Re: Ash-throated Flycatcher
- From: Bob Adler <rgacpa@xxxxxxxxxxx>
- To: leica@xxxxxxxxxxxxx
- Date: Sun, 23 Apr 2006 19:21:42 -0700 (PDT)
Got it!
Thanks, David,
Bob
--- David Young <telyt@xxxxxxxxx> wrote:
> At 23/04/2006, you wrote:
>
> >Doug,
> >
> >I'm going expose my digital ignorance here, but
> when
> >you say "ISO 400, 2-stop push" with digital I get a
> >little confused.
> >
> >Did you take the photo with what you considered
> proper
> >metering at ISO 400, then push it a couple of stops
> in
> >your post exposure workflow? Or did you set the
> DMR's
> >ISO at 400, then dial in +2 on the DMR then expose
> >normally with no post processing push?
>
>
> Hi Bob!
>
> I believe Doug means that he's set the camera at ISO
> 400 and then
> (using the exposure compensation feature)
> deliberately underexposed 2
> stops... thus yielding the same exposure as if the
> ISO had been set
> to 1600 to start with. Then, plus two stops of
> compensation is
> applied during "development" (the conversion of the
> RAW data to .tif
> or .jpg format), which would be the same as "push
> developing" an
> underexposed film negative.
>
> The difference is that by underexposing and then
> overdeveloping a
> silver neg, you generally increase the grain... but
> you can salvage
> underexposed film.
>
> With some digital systems (the Leica's DM-R is one)
> it tends to yield
> a bit more noise (the digital equivalent of grain)
> than with the
> DMR's native ISO 400 setting, but much lower noise
> than obtained by
> using the DMR's native ISO 1600 setting. So instead
> of salvaging
> underexposed film, it's a way of increasing the
> quality of shots at
> higher ISO's.
>
> Got it?
>
>
>
> ---
>
> David Young,
> Logan Lake, CANADA
>
> Personal Web-site at:
> http://www3.telus.net/~telyt
>
> Limited Edition Prints at:
> http://www3.telus.net/~telyt/prints.htm
>
> Leica Reflex Forum web-page:
> http://www3.telus.net/~telyt/lrflex.htm
>
>
>
>
>
>
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Bob Adler
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- References:
- Re: Ash-throated Flycatcher
- From: David Young
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