[dance-tech] Re: Dancing the Virtual
- From: Kent De Spain <kent.despain@xxxxxxxxxxxxxxx>
- To: dance-tech@xxxxxxxxxxxxx
- Date: Wed, 2 Nov 2005 16:50:20 -0600
Erin,
Do you mean 2006?
Thanks for the clarification, Kent De Spain
DANCING THE VIRTUAL
?what begins as a movement ends as a movement of thought?
Part 1 of Technologies of Lived Abstraction a 4-part event
sponsored by The Sense Lab (Erin Manning,
Concordia University ) and the Workshop in
Radical Empiricism (Brian Massumi, Université de
Montréal)
May 10-13, 2005
at the Society for Arts and Technology, Montréal
Call for Participation
We would like to challenge the dichotomy between
creation and thought/research by establishing a
working environment in which the emphasis will
be placed on the ways in which research-creation
reinvents collaboration and on the new modes of
thought and action this makes possible. To think
research-creation necessitates a rethinking of
the body (and the mind/body split). We suggest
that thought is of the body. To elaborate this
hypothesis, we will take the sensing body in
movement as our point of departure. The sensing
body in movement can be understood as a
processual entity that transforms and is
transformed by the relational sensing matrices
it instantiates through its movements.
Movement is the key word: research-creation is
about the movement of thought. To create
movements of thought is to actualize thought as
a technique. What is at stake is the exploration
of the ways in which we ascertain the social
potential and political implications of
technology (where the body itself can be seen as
an originary technology and the senses as its
prostheses). The premise of the present proposal
is that exploration of this potential is
inherently a philosophical undertaking of the
most pragmatic kind: it changes our notions
about what philosophical thought can be by
bringing it into direct involvement with other
sectors of activity. Mutual involvement, or
relation, is the connecting thread.
To engage actively in research-creation is not
only to create movements of thought, it is also
to instantiate new platforms of experimentation.
This project proposes to create such a platform
of experimentation ? where the body is actively
produced through technologically mediated
environment ? in order to foster the future
potential of research-creation. What we propose
is to ask how movements of thought can engender
creative tools that further the production of
culture. New forms of collaboration are here not
simply locales for experimentation: they are
matrices of cultural becoming. Experimentation
will function as much at this collective level
as at the conceptual level, and on both levels
technically. The aim of the event is produce a
platform for speculative pragmatism where what
begins technically as a movement is immediately
a movement of thought.
Invited Participants: Andrew Murphie, University of New South Wales, Australia
http://media.arts.unsw.edu.au/andrewmurphie/mysite/#Pubs
Stamatia Portanova, University of East London, UK
Keynote Post-Event Speaker: José Gil, New University of Lisbon, Portugal
TO APPLY AS A PARTICIPANT
Send us a (max. 1 page) response to our call
outlining how you can envisage contributing by
February 1 2006. Participation is restricted to
a total of 30 people (including students,
researchers, artists, dancers, writers,
programmers, etc). A reading package will be
sent to all participants in advance and a
round-table seminar will be at the core of the
event. Participants will be asked to work toward
the creation of a technical object that emerges
from research-creation. The parameters of that
object will not be pre-defined. The created
technical object (which can be a movement of
thought) will question the relation between the
virtual and the actual, the abstract and the
concrete. Key words are: the senses, bodies,
thought, technology, creation. Jose Gil will
participate in a round table at the closure of
the event. A public lecture by Jose Gil will
take on May 16. Send proposals to
<mailto:emanning@xxxxxxxxxxxxxxxxxx>emanning@xxxxxxxxxxxxxxxxxx
.
<http://www.thesenselab.com>www.thesenselab.com
- Follow-Ups:
- [dance-tech] Re: Dancing the Virtual
- From: Erin Manning
- [dance-tech] Dancing the Virtual (date corrected!)
- From: Erin Manning
- References:
- [dance-tech] Re: Digital Cultures Lab / Symposium / Performances
- From: Birringer, Johannes
- [dance-tech] Dancing the Virtual
- From: Erin Manning
Other related posts:
- » [dance-tech] Dancing the Virtual
- » [dance-tech] Re: Dancing the Virtual
- » [dance-tech] Re: Dancing the Virtual
DANCING THE VIRTUAL
?what begins as a movement ends as a movement of thought?
Part 1 of Technologies of Lived Abstraction a 4-part event
sponsored by The Sense Lab (Erin Manning, Concordia University ) and the Workshop in Radical Empiricism (Brian Massumi, Université de Montréal)
May 10-13, 2005
at the Society for Arts and Technology, Montréal
Call for Participation
We would like to challenge the dichotomy between creation and thought/research by establishing a working environment in which the emphasis will be placed on the ways in which research-creation reinvents collaboration and on the new modes of thought and action this makes possible. To think research-creation necessitates a rethinking of the body (and the mind/body split). We suggest that thought is of the body. To elaborate this hypothesis, we will take the sensing body in movement as our point of departure. The sensing body in movement can be understood as a processual entity that transforms and is transformed by the relational sensing matrices it instantiates through its movements.
Movement is the key word: research-creation is about the movement of thought. To create movements of thought is to actualize thought as a technique. What is at stake is the exploration of the ways in which we ascertain the social potential and political implications of technology (where the body itself can be seen as an originary technology and the senses as its prostheses). The premise of the present proposal is that exploration of this potential is inherently a philosophical undertaking of the most pragmatic kind: it changes our notions about what philosophical thought can be by bringing it into direct involvement with other sectors of activity. Mutual involvement, or relation, is the connecting thread.
To engage actively in research-creation is not only to create movements of thought, it is also to instantiate new platforms of experimentation. This project proposes to create such a platform of experimentation ? where the body is actively produced through technologically mediated environment ? in order to foster the future potential of research-creation. What we propose is to ask how movements of thought can engender creative tools that further the production of culture. New forms of collaboration are here not simply locales for experimentation: they are matrices of cultural becoming. Experimentation will function as much at this collective level as at the conceptual level, and on both levels technically. The aim of the event is produce a platform for speculative pragmatism where what begins technically as a movement is immediately a movement of thought.
Invited Participants: Andrew Murphie, University of New South Wales, Australia
http://media.arts.unsw.edu.au/andrewmurphie/mysite/#Pubs
Stamatia Portanova, University of East London, UK
Keynote Post-Event Speaker: José Gil, New University of Lisbon, Portugal
TO APPLY AS A PARTICIPANT
Send us a (max. 1 page) response to our call outlining how you can envisage contributing by February 1 2006. Participation is restricted to a total of 30 people (including students, researchers, artists, dancers, writers, programmers, etc). A reading package will be sent to all participants in advance and a round-table seminar will be at the core of the event. Participants will be asked to work toward the creation of a technical object that emerges from research-creation. The parameters of that object will not be pre-defined. The created technical object (which can be a movement of thought) will question the relation between the virtual and the actual, the abstract and the concrete. Key words are: the senses, bodies, thought, technology, creation. Jose Gil will participate in a round table at the closure of the event. A public lecture by Jose Gil will take on May 16. Send proposals to <mailto:emanning@xxxxxxxxxxxxxxxxxx>emanning@xxxxxxxxxxxxxxxxxx .
<http://www.thesenselab.com>www.thesenselab.com
- [dance-tech] Re: Dancing the Virtual
- From: Erin Manning
- [dance-tech] Dancing the Virtual (date corrected!)
- From: Erin Manning
- [dance-tech] Re: Digital Cultures Lab / Symposium / Performances
- From: Birringer, Johannes
- [dance-tech] Dancing the Virtual
- From: Erin Manning