[atlantaprog] Re: atlantaprog Digest V3 #68

I actually like the idea and think it is a good song to do with a choir, but 
they should drop the dancing part and maybe concentrate on the arrangement and 
how the voices could be used. I think there's a lot you can do with a choir and 
this song. I'm just glad they didn't try Bohemian Rhapsody, however again if 
done right it could be really cool. They should take out the show in choir and 
simply be a choir and work on just the arrangement. 

My .02 cents from Maryland.
Greg


>atlantaprog Digest     Thu, 01 Jun 2006        Volume: 03  Issue: 068
>
>In This Issue:
>               [atlantaprog] Fwd: Hastings Riverside Showchoir
>               [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>               [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>               [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>               [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>               [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>               [atlantaprog] [eyedrum-announcement-list] =?WINDOWS-1252?Q?M
>               [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>
>----------------------------------------------------------------------
>
>From: Allen Welty-Green <agmedia@xxxxxxxxxxxxxx>
>Subject: [atlantaprog] Fwd: Hastings Riverside Showchoir
>Date: Thu, 1 Jun 2006 09:18:36 -0400
>>
>what he had to say (it's hard to believe they're serious!)
>
>Begin forwarded message:
>
>> The Hastings Riverside Showchoir is a high school activity. We have 54=20=
>
>> singer/dancers, an all student band made up of about 9 students, and=20=
>
>> about a 6 person crew. We learn our choreography and songs late in the=20=
>
>> summer, and learn our show about from August to January. Basically,=20
>> other than a week where we practice 8 hours a day for four days, we=20
>> practice 4 or 5 hours a week. It is all extracurricilar (sic). Our=20
>> director is Lin Warren, and our choreographer is Andrew Cao. He and=20
>> his brother also do our arrangements. We compete about times=20
>> throughout the year, in Minnesota, and Wisconsin, and we did one in=20
>> Iowa, and one in Omaha. This was the first time we went to a FAME=20
>> competition, which is national. There were choirs there from New York,=20=
>
>> Ohio, West Virginia, Iowa, Nebraska, Oklahoma, Kentucky...maybe a=20
>> couple more. We are from Hastings, Minnesota.
>> =A0
>> Well I=A0hope that covers it all. Any other questions send me an =
>email,=20
>> or aim me at  Ihateeggs3583=
>
>
>------------------------------
>
>Date: Thu, 01 Jun 2006 11:35:46 -0400
>Subject: [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>From: Amazing Lizardos <lizardos@xxxxxxxxxxxxxx>
>
>I can't stop laughing! I try to stick to the Sun Ra quote  "all musicians
>playing any form of music are an inspiration to me"-but you gotta know that
>it is extremely funny to someone as me who both LOVES the music of Yes AND
>considers them to be VERY PRETENTIOUS-14 year old me is gasping for air on
>that statement but here I am now!
>
>Interesting question raised in an earlier response...Is Jon in the way of
>more Yes or simply tired of the infighting of egos (is this infighting a
>rumor or well documented fact...don't know where that perception comes from
>in the first place, much less it's validity)?
>
>I know this much...if it is artistically dead...sounding very good and grea=
>t
>chops do not preclude this possibility...then the artist must move on to
>what is alive for them...
>
>It is much more important that the spiritual condition of a band be healthy
>rather than just the musical ability, fan base or whatever else is relevant=
>.
>Yonrico Scott described this reality in the Derek Trucks band telling me
>that playing in that ensemble felt spiritually like making love onstage.
>Indeed that is what I have felt in my greatest musical moments and I have
>gotten rather picky about seeking that aspect in music however open and
>expansive I continue to be. Always willing to try lots of interactions but
>the bar for long term musical commitments has definitely been raised for me=
>.
>
>Wonder if Jon Anderson's experience has lead him to a similar headspace?
>Does Yes still create such magic for the performers within or has that time
>passed? Clearly it must have been so at one time for them to have inspired
>so many of us to musical careers!
