[atlantaprog] [eyedrum-announcement-list] October 19 – October 24, 2006
- From: Scott Burland <burland@xxxxxxxxxxxxxx>
- To: <eyedrum-announcement-list@xxxxxx>
- Date: Wed, 18 Oct 2006 16:39:58 -0400
Eyedrum events October 19 – October 24, 2006
New Gallery Hours: Friday 3 - 8:00pm, Saturday and Sunday 1 – 6:00pm
This Friday (10/20), gallery hours are from 3:00pm – 6:00pm ONLY!
Please come and join us for our Artparty and fundraiser on Friday,
October 20th! Festivities begin at 7:00pm and there’s a wide range
of food, art, entertainment and prizes! Support Eyedrum!
Becoming a member of Eyedrum is a huge value in addition to helping
keep the doors open!
Click here for more info!
http://eyedrum.org/membership.asp
____________________________________________________________
This week’s events: (more info below or click on the link)
Thursday October 19 8:00pm $TBA
Word and Praxis: Temporal Strategies for Artistic and Critical
Production
Friday October 20 7:00pm – 1:00am $10 - $20
Eye Came…Eye Saw…Eyedrum! Art Party!
Saturday October 21 8:00pm $5
Therefore I Live, Part 3 Film Series
Sunday October 22 8:00pm $10
Bent Frequency
Monday October 23 8:00pm $5
Therefore I Live, Part 4 Film Series
Tuesday October 24 9:00pm $5?
Flaming Fire
_______________________________________________________________________
October 19 Thursday
Word & Praxis:
Temporal Strategies for Artistic and Critical Production
Discussion
8:00pm
$TBA
You have questions like, 'Is there enough time?'
or, 'Can I get there in time?'
or, 'How will I ever get the time to finish this?"
or, 'oh my, where has the time gone?'
or some such observation as: 'Have you ever noticed that time seems
to be speeding up?' or 'Oh gosh, time stopped for me last night.'
Well, those questions probably won't be answered since the Amazing
Criswell won't be present. But perhaps there will be some questions
and discussion of something around the idea of Time, that always-
approaching limit of everything, gnawing away like a rat in your
attic, chewing your 'house' apart to make a nest for all the little
time-rat babies, whose time is rapidly approaching also, while you
sit there steeping in your time like a cold tea bag...time's awastin'
Or something like that.
" Greetings, my friend. We are all interested in the future, for that
is where you and I are going to spend the rest of our lives. And
remember my friend, future events such as these will affect you in
the future. You are interested in the unknown... the mysterious. The
unexplainable....."
Criswell, opening from Plan Nine From Outer Space
October 20 Friday
Eye Came…Eye Saw…Eyedrum!
Art party/Fundraiser
7:00pm – 1:00am
$10 - $20
Eyedrum and The Atlantan magazine invite you to our annual fundraiser
and art party! Come show your support for Eyedrum by eating,
drinking, dancing, and experiencing the art installations of Martha
Whittington and Jessica Marshall. All proceeds go toward keeping our
non-profit, all-volunteer-run space open and thriving!
Catering: Sun in my Belly. Live bands: Divided Like A Saint's,
Grandchildren, Black Mona Lisa, and special surprise guests "Team
Radical". DJ: DJ Swivel. Live performances: Dames Aflame burlesque,
The Subliminator spoken word, Seabergs' Acrobatic Poetry and ASSTOW
sound/video/performance project with Allison Rentz and Stan Woodard.
Fun fundraiser raffle: win cool artwork and other prizes.
October 21 Saturday
Therefore I Live Part 3
Film Series
8:00pm
$5
Therefore I Live: Home Movies, Personal Cinema, and the Avant-Garde
Part 3
Here Now: The Atlanta Footage Project and Recent Artists' Films from
New Orleans and the Gulf Coast
For the Atlanta Footage Project, local artists and videomakers
contribute footage of 2006 Atlanta in an attempt to document and
celebrate the city as we know it today. The resulting compilation is
edited by K. Tauches, Blake Williams, and Andy Ditzler.
Beginning the evening is a selection of film and video works by New
Orleans artists, made since Hurricane Katrina. Filmmaker Helen Hill's
home movies, restored after flooding, show "haunting decayed imagery
of lives so suddenly and drastically displaced by water." Chicago
filmmaker Liza Johnson's South of Ten poetically shows the attempts
of Mississippi Gulf Coast families to carry on their lives after the
hurricane. Other works show New Orleans neighborhoods before and
after the floods.
Accompanying the Atlanta Footage Project is vintage footage of
African-American Atlanta from the 1930s, originally made for a
documentary. These rare motion picture images show such landmarks as
the Royal Barbershop and the long-gone baseball stadium on Ponce de
Leon Avenue.
