[atlantaprog] Re: Byrne, Police, Etc.
- From: Jeff Blanks <jblanks@xxxxxxxxxxxxxx>
- To: atlantaprog@xxxxxxxxxxxxx
- Date: Wed, 26 Dec 2007 20:30:49 -0500
On Dec 26, 2007, at 1:12 PM, Andrew Tegethoff wrote:
I'd rather hear 4-track tape hiss on a killer GbV tune, or crappy
Chateau D'Herouville room noise on "Just Want to See His Face" from
"Exile on Main Street".
Maybe, but I don't think that makes great sound a "false" goal, just
not the *first* one. I'd rather hear those things *than a great
record of a tune that sucked*, yes, but if there were some way of
cleaning up those old recordings, I'd be all for it. Beside, this
idea has led over the last quarter-century to lots of crappy music
that *also sounds* crappy because the people who made it apparently
confused the crappy sound with the great song. Lots of people don't
seem to understand how little you need to make a good recording of
*some* sort, if you're willing to live within certain limitations.
Just think of all those old classical orchestral records that were
recorded with three mikes above the conductor's head--the prime
expense was probably paying all the players.
- References:
- [atlantaprog] Re: Byrne, Police, Etc.
- From: Andrew Tegethoff
Other related posts:
- » [atlantaprog] Re: Byrne, Police, Etc.
- » [atlantaprog] Re: Byrne, Police, Etc.
- » [atlantaprog] Re: Byrne, Police, Etc.
- [atlantaprog] Re: Byrne, Police, Etc.
- From: Andrew Tegethoff