[ddots-l] Re: buying A good control surface

thanks. them, if I already have a mixer, then the 2400 is the best choice.

Rod

MSN: roddj12@xxxxxxxxxxx
IM: Roddy12RA

===================
"For it is a very remarkable thing that there are no men, not even the
insane, so dull and stupid that they cannot put words together in a manner
to convey their thoughts." (Philosopher Descartes).

"No power on earth can stop an idea whose time has come."  Victor Hugo.

----- Original Message -----
From: "Damon Fibraio" <dfibraio@xxxxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Monday, April 11, 2005 11:26 AM
Subject: [ddots-l] Re: buying A good control surface


> OK, the us2400 has motorized faders and they work great, especially when
you
> set up automation. The difference is that the us2400 has 24 faders. The
1884
> has audio inputs along with faders, but I think you only get 8 channels at
a
> time. And scrubbing can be done, but not easily, but that is because
Sonar's
> implementation of scrubbing is not very good, so no matter what control
> surface you by, scrubbing is going to be the same.
>
> -----Original Message-----
> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx]
On
> Behalf Of Rod
> Sent: Monday, April 11, 2005 6:23 AM
> To: ddots-l@xxxxxxxxxxxxx
> Subject: [ddots-l] Re: buying A good control surface
>
> Does the tascam 2400 have motorize fators?
> It says moving fators on the site, how does the moving fators operate?
> I have a friend who uses the motorize fators and it's very neat to keep
> track of things. And, which do you think is better, the 2400 or the 1884.
> They seem to be running at almost the same price.
> Can I strub with both?
> Thanks!
>
> Rod
>
> MSN: roddj12@xxxxxxxxxxx
> IM: Roddy12RA
>
> ===================
> "For it is a very remarkable thing that there are no men, not even the
> insane, so dull and stupid that they cannot put words together in a manner
> to convey their thoughts." (Philosopher Descartes).
>
> "No power on earth can stop an idea whose time has come."  Victor Hugo.
>
> ----- Original Message -----
> From: "Damon Fibraio" <dfibraio@xxxxxxxxxxx>
> To: <ddots-l@xxxxxxxxxxxxx>
> Sent: Monday, April 11, 2005 12:11 AM
> Subject: [ddots-l] Re: buying A good control surface
>
>
> > Another great control surface and one that I personally use is the
> > Tascam US2400.
> >
> > -----Original Message-----
> > From: ddots-l-bounce@xxxxxxxxxxxxx
> > [mailto:ddots-l-bounce@xxxxxxxxxxxxx]
> On
> > Behalf Of Chi Gook Kim
> > Sent: Sunday, April 10, 2005 10:25 PM
> > To: ddots-l@xxxxxxxxxxxxx
> > Subject: [ddots-l] Re: buying A good control surface
> >
> > I asked the same question before on the list, and here's a post from
past.
> > I bought fw-1884, and it seems working good.
> >
> > Chi
> >
> > -----
> >
> > Hi there.
> >
> > Lewis here, your friendly audio consultant and studio engineer from
> > the UK
> >
> > In regards your question to a reliable control surface with motorised
> > faders. There are several routes to go down:
> >
> > These are as follows:
> > 1: Mackie control U Universal. A good system with nice feel to it. But
> > for the price it's not ideal.
> > 2: BEHRINGER BCF and BCR controllers. Not bad for USB based and
> > motorised faders but they lack master controllers which are important
> > in mastering with sonar.
> > 3: CM LABS MOTORMIX and others. Nice for the price and offer some good
> > realtime controls.
> > 4: YAMAHA O1X control and audio interface. I recommend this one as its
> > an all in one firewire based system. Very reliable. Motorised faders
> > and controls. Monitor and headphone mixes, etc.
> > 5: TASCAM FW1884 audio and midi workstation. This is a perfect
> > investment for both money and user access. It can be run directly with
> > sonar and caketalking and is also capable of speech if set up
> > correctly. I highly recommend this as I use it on the road and for
> > teaching purposes and for having all the audio inputs and outputs as
> > well as some of the best
> external
> > controls which actually feel great for once.
> >
> > If you need details then please ask me or go to www.tascam.com