PART 1
tentative program, subject to change:
Liza Johnson, South of Ten (2006), 35mm, color, sound, 10 minutes
(screened on DVD)
Helen Hill, restored New Orleans home movies
Courtney Egan and Helen Hill, Cleveland Street Gap
Blaine Dunlap, Our Bones (2005), 5 minutes
PART 2
Atlanta Daily World documentary footage from the Goodlett film
collection (1936), 16mm, black & white, sound and silent, 5 minutes
(screened on VHS) courtesy the Atlanta History Center
The Atlanta Footage Project
THEREFORE I LIVE is a Film Love event, programmed and hosted by Andy
Ditzler for Atlanta Celebrates Photography and Frequent Small Meals.
October 22 Sunday
Bent Frequency
Music
8:00pm
$10
Bent Frequency's annual Composers' Concert featuring: the top
selections from our recent International Call for Scores, music of
local Atlanta composer Alvin Singleton, and a tribute to the late
composer György Ligeti (1923-2006).
Patricia Alessandrini - When David Heard
Per Bloland - Negative Mirror, Part II
Panayiotis Kokoras - Metasound
Carolyn O'Brien - Conveyance
György Ligeti - Piano Etudes
Alvin Singleton - Agoru VIII for solo snare drum
October 23 Monday
Therefore I Live Part 4
Film Series
8:00pm
$5
Jonas Mekas in Walden: Diaries, Notes, and Sketches
Therefore I Live: Home Movies, Personal Cinema, and the Avant-Garde
Part 4
Testament: Diary Films
An evening dedicated to artists filming their own lives and
surroundings. Independent film legend George Kuchar (a major
influence on John Waters among many others) appears in Rainy Season,
a classic video diary work that alternates between the hilarious, the
subversive, and the poignant. Kuchar's Wild Night in El Reno is a
short, brilliant "weather diary" of a storm in Oklahoma.
Since the early 1980s, Anne Charlotte Robertson has been making an
epic diary work on super-8 film. Emily Died is an excerpt from this
work, detailing the events of May to September 1994, as Robertson
comes to terms with a death in her family and the surrounding
difficulties. This screening represents a rare opportunity to see
Robertson's brave, highly personal film work.
As an originator of the modern diary film, Jonas Mekas is a crucial
figure of American independent film. Walden, one of his most highly
praised works, is a three-hour diary film consisting of footage Mekas
shot in the mid-1960s. (We will screen the first 43 minutes, which
stands as a separate work in its own right.) Walden Reel 1 is a
collection of exquisite small films woven together to form a larger
whole. It is a home movie, a record of the 1960s cinematic
underground, a poetic homage to New York, and a document of Mekas's
friendships within the avant-garde (including such figures as Stan
Brakhage and Tony Conrad), punctuated by extraordinary sequences of
time-lapse photography. Above all it is a celebration of the act of
filmmaking. A line from Mekas's poetic narration, "I make home
movies, therefore I live," provides the title for this film series.
"They tell me I should always be searching," he says in the film.
"But I am only celebrating what I see."
Also included in the screening are three shorter works. Brian Parks's
video piece follows his father on a typical work day, finding
absurdity and strangeness in the everyday. Gordon Ball's Enthusiasm,
in which the filmmaker explores the death of his mother, moved poet
Allen Ginsberg to comment, "Gordon Ball makes you cry for life
itself." DHPG Mon Amour is a touching home movie of a devoted gay
couple and their use of alternative treatments for AIDS. Originally
intended as a promotional film for these treatments, it now resides
in the collection of the Museum of Modern Art as a classic of
personal cinema.
PART 1
George Kuchar, Wild Night in El Reno (1977), 16mm, color, sound, 6
minutes
George Kuchar, Rainy Season (1987), video, 28 minutes
Brian Parks, Atlanta Trailer City (2003), miniDV, color, sound, 6
minutes
Anne Charlotte Robertson, Emily Died (1994), super-8mm, color, sound,
26 minutes (screened on VHS)
Gordon Ball, Enthusiasm (1979), 16mm, color and black & white, sound,
13 minutes
PART 2
Carl Michael George, DHPG Mon Amour (1989), 8mm, color, sound, 12
minutes (screened on VHS)
Jonas Mekas, Walden Reel 1 (1969), 16mm, color, sound, 43 minutes
Program subject to change
THEREFORE I LIVE is a Film Love event, programmed and hosted by Andy
Ditzler for Atlanta Celebrates Photography and Frequent Small Meals.
October 24 Tuesday
Flaming Fire
Music
9:00pm
$5 ?