>
>Miles Davis' take on this issue was "you can't play what you did six months
>ago...everything you do is dated". The shelf life for a given musical
>expression may vary as widely as the musicians performing it...Bill Bruford
>was more like Miles in this headspace than say Johnny Cash or the Rolling
>Stones who didn't change nearly as often. All of them seem or seemed in
>touch with their bliss. Miles told Kieth Jarrett once (I believe it was in
>1974) the reason he didn't play ballads anymore was because he loved ballad=
>s
>so much. He felt that what he loved must change before it becomes
>stagnant..it was about the moment always for him.
>
>On the other hand I have immensely enjoyed every moment shared with Yes in
>concert, even decades after my first Yesshow in 1974. But 1974 was the
>freshest and most magical experience for me. And music itself has the power
>to inspire others greatly even if the performers feel they are just going
>through the motions. This in my opinion is not as much about the moment in
>concert as about the hearing of the truly inspired original recordings and
>the inspiration that came from the kind of fresh magic I experienced in
>1974. But it would be highly presumptive to assume that this is
>automatically true for every individual receiving such a latter day concert=
>.
>So I hope you get your concert tour....and that the Yes band will feel fres=
>h
>inspiration in being there now!
>
>Amazing Lizardo=20
>
>P.S. In today's local rag Jane Fonda spoke of her renewed enthusiasm for
>acting after a fifteen year absence in which she missed it not. Glen
>Phillips on the reverse page mentioned how Harold Kelling's death had
>inspired him to reconnect with the music of the Hampton Grease band. You ca=
>n
>see that result this Friday at the Variety while awaiting similar magic fro=
>m
>Yes when and if they decide to reconnect with their past or stake a new
>future. The original band never fully reunited and it's fans have had to
>reconnect sans Colonel Bruce prior to Harold's death and now sans Harold. W=
>e
>have been blessed to see the original heyday lineup but will likely never
>get to see Peter Banks, Tony Kaye and Bill Bruford join Squire and Anderson=
>.
>Now if someone is working on a time travel machine.....count me in!
>
>Ahhh nostalgia....I do think it's good...all you good people...turning your
>heads these days!
>
>
>
>
>
>> I just HAD to find out who was responsible for that Roundabout
>> monstrosity - a bit of Googling led me to this kid whose in it - here's
>> what he had to say (it's hard to believe they're serious!)
>>=20
>> Begin forwarded message:
>>=20
>>> The Hastings Riverside Showchoir is a high school activity. We have 54
>>> singer/dancers, an all student band made up of about 9 students, and
>>> about a 6 person crew. We learn our choreography and songs late in the
>>> summer, and learn our show about from August to January. Basically,
>>> other than a week where we practice 8 hours a day for four days, we
>>> practice 4 or 5 hours a week. It is all extracurricilar (sic). Our
>>> director is Lin Warren, and our choreographer is Andrew Cao. He and
>>> his brother also do our arrangements. We compete about times
>>> throughout the year, in Minnesota, and Wisconsin, and we did one in
>>> Iowa, and one in Omaha. This was the first time we went to a FAME
>>> competition, which is national. There were choirs there from New York,
>>> Ohio, West Virginia, Iowa, Nebraska, Oklahoma, Kentucky...maybe a
>>> couple more. We are from Hastings, Minnesota.
>>> =A0
>>> Well I=A0hope that covers it all. Any other questions send me an email,
>>> or aim me at  Ihateeggs3583
>>=20
>
>
>------------------------------
>
>From: "Wade S" <cobwebstrange@xxxxxxxxxxx>
>Subject: [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>Date: Thu, 01 Jun 2006 15:45:00 +0000
>
>Roundabout- Hastings Riverside Company Showchoir 2006
>
>Maybe I'm alone here, but I think it's really cool that a group of people 
>who probably don't know a damn thing about "Progressive" music took the time 
>to arrange one of the few hits of the genre into a piece more in line with 
>that THEY like to do.
>
>As for shaming Yes into a new album or Jon Anderson going out to ?buy a 
>grave--a nice, fancy one--and roll in it. A lot.?  Have you guys seen the 
>video for ?Don?t Kill the Whale??  Have you seen the way Chris Squire 
>dresses on stage?  Have you ever listened to Jon Anderson talk...about 
>pretty much anything?  He's a pretty positive guy most of the time.  This 
>version of roundabout wouldn?t embarrass the guys in Yes, they would see it 
>as the tribute that it is and appreciate the effort? hell, they'd probably 
>even enjoy the show.  I know if someone ever took the time to arrange and 
>choreograph one of my songs I?d think it was totally cool.
