[atlantaprog] [eyedrum-announcement-list] January 25 – January 28, 2006
- From: Scott Burland <burland@xxxxxxxxxxxxxx>
- To: <eyedrum-announcement-list@xxxxxx>
- Date: Mon, 23 Jan 2006 23:03:48 -0500
Eyedrum events January 25 – January 28, 2006
Regular gallery hours: Wednesday, Friday, Saturday 12:00pm – 5:00pm
January 25 Wednesday
‘The Jesus Saves’
Film Program
8:00pm
$4
‘The Jesus Saves’ is a compiliation of almost every mention on the
word "Jesus" in contemporary films, scene by scene. Every use of the
word "Jesus" is in a different context... which has an effect of
chipping away and highlighting what the term means in modern times
and mass media. A 4 part, 55 min. film by Jon Ehinger.
January 27 Friday
Clare Byrne Dance
Dance
8:00pm
$8
Clare Byrne and Sharon Estacio, two New York City choreographers and
dancers, will perform an evening of duets and solos. The show will
include an improvised piece featuring Clare, dancing, and her sister,
Mary Byrne, of the Atlanta-based rock trio Hot Young Priest, on solo
voice and guitar.
The Eyedrum show will include repertoire from Clare Byrne Dance,
including Wind May Blow, an energetic duet to early gospel music;
Fording the Night, a meditative dance performed in silence; and Still
Swell, a solo to jazz music by Eric Reed.
The night will mark the Atlanta debut of the critically acclaimed
Clare Byrne. And the unusual two-night pairing of modern dance with
indie rock will be a rare chance for two ordinarily separate
communities to mingle, cross-pollinate – and, perhaps, to discover
their connections.
Clare Byrne Dance celebrates dancing: the expressive, explosive,
radical, and affirmative power of movement. Byrne's unabashed love
affair with music -- jazz, classical, gospel, blues, rock & roll --
brings physicality into partnership with the aural, intricately
layering meaning in rhythm and counterpoint. With movement that
blends the sweeping grace of ballet, the heated communion of social
dance, and the fervor of praise-dancing, Clare Byrne Dance pushes
dancing to uncommon virtuosity of body, mind and spirit.
‘There's a lot of dancing in this work, and it's as variegated and
full of soul as the music...Sometimes -- hips swaying, arms raising,
elation in every footfall -- the dancers might be celebrants working
up steam in a Southern Baptist service.’ (Deborah Jowitt, Village Voice)
More info (bios, etc.) can be found on Eyedrum’s website.
Come check out a rare dance event at Eyedrum!!
January 22 Saturday
Show & Tell #2
Workshop
12:00pm – 4:00pm
Free
In an effort to promote community & friendliness, and also in an
effort to cut the crap, Eyedrum has declared January 28th, 2006 as
Show & Tell Saturday. Any artist knows about the headaches &
heartaches that are involved in submitting a proposal to a gallery.
You can easily spend hours writing an artist statement and putting
your resume together, only to, more often than not, receive an
impersonal letter of rejection. We invite visual artists of all
levels of professionalism to visit us between the hours of 12 noon
and 4PM and show us their work, or reproductions of their work. We
will gladly listen to what you have to say, and, who knows, we may
even put you in a show.
Some Girls
Me and Him Call It Us
The Letters Organize
Music program
9:00pm
$8
SOME GIRLS is made from scraps and pieces of punk murder junkies The
Locust, Swing Kids, Crimson Curse, Holy Molar (Justin Pearson, bass),
Give Up The Ghost, American Nightmare (Wes Eisold, singing),
Unbroken, Over My Dead Body (Rob Moran, guitar) Plot to Blow Up The
Eiffel Tower (Chuck Rowell, guitar and is rounded out by the swollen
brains of a recording studio (Sal Gallegos, drums). But whatever
image that gives you - whatever you dream up from the various matings
and crossbreeding - is probably way off. Or maybe it's dead on.
Whatever it is, the guys in the band don't care. They started SOME
GIRLS as a side-project-music for the sake of making hard noise-they
record songs when they want, play shows if they're in the mood.
also appearing
Me and Him Call It Us
The Letters Organize
brought to you by:
TIGHT BROS NETWORK
Currently in our back gallery:
The George and Helen Spelvin Folk Art Collection
As part of the opening reception, Beauvais Lyons will present a tour
of the exhibition.
Curated by Beauvais Lyons, Director of the Hokes Archives, The George
and Helen Spelvin Folk Art Collection is considered to be one of the
most insightful private collections of contemporary ‘outsider’ art.
