[HUG] Re: reverse glass framing?
- From: Sherman Bloom <shermanbloom@xxxxxxx>
- To: hasselblad@xxxxxxxxxxxxx
- Date: Sat, 26 Jan 2008 18:26:27 -0600
Eric,
Glass sounds dangerous to me. Very dangerous. Acrylic would be
better. But foam board, or even heavy mounting board might do the
job. And be cheaper and lighter. I would first consider dry mount
tissue for the "glue." Framers use the stuff all the time, so that
should be no problem. That would give you a very lightweight
result. Only problem would be accidently bending it. When I use
foam board I use string instead of wire for hanging. The string can
be just glued on for prints up to 8x10, but might need better
anchorage for larger prints. Maybe a combination of glue and linen
mounting tape. I have also glued thin strips of wood to the back of
foam board for anchorage. It works for me. Foam board is better
than mounting board because the latter may not remain perfectly flat,
while foam board will.
I have also used plywood that I first varnished, and let dry very
well. This has the advantage of accepting screw eyes for the wire to
do the hanging. In spite of the "non-archival" quality that is
talked about for mounting on wood, I have found this works very
well. I just disposed of a photo I mounted that way in 1964, and
there was no yellowing or other deterioration except that due to
manhandling. The wood probably had at least two coats of varnish on
both sides, and the edges. I don't remember the adhesive, and that
could be important.
Looking at catalogues of framing supplies might be of help. There
are three I'd recommend, but there are many others.
1. United Framing Supplies - a big company with good prices and
probably the widest selection. They cater to professional framers.
2. Blick Studio - target buyers are painters and other graphic
artists, but they have stuff of interest.
3. Light Impressions - good stuff for photographers. More expensive
than #1, but they cater more to non-professional framers/mounters.
Good for archival storage boxes, plastic sheathing, and other things.
If you study these catalogues you may find that you can do framing/
mounting things that you thought were beyond your abilities.
Sherman Bloom
On Jan 26, 2008, at 4:11 PM, Eric Korenman wrote:
Anyone know how to have a print mounted to the back of glass?
I've got an upcoming show and the show's organizer doesn't want
prints matted or framed, just mounted.
I've seen prints mounted reverse on glass - nothing else.
Usually I'd find this a little too sleek, but it could work well
for these prints and this show.
What is this kind of mounting called? Cost? Is it something a good
framer could handle?
I plan to ask my local frame shop on Monday, but I thought the
LUG / HUG community might have some ideas.
as always - thanks,
Eric
- References:
- [HUG] reverse glass framing?
- From: Eric Korenman
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- » [HUG] Re: reverse glass framing?
- » [HUG] Re: reverse glass framing?
Anyone know how to have a print mounted to the back of glass?I've got an upcoming show and the show's organizer doesn't want prints matted or framed, just mounted.
I've seen prints mounted reverse on glass - nothing else.Usually I'd find this a little too sleek, but it could work well for these prints and this show.
What is this kind of mounting called? Cost? Is it something a good framer could handle? I plan to ask my local frame shop on Monday, but I thought the LUG / HUG community might have some ideas.
as always - thanks, Eric
- [HUG] reverse glass framing?
- From: Eric Korenman