since the beginning of digital photography. LR2 was
developed by photographers for photographers. It allows you total
control over your digital photography from file and project management
to the look and feel of your images. LR1 was the initial LR but it was
just the beginning. LR2 is a huge step forward from LR1.
One of the most important aspects of LR2 is that it is totally (100%)
non-destructive. Your original image, as it came out of your camera,
is NEVER altered. You can mess with it, ad-nauseam, until it is turned
inside out and upside down, and you have never lost your original and
it is always available as a live comparison while working in LR2.
Also, while working on an image, and you find that the path that you
have just gone down is not working, it is just one click to step back
to anywhere in the modification path, even back to ground zero. Plus,
you can create multiple simultaneous virtual modification paths. All
modifications to images in LR2 catalogs, are nothing but a series of
instructions (your modifications) and are virtually applied to the
original image for displaying on your monitor. The only time that you
get an image file with the applied modifications is when you output or
export the image. That, of course, creates a new image file containing
the real modifications that you applied virtually in LR2.
LR2 has numerous ways to automatically tweak your image. Most of the
LR2 features can be applied to images on import or by synchronization
to multiple images. LR2 also has a half dozen or so generic camera
calibrations that can be automatically or manually applied to images.
You can also calibrate your camera(s) to Lightroom so that LR2 will
automatically apply the color/density variances to correct your
camera's images to a known standard.
And all of this is non-destructive. Your original images, as your
camera recorded them, have not been altered.
Unique to LR2 is the Catalog. All images in LR2 belong to a Catalog.
You can have multiple Catalogs but only one open at a time. Simply
put, a Catalog is something that contains information about your
images to help you locate, preview, and organize your image library.
Your images can be located anywhere. Your LR2 Catalog knows where they
are and makes them, their Metadata, and their modification lists
available to you in LR2.
What LR2 has become (the current version is V2.4) is the file cabinet/
darkroom/finished print/web interface standard. To me, LR2 in my view
into my digital images. I use Photoshop as a 'plug-in' to LR2. It is
seldom that I use PS - I use it to remove things like power lines, to
put a white line (stroke) around an image (see my web site), to do
esoteric stuff like 'Content Aware Scaling', etc. LR2 is intuitive for
photographers while PS is not. I believe PS is more aimed at Graphic
Artists/Designers than ordinary photographers. Besides PS, many other
programs can run as LR2 plug-ins, such as Photomatix, all of the Nik
packages, SmugMug, etc. By using other programs as external plug-ins,
your original camera image is never in jeopardy. LR2 gives PS an
'exported' version of your image, with your LR2 changes either
applied, or not, it then PS returns a new image file (.psd) with the
PS changes added to it.
I had a conversation with Adobe's Julieanne Kost (a photographer), who
was a contributor in the making of LR and also gives LR & PS
workshops. Her name is in the start-up banners of both LR & PS. The
conversation was about using LR2 as the main digital image software
interface and use everything else (PS and other packages) as plug-ins.
Her answer was yes... that's the best way for photographers to
proceed. http://www.jkost.com/windowseat.html
IMHO,
Jim Brick
www.visualimpressions.com
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