This exhibition will survey the creations of eleven different artists
in the collection. Examples include enamel painted records by Lucas
Farley, Arthur Middleton’s painted portraits of American Presidents,
numerous 'limberjack' puppets by Lester Dowdey, velvet paintings of
brides by Charlotte Black, flower paintings on book pages by Emma
Whorley, and some of the best examples of "mug jugs" by North
Carolina potter Rufus Martinez. E. B. Hazzard's 'alien communication
device', made of over 300 flattened tin cans on a modified tent pole
structure and Max Pritchard's hand-printed religious tracts on cereal
boxes are also represented in the collection. The show also includes
the inter-racial rag doll friendship chain by Loretta Howard.
Over the past twenty-five years, when they were not busy with their
jobs as a school teacher and an insurance agent, Helen and George
Spelvin devoted their energy and resources to the study and
collection of visionary folk art. While a small number of works from
their collection have been loaned to museums, including the
Smithsonian Institution and the Erie Museum of Art, most of the works
in their collection are unknown in the field of folk art. For more
information on the collection, as well as the Hokes Archives, visit
their web site at: web.utk.edu/~blyons
‘At the very least, it might get some useful conversations started
about what's good and what's bad in folk art.’ Jerry Cullum
Read Jerry Cullum’s full review in the AJC.
Currently in our front gallery:
"Certification of Ingenuity; Preliminary Assessment Forms: Findings
presented by Peripheral Association Research Association
Organized by Bryan C. Baker, Director of the Peripheral Association
Research Association, this exhibition presents a portion of the
paperwork and photographic documentation collected during the initial
stages of a recent investigation. On display will be multiple copies
of the PAR Association's Certification of Ingenuity: Preliminary
Assessment Form A. 80 32948799. This form was developed to
objectively look into a very specific manner of problem-solving, one
which some have dubbed as 'folk engineering', and others define as a
'trans-applicationary' activity.
But wait, there’s more!:
A Golden Blizzard installation that’s a combo: painted mural and
video installation. Come check this out!
Golden Blizzard is an art collective based in Atlanta, Georgia.
Composed of seven artists, they esteem drawing, painting and
installation as their primary means of expression. The members of
Golden Blizzard work by integrating their unique artistic styles into
a single expressive voice. Their subject matter investigates the
aesthetics of beauty and destruction. A cornucopia of apocalyptic,
pop culture and organic imagery, the work engages all artists in the
collective at once. Drawings are continually edited by different
hands, altered and augmented, so that the act of working in the
collective is at once an obliteration of ego and a declaration of
self. The tension of this work-method plays out in the forum of the
drawings, the space of the page becoming a controlled environment for
the lively dialogue of ideas.
The seven members of Golden Blizzard are Ellen Black, Errol Crane,
Jennifer Kornder, Alex Kvares, Ann-Marie Manker, Jordan Reese and
Daniel Upton. Individually concerned with a wide range of concepts
and media and working autonomously as artists outside of the group,
the members of Golden Blizzard formed as a collective in order to
engage with other artists and to deliver a vision of integrated
artistic exploration.
Currently in our small gallery:
Nick Nelson: Mandalas
An installation consisting of 4 large wall mounted mandalas created
from phototransfers on scotch tape, flowers, and wall drawings.
Included in the installation is Asphodel, part of a previous show in
Memphis composed of 3000 photo transfers of a single flower.
This exhibit ends Saturday, January 28th.
Miscellania
Eyedrum’s December & January podcasts now available!
Eyedrum now offers a podcast of our monthly radio show on WREK! If
you're using iTunes or other RSS software, click here for the feed .
If not, you can also just download the December or January show
(right click on "download") although be forewarned that the file is
50 MB in size.
This month's show is now available and features music from Open
Improv nights throughout 2005. The first Thursday of every month,
eyedrum hosts "Open Improv", a forum and opportunity for musicians to
gather and improvise together, often with spectacular results. Hand
picked by Eyedrum sound guru Jeff Rackley, this show features
excerpts from several performances.
Last month's show is now available and features music from the
"Atlanta Eclectic Improv Festival" that took place at Eyedrum on the
weekend of November 11-12, 2005. Included are live performances by
Brian Parks, GFE, Ben Davis, Keith Leslie, Brian Fieldin, Mario
Schambon, Zandosis, Erik Hinds, Andy Ditzler, A.C.M.E. and Lie &
Swell. Strange instruments abound, including appearances by a
virginal, a custom-built harpeggione and various electronic gadgetry.
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EYEDRUM is located at 290 Martin Luther King Jr Dr, Suite 8 in Atlanta.
404.522.0655 or www.eyedrum.org
Eyedrum’s programming is supported in part by the City of Atlanta
Bureau of Cultural Affairs.
Become an Eyedrum member!
Donate to Eyedrum.
Other related posts:
- » [atlantaprog] [eyedrum-announcement-list] January 25 – January 28, 2006
‘The Jesus Saves’ Film Program 8:00pm $4
January 27 Friday
Miscellania
EYEDRUM is located at 290 Martin Luther King Jr Dr, Suite 8 in Atlanta. 404.522.0655 or www.eyedrum.org