[atlantaprog] Re: another aspect
- From: Allen Welty-Green <agmedia@xxxxxxxxxxxxxx>
- To: atlantaprog@xxxxxxxxxxxxx
- Date: Fri, 15 Aug 2003 00:58:50 -0400
In some cases I actually prefer the sound of older recordings!
Sometimes modern recording techniques compress and process the very
life out of the music. I don't think Close to the Edge could ever sound
better than the original.
On Thursday, August 14, 2003, at 07:48 PM, Brian King wrote:
>
> ----- Original Message -----
> From: "Veronica Hughes" <upkat@xxxxxxxxxxxxxx>
>
>
>> What about the recording quality of commercial radio music as
>> compared to
>> that of the 70s? While the variety of 70s FM radio was "a damn sight
>> better" than today, you've got to admit that a huge amount of it had
>> passages or sections that were unclear at best or barely audible at
>> worst.
>> Some of the greatest and most influential recordings of that era were
>> incredibly shitty in quality, like Cream's Disraeli Gears, the Beatles
>> White album, almost all of Jimi Hendrix, almost all of Bob Dylan, etc.
>> Granted, these are 60s albums, but the that was the majority of early
>> 70s
>> radio that I remember. Even Kiss's recordings really sucked by
>> today's
>> standards, they sound to me like demos. The worst drums I have ever
>> heard
>> were in Jimi Hendrix and Cream recordings. Ever listen to those
>> through
>> headphones and then compare it to something more modern? The
>> difference is
>> absolutely huge. You can even hear this on rock radio when they play
>> old
>> and new songs back to back. Not everything in the 80s was vastly
>> improved
>> either, but it did get a lot clearer.
>
> It's amazing how much sonic improvement occurred just between 65 and
> 70--
> compare "Are You Experienced?" to "Electric Ladyland"-- huge
> difference.
> But I sometimes prefer the old sound, even with its faults. The lo-fi
> sound
> forces me to listen to the song as a whole rather than picking apart
> the
> individual parts so much. Albums like Stevie Wonder's "Talking Book"
> and
> Marvin Gaye's "What's Going On?" and all the Steely Dan records have a
> pleasant holistic warmth to them that seemed to go out the window in
> the
> 80's. It would be interesting if we could hear "Sgt. Pepper's LHCB" or
> "Close To The Edge" magically re-recorded today (it'd probably sound a
> lot
> like "Keys To Ascension"). The sound would be vastly improved but I
> wonder
> if the intangible appeal would be the same. I know I can enjoy almost
> any
> 60's Motown product but modern R&B is just about unlistenable for me--
> too
> sterile.
>
> Brian King
>
>
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