Wacko electronic theatrical rock n' roll...reviews:
“It's like experiencing your purest visions of heaven and hell while
attending Sunday school wasted on glue...Like a lost synth-prog
opera, a forgotten cosmology laced in rock and roll, this extremely
theatrical second album from Brooklyn's Flaming Fire very nearly
defies description, let alone those facile 'sounds like X crossed
with Y' comparisons. 'Songs from the Shining Temple' is like watching
Billy Graham with the sound off, Black Sabbath blasting in the
background.”
-Jennifer Kelly, Splendid
“Can't accuse Flaming Fire of having a dull stage show--they've got
the costumes, the bombast, the eye-grabbing frontpeople, the general
sense of performance spectacle. They've also got the songs:
unnerving, arty, freaky anthems about mortality, divinity, and
leopard ninja people with plastic wings, sort of the avant-garde 'Bat
out of Hell.'”
-Douglas Wolk, Village Voice
“Excellent New York-area weirdness...Flaming Fire delivers bent
cabaret chaos.”
-Thurston Moore and Byron Coley, Arthur magazine
“I think that we are in the presence of a new religion. The main
goddess apparently goes by the name of Lauren Weinstein… Flaming Fire
is a band that rivals both the Slits and Crawling Chaos in the
utterly weird, totally odd, and disturbingly interesting music… From
loud chants to cacophonous percussion and noises I'm too afraid to
attempt to figure out, there's a whole lot of weirdness going on
here. And, you know what? I LOVE IT… One of the most lovingly
confounding records I've heard all year, if not ever. ”
-Joseph Kyle, mundanesounds.com
http://www.flamingfire.com
In The Galleries:
Large Galleries:
Martha Whittington
“three fold”
three-fold: an installation by Martha Whittington.
Through November 25th.
Artist talk on November 7 at 7PM.
Small Gallery:
Jessica Marshall
“In the Middle of Nowhere”
A personal experiment with matter and meaning.
Atlanta artist Jessica Marshall creates an installation for the Small
Gallery combining paper, paint, original sculptures, and found objects.
Through November 4th.
Miscellany
October’s Podcast is now available and this month we devoted lots of
time to a revisiting of the Atlanta underground/indie scene of the
early/mid 1980s, with previously unreleased recordings by 86,
Pillowtexans, Vietnam and Amalgamated Cliff Divers; there's a show at
Eyedrum on Oct. 7th that has lots of people from these bands
performing for the first time in many years. After the retro fix, we
played a few songs by Tunnels, Acid Mothers Temple and Hubcap City,
all recorded live at Eyedrum in the past month. We closed with Tuna
Helpers (performing Oct. 11th) and a short piece by avant garde
luminary Jack Smith.
If you don’t know what all the podcast fuss is about, a podcast is
simply an audio file that you can listen to on your computer or
portable mp3 player.
For those of you who are familiar with podcasting, please click on
podcast. (http://www.eyedrum.org/radioshow.xml ) You can also just
download the whole show (right click on "download") although be
forewarned that the file is over 50 MB in size. If you’re having
trouble, respond to this email… we can help!
September’s Podcast
Click here for the feed or download the show here!
It features lots of Table of the Elements stuff! Tony Conrad, Rhys
Chatham, Ruins, all in anticipation / remembrance of the festival
happening this weekend at Eyedrum. Also featured were Hubcap City,
A.C.M.E., Arthur Doyle, Go! and Tunnels, all recorded at previous
Eyedrum engagements and returning to town in September. Check it out!
August’s podcast: August’s show is now available and features
performances by Jonathan Kane, Rising Appalachia, Bent Frequency,
Daniel Clay, Tiptons Saxophone Quartet and others. The upcoming 5-day
Table Of The Elements festival (Labor Day weekend) gave us a chance
to play some Rhys Chatham, Tony Conrad and Sun Agustin. Finally, the
Eyedrum visual arts crew came in to talk about art shows past,
present and future, the Warhol grant, and the state of Eyedrum as a
gallery in general. A special edition of this podcast that should not
be missed!
EYEDRUM is located at 290 Martin Luther King Jr Dr, Suite 8 in Atlanta.
404.522.0655 or www.eyedrum.org
Eyedrum’s programming is supported in part by the City of Atlanta
Office of Cultural Affairs.
Become an Eyedrum member! ( http://eyedrum.org/membership.asp )
Donate to Eyedrum. (http://eyedrum.org/donate.asp )
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Other related posts:
- » [atlantaprog] [eyedrum-announcement-list] October 19 – October 24, 2006
New Gallery Hours: Friday 3 - 8:00pm, Saturday and Sunday 1 – 6:00pm
This Friday (10/20), gallery hours are from 3:00pm – 6:00pm ONLY!
October 19 Thursday
October 20 Friday
October 21 Saturday
October 22 Sunday
October 23 Monday
EYEDRUM is located at 290 Martin Luther King Jr Dr, Suite 8 in Atlanta. 404.522.0655 or www.eyedrum.org