Their is always the ghetto solution of using a headphone volume control to
In other words, if you have an old set of headphones that have a slider or knob on the cable itself, allowing you to change the volume without actually touching the source, and that set is broken, chances are it's either the plug or the internal wiring in the headphones which caused their death.
This, in theory means that one could cut the cable off of the headphones, and then attach a stereo female plug to the loose end of the cable.
Then, by connecting the mics to the female plug, the output of the mics could be controlled before hitting the preamp.
Their is a 50/50 chance of this working, though, because if the mics are no longer getting the power they need from the recorder, that could have some negative effects on the quality of the incoming signal.
However, if you want, you could always give it a shot.
Nothing would be damaged, worse case is that you would have rendered the head phones completely useless; but if they are practically dead anyway... no harm done.
btw, I read about some one doing this on a minidisc recorder forum, so this idea has worked for some one some where.
----- Original Message ----- From: "Neal Ewers" <neal.ewers@xxxxxxxxxxxxxx>
Sent: Friday, February 24, 2006 2:56 PM
Subject: [bct] Re: recording live concerts
Pam, I would suggest putting the recorder on dictate and not conference. The problem with all these recorders is that they have a built in limiter that turns down the volume when the sound gets much above the level of loud speech. Often, if the sound is loud enough, the limiter simply won't turn the volume down far enough and thus the sound is quite distorted. In the Dictate is a lower volume than Conference, I would probably start there. When you get suggestions for microphones, perhaps trying to record your stereo playing loudly would be a good test. If it is really distorted, you may have the same problem a the concert. However, you could sit further away and perhaps it would not be so loud. My suggestion about microphones is a bit limited because I don't own that series of Olympus recorder. But one thought is that if Olympus makes a stereo mike, they have created it to have the desired impedance and other things that might cause their mike to be more suited for use with the recorders. You could buy a very nice set of mikes that sounded much nicer only to find that they were just too loud for the recorder and would thus distort much more easily than the microphone provided by Olympus.
I know, it's complicated, I wish it were much easier. Perhaps others will offer more suggestions. Neal
-----Original Message----- From: blindcooltech-bounce@xxxxxxxxxxxxx [mailto:blindcooltech-bounce@xxxxxxxxxxxxx] On Behalf Of Pam Quinn Sent: Friday, February 24, 2006 12:26 PM To: blindcooltech@xxxxxxxxxxxxx Subject: [bct] Re: recording live concerts
Same questions for recording my son's jazz band concert in an auditorium. Now that one I can get away with. Which microphones, and would dictation or conference be best? I won't have the opportunity to test the recordings first, so if anybody has experience of this sort, would appreciate the input. This of course won't be as loud as would Aerosmith and Cheap Trick, which, boohoo; I'm not going to record after all. LOL.