>
>-Wade
>
>
>
>------------------------------
>
>Date: Thu, 1 Jun 2006 10:11:27 -0700 (PDT)
>From: BK Broyla <bkbroyla@xxxxxxxxx>
>Subject: [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>
>This is what I was referring to earlier-- as shockingly bad as it is in an 
>"cloned army of Osmonds" way, it could be much worse.  They could have done an 
>interpretive dance to Kenny G's 'Songbird" for instance... at least they chose 
>a good song, and were pretty tight on it.  
>   
>  But if these kids really want to do it justice, they should perform ON ICE, 
>while wearing capes and eating curry, or perhaps the 
>mullet-and-nut-hugging-kimono look Rush espoused circa '76 would work... 
>   
>  Brian
>  EH
>  
>Wade S <cobwebstrange@xxxxxxxxxxx> wrote:
>  Roundabout- Hastings Riverside Company Showchoir 2006
>Maybe I'm alone here, but I think it's really cool that a group of people 
>who probably don't know a damn thing about "Progressive" music took the time 
>to arrange one of the few hits of the genre into a piece more in line with 
>that THEY like to do.
>
>As for shaming Yes into a new album or Jon Anderson going out to ?buy a 
>grave--a nice, fancy one--and roll in it. A lot.? Have you guys seen the 
>video for ?Don?t Kill the Whale?? Have you seen the way Chris Squire 
>dresses on stage? Have you ever listened to Jon Anderson talk...about 
>pretty much anything? He's a pretty positive guy most of the time. This 
>version of roundabout wouldn?t embarrass the guys in Yes, they would see it 
>as the tribute that it is and appreciate the effort? hell, they'd probably 
>even enjoy the show. I know if someone ever took the time to arrange and 
>choreograph one of my songs I?d think it was totally cool.
>
>-Wade
>
>
>
>
>
> __________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com 
>
>
>------------------------------
>
>Date: Thu, 1 Jun 2006 13:19:49 -0400
>From: "Brian Clune" <brianclune@xxxxxxxxx>
>Subject: [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>
>The amount of unintentional comedy in the world, and this thread, is
>suprisingly abundant...
>On 6/1/06, Wade S <cobwebstrange@xxxxxxxxxxx> wrote:
>>
>> Roundabout- Hastings Riverside Company Showchoir 2006
>>
>> Maybe I'm alone here, but I think it's really cool that a group of people
>> who probably don't know a damn thing about "Progressive" music took the
>> time
>> to arrange one of the few hits of the genre into a piece more in line with
>> that THEY like to do.
>>
>> As for shaming Yes into a new album or Jon Anderson going out to "buy a
>> grave--a nice, fancy one--and roll in it. A lot."  Have you guys seen the
>> video for "Don't Kill the Whale"?  Have you seen the way Chris Squire
>> dresses on stage?  Have you ever listened to Jon Anderson talk...about
>> pretty much anything?  He's a pretty positive guy most of the time.  This
>> version of roundabout wouldn't embarrass the guys in Yes, they would see
>> it
>> as the tribute that it is and appreciate the effort? hell, they'd probably
>> even enjoy the show.  I know if someone ever took the time to arrange and
>> choreograph one of my songs I'd think it was totally cool.
>>
>> -Wade
>>
>>
>>
>>
>
>
>------------------------------
>
>Date: Thu, 1 Jun 2006 13:22:34 -0400
>From: "Brian Clune" <brianclune@xxxxxxxxx>
>Subject: [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>
>The other amazing thing is can you imagine how STOKED they are goingto be
>when they check thier Youtube and their song has link 25,000 plays on it in
>2 days.
>On 6/1/06, Allen Welty-Green <agmedia@xxxxxxxxxxxxxx> wrote:
>>
>> I just HAD to find out who was responsible for that Roundabout
>> monstrosity - a bit of Googling led me to this kid whose in it - here's
>> what he had to say (it's hard to believe they're serious!)
