[ddots-l] Re: Response to posts
- From: "John Fioravanti" <fioresq1@xxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Thu, 30 Jul 2009 15:54:06 -0400
Brian: I want to try to understand what you're saying here! Assume I have a
track or bus, I would insert the Sonitus compressor on that track and I suppose
increase the input on the bus. Is that correct or are you saying that I should
set the gain in the compressor itself? John Fioravanti
----- Original Message -----
From: Bryan Smart
To: ddots-l@xxxxxxxxxxxxx
Sent: Thursday, July 30, 2009 10:37 AM
Subject: [ddots-l] Re: Response to posts
0 DB is the loudest level that can be shown on the meter. However, if you use
a compressor with a peek limiter mode, and turn up the gain, then you're
squashing the maximum level without applying any sort of compression curve. The
track will get much louder. The Sonitus compressor has 30 DB of output gain, so
can crank up your mix as loud as you want it.
Of course, beyond a certain amount of gain, you'll start to hear distortion
artifacts. Besides that, the track may start to sound unnatural, as the
ambiance of the room begins to sound abnormally loud.
If you are hearing artifacts, and you still need your track to be even louder
(such as with some dance jenras), then you need to use the peek limiters on
individual elements, instead of the entire mix. This means that you should
separate out the drums on to a bus, and peek limit that as much as you can
before distortion. Do the same thing for synths that are grouped on to another
bus. Put the vocals on another bus and squish those on their own. In this way,
you apply the maximum amount of limiting that each component of the mix will
stand. Then, finally, you peek limit the master bus. Although, after limiting
all of those individual elements, the master bus won't be able to take much
limiting at all.
Go ahead and go wild with this. By all means, squash everything flat. Crank
it up! Get a good taste for what it sounds like. It will be loud, but it will
also make everything start to sound muddy. Your kick drum won't even punch with
accents anymore. It will be very difficult to get bass to stand out in the mix.
It will sound like you can hear every drop of spit in your vocalist's mouth as
their tongue moves. There will be massive amounts of body noise from the
guitars. There is, therefore, a limit to how much of this you would want to use.
Bryan
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From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Stacy Blackwell
Sent: Tuesday, July 28, 2009 5:01 PM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Response to posts
Of course Bryan's essay was awesome. Did you expect less? I am saving it to
read over and over again. I have also enjoyed reading the last couple of days
posts because they have offered me some good advice and suggestions. Thanks to
all. And Darren, you are very talented in your music. I'm more of a classic
rocking guitarist and country singer, but I was very impressed by your
arrangements. It made me appreciate that style of music even more.
Back to the vocal peaks, maximum db levels, and compressors that have been
mixed in and out of posts, are you guys using compressors to, for instance,
"smush" a -1db mix down to say a -6db, and then using the compressor's gain to
bring it back up to 0db? I know Gordon mentioned headroom and such, but I
cannot get my recordings to be as loud as commercial CD's. Even though my
songs may sound okay, the main comment I get is that they aren't loud enough.
In looking at my Master bus's output level, it will be just under 0db, and my
associated buses are way below that. I do have a compressor and EQ inserted
into the Master bus which provides a smooth boost I think. Do you guys think
that if the song is pumping out at 0db at the Master bus that this is the way
it should be, or am I to adjust something like the buses output volumes? I
guess what I am trying to ask is do your recordings match other commercial and
other studio recordings in overall volume? If so, how are you achieving this?
Maybe I'm not using the Sonetus compressor to its greatest potential. Sorry
for this confusing posts, but I would like to get the best sound at the maximum
non-clipping volume. Any comments?
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