[ddots-l] Re: Miking a b3
- From: "James Malone" <malone_j@xxxxxxxxxxx>
- To: <ddots-l@xxxxxxxxxxxxx>
- Date: Sat, 4 Mar 2006 07:40:25 -0800
What kind of Miks did you use?
-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of kurt Streuber
Sent: Friday, March 03, 2006 6:32 PM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: Miking a b3
One thing I did once was to use four mics, two on the top horn and two for
the bottom drum. I used two T bars, and positioned the mikes in an Ortf
pattern. Meaning, the mics sort of cross over each other, so the capsules
are about 6 inches apart and at about 120 degree angles to each other. This
gives you a really wide stereo image, and there's no phase cansolation or
dropout in the center. I use this technique on drums a lot as well, all you
need are the two overheads and a kick and snare mic, and you're rolling.
Kurt
----- Original Message -----
From: "Blind Luck Music" <ross@xxxxxxxxxxxxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Monday, February 27, 2006 3:26 PM
Subject: [ddots-l] Re: Miking a b3
> Jay,
>
> To get a stereo sound out of a Leslie Speaker for a Hammond, you would use
> two microphones one of which would be assigned to the left side of a
> stereo track and the other to the right side. If you do not wish to use
> stereo tracks, you can assign each one to a separate track. You do not
> necessarily want to place the Mike's exactly opposite each other or they
> may faze cancel each other out. You can experiment with mic placement
> until you get a natural sound.
>
> Ross
>
> Ross Wine-Sky
>
> Blind Luck Music
>
> 1708 21st Ave., Suite453
>
> Nashville,TN 37212
>
> 615-298-5258
>
> www.wine-sky.com
>
>
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