>>
>> Begin forwarded message:
>>
>> > The Hastings Riverside Showchoir is a high school activity. We have 54
>> > singer/dancers, an all student band made up of about 9 students, and
>> > about a 6 person crew. We learn our choreography and songs late in the
>> > summer, and learn our show about from August to January. Basically,
>> > other than a week where we practice 8 hours a day for four days, we
>> > practice 4 or 5 hours a week. It is all extracurricilar (sic). Our
>> > director is Lin Warren, and our choreographer is Andrew Cao. He and
>> > his brother also do our arrangements. We compete about times
>> > throughout the year, in Minnesota, and Wisconsin, and we did one in
>> > Iowa, and one in Omaha. This was the first time we went to a FAME
>> > competition, which is national. There were choirs there from New York,
>> > Ohio, West Virginia, Iowa, Nebraska, Oklahoma, Kentucky...maybe a
>> > couple more. We are from Hastings, Minnesota.
>> >
>> > Well Ihope that covers it all. Any other questions send me an email,
>> > or aim me at  Ihateeggs3583
>>
>>
>
>
>
>------------------------------
>
>Subject: [atlantaprog] [eyedrum-announcement-list] 
>=?WINDOWS-1252?Q?May_31_=96_
>From: Scott Burland <burland@xxxxxxxxxxxxxx>
>Date: Thu, 1 Jun 2006 12:21:23 -0400
>
>Eyedrum events May 31 ? June 4, 2006
>
>Regular Gallery Hours are Wednesday, Friday & Saturday 12:00pm ? 5:00pm
>
>Members admitted free to all events!
>
>
>June 1 Thursday
>
>First Thursday Open Improv
>Music
>9:00pm
>Free
>
>Anything goes at Eyedrum's monthly open improv night as a gaggle of  
>Atlanta jazz aficionados & freaked out freebirds come together in a  
>celebration of skrinks, skronks and experimental whispering and  
>wailing. Reined in by Eyedrum Executive Director Robert Cheatham, the  
>Thursday night event is a marathon of cool, spaced out and bizarro  
>sounds laid down by everything horns and drums to howling dogs. Chad  
>Radford
>
>This month?s theme:  Hybrid
>
>this is the time of hybridity, one thing becoming something else or  
>at the very least, in a stalled state and just having clumps of  
>something else stuck on. ...and was ever the case with 'monsters,'  
>chimera, creatures part one thing and part something else, something  
>mundane, terrifying or divine or just evil surf jazz : 'she's a real  
>monster of improv on that thing,' 'he's an idiot genius that's for  
>sure.'
>
>'I dunno what it is, looks like a cross between a volvo and a  
>beehive,' 'I don't know what it was officer, looked like something  
>midway between a frisbee and my aunt's hairdo. ' It was a live/dead  
>punk funk evil bastardized surf junk crump clown noisy crazy sorta  
>sound: you hadda been there. It was a hybrid of your worst fears and  
>your most feverish dreams, it has heaven and it was hell. It was a  
>cymbal falling out of the mouth of an organ,a heart; a klaxon meeting  
>up, merging with a rubba dubba tuba ... It's your life's soundtrack  
>as you go in and go out of consciousness.
>"Purity?! PAHH! what's that?"
>
>
>June 2  Friday
>
>King Bomba
>The Subliminator
>Music
>9:00pm
>$5
>
>King Bomba
>Ferdinando II of Bourbon-Two Sicilies (1810-1859) got his nickname  
>"King Bomba" after he ordered the bombardment of Messina (1848) and  
>Palermo (1849) to quell disorders which had broken out in Sicily.  
>Feeling that Ferdinando II is an appropriate icon for their music,  
>life, and times, Atlanta-based musicians Mario Schambon, Zano, and  
>Kareem Khalifa create electric, aggressive, high-energy  
>improvisations and compositions.
>
>Mario Schambon is a visual artist, composer, and percussionist  
>hailing originally from Bogota, Colombia. He has been active in  
>improvised music communities throughout the Southeast, including  
>performances with Davey Williams, members of the Sam Rivers Rivbea  
>Orchestra, and as one of the founding members of Numb Right Thumb.