> >
> > lew
> >
> >
> >
> > ----- Original Message -----
> > From: "Rod" <roddj12@xxxxxxxxxxx>
> > To: <ddots-l@xxxxxxxxxxxxx>
> > Sent: Sunday, April 10, 2005 1:05 PM
> > Subject: [ddots-l] buying A good control surface
> >
> >
> > Hi, gangs:
> >
> > I am looking to buy a control surface to use with sonar. Any one you
> > guys would recommend? and why?
> >
> > Rod
> >
> > MSN: roddj12@xxxxxxxxxxx
> > IM: Roddy12RA
> >
> > ===================
> > "For it is a very remarkable thing that there are no men, not even the
> > insane, so dull and stupid that they cannot put words together in a
> > manner to convey their thoughts." (Philosopher Descartes).
> >
> > "No power on earth can stop an idea whose time has come."  Victor Hugo.
> >
> > ----- Original Message -----
> > From: "William R. McCann" <BillList1@xxxxxxxxxxx>
> > To: <ddots-l@xxxxxxxxxxxxx>
> > Sent: Saturday, April 09, 2005 2:17 PM
> > Subject: [ddots-l] Re: Problem with sequencing song sections that
> > contain
> a
> > lot of notes
> >
> >
> > > Hi, Omar,
> > >
> > > I do know that there is a limit to the number of notes any
> > > particular
> MIDI
> > > device can play at the same time.  I believe this measurement is
> > > called polyphony.  The user manual of your MIDI synthe or module
> > > should list
> its
> > > polyphony limit.  For example, it might be 32-note polyphony.  That
> would
> > > mean that the instrument simply cannot play more than 32 MIDI notes
> > > simultaneously.
> > >
> > > HTH,
> > > Bill
> > >
> > >
> > > -----Original Message-----
> > > From: ddots-l-bounce@xxxxxxxxxxxxx
> > > [mailto:ddots-l-bounce@xxxxxxxxxxxxx]
> > On
> > > Behalf Of omar binno
> > > Sent: Monday, April 04, 2005 10:20 PM
> > > To: ddots-l@xxxxxxxxxxxxx
> > > Subject: [ddots-l] Re: Problem with sequencing song sections that
> contain
> > a
> > > lot of notes
> > >
> > > I appreciate the suggestion, but I had already made sure that it was
> > > on
> 0.
> > > That doesn't appear to be the problem.
> > > berhane kidane <bkw11@xxxxxxxxxxxxx> wrote:Make sure that the offset
> > > is
> 0.
> > > You can get it by tabbing several times in the Quantize dialog.
> > > Berhane
> > > ----- Original Message -----
> > > From: "omar binno"
> > > To:
> > >
> > > Sent: Monday, April 04, 2005 8:31 PM
> > > Subject: [ddots-l] Problem with sequencing song sections that
> > > contain a
> > lot
> > > of notes
> > >
> > >
> > > > Hi All:
> > > >
> > > >
> > > >
> > > > I noticed that when quantizing a section in a song that is
> > > > condensed
> > with
> > > > notes, the quantization seems less able to handle so many notes to
> keep
> > > > them quantized. As a matter of fact, it seems that sometimes when
> there
> > > > are a lot of notes in one section, chord strikes will not come in
> > > > at
> the
> > > > instant I play them. They will come in a millisecond later than I
> > > > intended. No matter how many times I repeat the section, it always
> seems
> > > > to lag when I use so many note strikes in a chord. Please note
> > > > that
> > these
> > > > particular sections of a song that I am referring too have a lot
> > > > going
> > on
> > > > in all the various tracks. Can anybody shed some light on the
matter?
> > Hope
> > >
> > > > I'm making sense.
> > > >
> > > >
> > > >
> > > > Thanks in advance.
> > > >
> > > >
> > > >
> > > > Omar Binno
> > > > Staff Writer
> > > > The Chaldean News
> > > > Cel Phone: (248) 444-9699
> > > >
> > > >
> > > > "Evil labors with vast power and perpetual success - in vain:
> preparing
> > > > always only the soil for unexpected good to sprout in." - J. R. R.
> > > > Tolkien - Author Of The Lord Of The Rings
> > > >
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> > > Omar Binno
> > > Staff Writer
> > > The Chaldean News
> > > Cel Phone: (248) 444-9699
> > >
> > >
> > > "Evil labors with vast power and perpetual success - in vain:
> > > preparing always only the soil for unexpected good to sprout in." - J.
> R. R.
> > Tolkien -
> > > Author Of The Lord Of The Rings
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