Re: Fuji


I think I actually prefer the short-dated Sensia; it's fully mature and seems
to give a more mellow tone than the stuff that has a year or more before
expiration. Most of the time I use Provia and save as much as I can by buying
it mailorder in groups of 10 rolls or so. Velvia seems too intense to me, but
it's a personal choice.

Joe Brugger
Portland, Ore., USA


At 12:44 PM 10/29/04 -0500, you wrote:
>
>Ditto on everything Tina said. Provia 400f could be my permanent choice for 
>color film if it weren't so expensive. I have bought some relabeled Sensia 
>400 that was short dated for about $3 a roll. I haven't seen how it works yet.
>
>At 11:47 AM 10/29/2004, you wrote:
>>At 05:45 PM 10/29/2004 +0100, you wrote:
>>>Does anyone have any practical
>>>experience of the various Fuji slide films? I know Velvia is VERY colourful,
>>>and I have used some Sensia 400 which I found a bit green, but what is the
>>>comparison between Sensia and Provia, or even Astia!  The Fuji process paid
>>>service here in UK seems good, usually 3 days and good mounts.
>>>
>>>Gerry Young
>>
>>Gerry,
>>
>>I gave up on Kodachrome when they turned the processing over to Qualex and 
>>routinely ruined half of what I sent them.  Fuji is great.  I love Provia 
>>100 and 400.  Astia is great for people.  Velvia is wonderful when you 
>>want punchy colors.  Sensia is the consumer version of professional 
>>Provia.  Provia is aged and released when it matures.  Sensia is meant to 
>>sit on shelves or in cameras for months.  Provia is more consistent.  It's 
>>hard to see the difference so you might want to save money with Sensia.  I 
>>process all of my own E-6 film in a Jobo and mount it myself.  I like Fuji 
>>much better than Ektachrome.  You can read more about film recommendations 
>>on PhotoNet:
>>http://www.photo.net/photo/film.html#Slide
>>
>>Have fun!
>>
>>Tina
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