>
>
>Zano is an artist who strives to create conceptual cartoons in  
>whatever medium in which he is working (emceeing, production, art,  
>etc.). As an MC, he has performed with various Atlanta acts including  
>Samadha, DJ LebLaze, dp3, Mr. Mips, Ben Lawless, and Chris Devoe. He  
>plays keyboards and noise with King Bomba.
>
>
>Kareem Khalifa is an improviser, composer, arranger, bassist,  
>guitarist, and professor of philosophy. He has played with various  
>jazz and rock musicians in the Atlanta and Chicago areas, including  
>current bands
>dp3, andThe Unexplained Explainers . In King Bomba, he plays an  
>electric nylon string guitar through an assortment of effects and loops.
>
>
>The Subliminator was found in a state of suspended animation in an  
>abandoned crate by spacerock guitar ace John Pack in 2002. Col. Pack  
>immediately installed him in his band Spaceseed, America's premiere  
>spacerock band. The Subliminator toured nationally with Spaceseed in  
>'03 and '04, occasionally opening shows and performing with such  
>luminaries as Nik Turner (Hawkwind), Harvy Bainbridge (Hawkwind) and  
>Cotton Casino (Acid Mothers Temple). The "Recalibrated 2005 Tour" is  
>now underway, and recent Subliminator sightings and sonic attacks  
>have been reported in the Atlanta area and all along the Eastern  
>Seaboard. Word has it that a Subliminator CD is now available. It's  
>called "Recalibrated" and features nine tracks of industrial charged  
>sublimination. Combining spoken word, proccesed vocals and optical  
>theremins, it promises to be an original and unique listen you won't  
>soon forget.
>
>
>June 3  Saturday
>
>Rising Appalachia
>The Love Cakes
>Music
>9:00pm
>$TBA (probably $5)
>
>Rising Appalachia,
>"Rowdy roots music for boot stompin' and moonshining...fully equiped  
>with fiddles, banjos, and drumming hootanany"
>
>The Love Cakes,
>"soul infused americana trio from north georgia with arching cello  
>melodies and intricate textures"
>
>
>
>June 4  Sunday
>
>Bent Frequency: Timbre and Sound:  Boulez & Beyond
>Music
>8:00pm
>$10
>
>Bent Frequency concludes its 2005-2006 season with a performance of
>contemporary masterworks by France's most important and innovative
>composers today, including internationally renowned conductor and
>composer, Pierre Boulez and pioneer of French Spectralism, Gerard
>Grisey.
>
>Program:
>Pierre Boulez - Dérive 1 (1984)
>Pascal Dusapin - Ohe (1996)
>Gerard Grisey - Talea (1986)
>Yan Maresz - Entrelacs (1998)
>Olivier Messiaen - Le Merle noir (1952)
>
>This event made possible by a grant from The French-American Fund for
>Contemporary Music, a program of French American Cultural Exchange
>(FACE) with major support from SACEM and BMG Music Publishing.
>
>http://www.bentfrequency.com/
>
>
>ALSO:
>
>Eyedrum Archive Sunday Special
>Radio Program
>7:00pm ? 9:00pm
>WREK 91.1 FM
>
>On the first Sunday of every month, at 7 p.m., Eyedrum does a show on  
>WREK that features nuggets from Eyedrum's archive of live performances.
>
>Remember that, after the show airs, you can always listen to this and  
>any recent Sunday Special via WREK's 7-day archive if you forget to  
>tune in (direct links to Sunday Special streams: lo-fi or hi-fi).    
>But wait, there's more! We now have a podcast  available, for those  
>of you who have discovered that. You can also just download the whole  
>show (right click on "download") although be forewarned that the file  
>is over 50 MB in size.
