[HUG] Re: C41 film advice for the Hasselblad
- From: "LOTL" <lightontheland@xxxxxxxxxxxxxxx>
- To: <hasselblad@xxxxxxxxxxxxx>
- Date: Tue, 25 Dec 2007 06:40:00 -0600
Uncle Dick,
Kodak recently reformulated the Portra series, and the new version (160, at
least - haven't tried 400 yet) seems to be much finer grained than the previous
one. Have you had a chance to try it? I have my negatives processed by a lab,
so I'm no help with C-41 alchemy - sorry.....
Merry Christmas!
Bill
----- Original Message -----
From: Stein
To: hasselblad@xxxxxxxxxxxxx
Sent: Tuesday, December 25, 2007 4:34 AM
Subject: [HUG] C41 film advice for the Hasselblad
Dear Friends,
This may seem a basic question but up to now I have not really
considered it. Please lend me your thoughts.
I shoot Kodak Porta films in the Hasselblad system – 160 NC and
400 NC as well as the VC versions. I develop the films very successfully in a
Jobo machine using standard Fuji or Kodak chemistry – so far so boring. But
what can I do to get negatives with smaller grain?
I remember the ever-more complex fine grain developing regimes
and chemistry for the 35mm monochromes – toe of frog and eye of bat stuff. But
I have never seen anything that applies to the C 41 process.
Are there finer-grained films than the Kodak duo? Are there
finer developers? Advice, please.
Uncle Dick
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- Follow-Ups:
- [HUG] Re: C41 film advice for the Hasselblad
- From: Stein
- [HUG] Re: C41 film advice for the Hasselblad
- From: Kenneth Frazier
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- [HUG] C41 film advice for the Hasselblad
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- » [HUG] Re: C41 film advice for the Hasselblad
- » [HUG] Re: C41 film advice for the Hasselblad
- » [HUG] Re: C41 film advice for the Hasselblad
- [HUG] Re: C41 film advice for the Hasselblad
- From: Stein
- [HUG] Re: C41 film advice for the Hasselblad
- From: Kenneth Frazier
- [HUG] C41 film advice for the Hasselblad
- From: Stein