[atlantaprog] Multi-Dimensional Control for Realtime Analog Synthesis Performance
- From: James Combs <jwcombs@xxxxxxxxxxxxx>
- To: atlantaprog@xxxxxxxxxxxxx
- Date: Thu, 9 Oct 2008 18:58:43 -0400
City Skies 08 Electronic Music Event Nov 8, 2008
The next City Skies 08 event will be held on Saturday, November 8,
2008, with an afternoon Master class workshop with Richard Lainhart
(Multi-Dimensional Control for Realtime Analog Synthesis Performance
using Buchla 200e and Haken Continuum Fingerboard controller) from
2pm-4pm and performances starting at 8pm. We showcase the region's
best electronic musicians at our favorite venue, Kavarna (707 East
Lake Drive, Decatur, GA 30030).
Confirmed performers on November 8 include Richard Lainhart (from New
York), Collaboration with Sounds (from South Carolina), and Bribing
The Buddha (from Atlanta). Shows kick off at 8pm.
The Richard Lainhart workshop for the November show promises to be
quite amazing. Please tell your friends about it. Attendance will be
limited:
Multi-Dimensional Control for Realtime Analog Synthesis Performance
The promise of electronic music has been, from the beginning, to
provide the composer with the means to create his or her own unique
sounds and musics without the need for intermediaries like performers
and technicians. And the problem with electronic music has been, from
the beginning, to endow synthesized sound with the same organic
expressivity found in acoustic instruments and natural sound while
making synthesizers viable performance instruments in their own right.
The first electronic instruments intended for performance, such as
the Theremin and the Ondes Martenot, while providing the performer
with highly nuanced pitch control, had limited sound-shaping control
and could only play one note at a time. The first modular analog
synthesizers, while offering polyphony - the ability to play multiple
notes simultaneously - and unlimited sonic control, had limited
expressive performance control and were completely impractical for
live use.
There have been many attempts since then to integrate the unlimited
potential of modular analog synthesis with practical performance
capabilities, and to provide the electronic music composer/performer
with the kind of expressive musical control available in advanced
acoustic instruments. Among of the most successful and creative of
these efforts are the Buchla 200e analog modular synthesizer and the
Haken Continuum Fingerboard.
Buchla's 200e is the first modular analog synth with patch memory and
the ability to re-route patchcords on the fly, making it an ideal
instrument for performance, capable of both the highest and lowest
levels of control. The Continuum is a unique multidimensional
controller keyboard that senses direct finger movement in three
dimensions (X, Y, and pressure) for each of up to 16 fingers, making
it one of the most advanced performance controllers available today.
Together, the 200e and the Continuum make for an electronic music
performance system of unparalleled expressivity and sensitivity.
In his workshop, Richard will demonstrate the synthesis and control
functions of the Buchla 200e with an emphasis on patch programming
for maximum expressivity under Continuum control. The workshop will
include a live performance focusing on the Continuum/Buchla 200e
system's expressive control capabilities. Time permitting, workshop
attendees will also have the opportunity to play the system themselves.
WORKSHOP BIO
Richard Lainhart is a composer, performer, and filmmaker based in New
York. He studied composition and electronic music techniques with
Joel Chadabe, a pioneer of electronic music and the designer of the
Coordinated Electronic Music System (http://emfinstitute.emf.org/
exhibits/cems.html and http://www.otownmedia.com/chadabe.jpg), at one
time the largest integrated Moog synthesizer system in the world.
From 1987-1990, Lainhart was the Technical Director for Intelligent
Music, developers
of innovative computer music software like M, Jam Factory, and UpBeat.
His compositions have been performed in the US, England, Sweden,
Germany, Australia, and Japan. Recordings of his music have appeared
on the Periodic Music, Vacant Lot, XI Records, ExOvo and Airglow
Music labels and are distributed online via MusicZeit. As an active
performer, Lainhart has appeared in public approximately 2000 times.
Besides performing his own work, he has worked and performed with
John Cage, David Tudor, Steve Reich, Philip Glass, Phill Niblock,
David Berhman, and Jordan Rudess, among many others. He has composed
over 100 electronic and acoustic works, and has been making music for
forty years.
Lainhart's animations and short films have been shown in festivals in
the US, Canada, Germany, and Korea, and online at ResFest, The New
Venue, The Bitscreen, and Streaming Cinema 2.0. His film "A Haiku
Setting" won awards in several categories at the 2002 International
Festival of Cinema and Technology in Toronto. In 2008, he was awarded
a Film & Media grant by the New York State Council on the Arts for
"No Other Time", full-length intermedia performance designed for a
large reverberant space, combining live analog electronics with four-
channel playback, and high-definition computer-animated film projection.
Richard Lainhart
http://www.otownmedia.com
http://www.downloadplatform.com/richard_lainhart
http://www.vimeo.com/rlainhart
http://www.airglowmusic.com
City Skies
http://www.cityskies.com
http://www.myspace.com/cityskiesfestival
Workshop tickets: $15
Performance tickets: $10
Other related posts:
- » [atlantaprog] Multi-Dimensional Control for Realtime Analog Synthesis Performance