>
>
>
>In the Main Galleries:
>
>National Juried Show Exhibition
>
>
>Artists:
>Michael Allman
>Artcor
>Christopher Boehm
>Jonathan Bouknight
>Stasia Chung
>Xavier Daniels
>Grady Haugerud
>Heidi Jensen
>Jason James
>Carol John
>Dorothy Love
>Jeffry Loy & Joe Martin
>Christopher McCarra
>Michael Murrell
>Ann Otterness
>Judy Parady
>Lourdes Perdomo
>Allen Peterson
>Judith Simmons
>Delona Wardlaw
>
>
>Juror:
>George Kinghorn is the Director of the Jacksonville Museum of Modern  
>Art. He
>has been with
>the museum since 1999, previously serving as the Deputy Director and  
>Chief
>Curator. He has organized over thirty modern and contemporary art
>exhibitions. Mr. Kinghorn has attended the Non-profit Executive  
>Institute at
>Georgetown University and is a graduate of Leadership Jacksonville. He
>serves on the selection and art advisory panels for the City of
>Jacksonville, Art  in Public Places Commission and was involved in the
>creation of the city owned photography collection and the selection of
>several site-specific sculptural works placed at the newly  
>constructed arena
>and baseball stadium. Kinghorn received his Master of Fine Art degree in
>visual arts from Michigan State University.
>
>Through June 10th
>
>In the Small Gallery:
>
>Sun Hong
>
>Sun Hong, ink drawings on paper.
>Through June 17th.
>
>For her second solo show, Sun Hong is displaying a series of ink  
>drawings where she explores the relationship between line and shape.  
>She limits her materials to black ink and white paper and keeps the  
>format of the picture plane the same, with the intent to concentrate  
>solely on the qualities of line. This is a departure from her earlier  
>works which consists of both paintings and drawings in mixed media  
>and bright color.
>Sun is a graduate of the Lamar Dodd School of Art at the University  
>of GA. Currently, she teaches art at LaBelle Elementary School in  
>Smyrna, Georgia.
>
>
>
>
>Miscellany
>
>May?s Podcast is now available!
>
>This month?s show features performances from the past year of  
>"Language Harm". Language Harm is Eyedrum's bi-monthly poetry event  
>conducted by the Atlanta Poets Group (the next one is Wed May 17th).  
>Tune in to hear language turned inside out.
>
>Poetry by the following writers are featured:
>John Lowther
>Tracy Gagne
>Randy Prunty
>Mark Presjnar
>James Sanders
>Zac Denton
>Dana Petersen
>Michelle Reeves
>If you're using iTunes or other RSS software, click here for the  
>feed. If not, you can also just download the April or May show (right  
>click on the link) although be forewarned that the file is 50 MB in  
>size.
>
>
>
>EYEDRUM is located at 290 Martin Luther King Jr Dr, Suite 8 in Atlanta.
>404.522.0655 or www.eyedrum.org
>
>Eyedrum?s programming is supported in part by the City of Atlanta  
>Bureau of Cultural Affairs.
>
>Become an Eyedrum member!
>
>Donate to Eyedrum.
>
>
>
>
>
>
>------------------------------
>
>Date: Thu, 1 Jun 2006 22:27:35 -0700 (PDT)
>From: BK Broyla <bkbroyla@xxxxxxxxx>
>Subject: [atlantaprog] Re: Fwd: Hastings Riverside Showchoir
>
>
>Amazing Lizardos <lizardos@xxxxxxxxxxxxxx> wrote: Interesting question raised 
>in an earlier response...Is Jon in the way of
>more Yes or simply tired of the infighting of egos (is this infighting a
>rumor or well documented fact...don't know where that perception comes from
>in the first place, much less it's validity)?
>
>From everything I've read, JA's ego is possibly the largest of all of them.
>
>
>Yonrico Scott described this reality in the Derek Trucks band telling me
>that playing in that ensemble felt spiritually like making love onstage.
>Indeed that is what I have felt in my greatest musical moments and I 
>
>Doesn't that get messy?  ;-)
>
>
>We have been blessed to see the original heyday lineup but will likely never 
>get to see Peter Banks, Tony Kaye and Bill Bruford join Squire and Anderson.
>
>I know I'm in the minority here but I really liked PB's work with them.  He 
>had some negative things to say about JA's ego and working relationship.  
>Could be sour grapes, but maybe not.
>
>
>Brian
>Echo Hotel
>
>
> __________________________________________________
>Do You Yahoo!?
>Tired of spam?  Yahoo! Mail has the best spam protection around 
>http://mail.yahoo.com 
>
>
>------------------------------
>
>End of atlantaprog Digest V3 #68
>********************************
>



-- 
Greg
Prog Palace Radio
http://progpalaceradio.com
http://myspace.com/progpalaceradio

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