[atlantaprog] Progday report...
- From: Allen Welty-Green <agmedia@xxxxxxxxxxxxxx>
- To: atlantaprog@xxxxxxxxxxxxx
- Date: Mon, 1 Sep 2003 22:19:48 -0400
Progday report...
I've been wanting to check out Progday for a while now. With Z-Axis
being asked to play the Saturday show, I finally got my chance.
I arrived Saturday morning (too late to catch the Smokin' Granny/Ozone
Quartet pre-show) and heard an amazing set by Krakatoa from NY.
Avant-chamber-prog might be an apt description for what they do. Violin
featured prominently in much of their material. Next up was Bubblemath.
They reminded me of a lot of contemporary prog, like Echolyn - only
with their tongue firmly in cheek. They all wore lab coats on stage
(make note SSS!) and they featured quirky lyrics (Why Don't We All Just
Get a Lawn - during which they threw out seed packets to the audience).
Clearlight was up next. They started strong, with a tribute their
recently deceased drummer. Their second piece was a long space-jam kind
of piece that built to a nice climax and featured tasty interplay
between Cyrille Verdueax's shimmery piano and the guitarist's soaring
leads. The rest of their set was rather loose and aimless sounding...
lots of noodling and no real focus. I learned later that the drummer
they were working with had only had ONE(!) rehearsal with them - and
was playing along with tapes of their deceased drummer - on every tune
EXCEPT the second piece. Taking that into consideration - it's a mazing
they held it together at all!
I had to leave at that point to go to the hotel to prep for the
evening's show... but a couple of my Z-bandmates had arrived to hold
down our vendor table while I was gone. As a result I missed the Nick
D'Virgillio solo set (which I hear was quite good). I arrived back at
the fest in time to catch a few minutes of Samala Mannas Manna's set...
from what I heard they were over the top! Tight intricate instrumental
interplay interspersed with zany vocal pyrotechnics.. sounded quite
fun. I wish I could have caught their whole set.
That night we played a strong set to about 30 folks (including the
other bands!) John Covach from Land of Chocolate speculated that the
long hot afternoon had drained most folks energy for the night (I heard
the Friday night preshow had about 70 people). I suspect the real
culprit in the relatively light attendance was the UNC football game
that night which had snarled traffic and filled up every parking place
downtown! Land of Chocolate's set was amazing too. they played a couple
of tunes from their early incarnation - then launced into a live live
performance of their entire forthcoming CD. Tight contemporary prog
with lots of changes and rich vocal harmonies. Tasty stuff - and
considering that this particular line-up has only been playing together
since May - amazingly polished.
Sunday morning I arrived at the fest too late for Forever Einstein's
set (which from what I hear, wouldn't have been to my liking anyway). I
did catch Cast's set, which blew me away. They are a quintessential
symphonic prog band from Mexico... tight arrangements, strong
instrument interplay, powerful vocals in Spanish and English. Easily
the high point of the fest. They drew the only standing O of the
weekend as far as I could tell.
After Cast I caught a big chunk of Wishbone Ash's set before I had to
hit the road. Not exactly prog, but a tight rock band nonetheless. They
specialize in a razor sharp twin-lead guitar sound. The guitars
harmonized and traded runs and solos... while the vocal harmonies were
tight and clear. I was glad they included three tunes from Argus, the
only album of theirs I am familiar with. The renditions were faithful
to the album's in almost every way.(BTW - Wishbone Ash will be at
Variety this Friday. If you like tasty guitar work, you should
definitely catch the show.)
Hopefully into the main fest next year!
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