On 24 Jun at 17:11, Richard Ashbery <riscos@xxxxxxxxxxxxx> wrote: > In article <0824e7a452.martin@xxxxxxxxxxxxxxxxxxx>, Martin Wuerthner > <lists@xxxxxxxxxxxxxxx> wrote: > > In message <52a4e513b3riscos@xxxxxxxxxxxxx> Richard Ashbery > > <riscos@xxxxxxxxxxxxx> wrote: > > > > I realise that rendering tight curves gives rise to artefacts (see > > > the heading "Avoiding problems with troublesome centre lines" in > > > the manual) but one particular Profile, the Wave ribbon is > > > particularly annoying. There is a subtle tiny line artefact that > > > appears at the junction of the "broken" paths. You are only aware > > > of it when an outline is applied. > > > > is there anyway of overcoming this problem? Details of the problem > > > can be seen here..... > > > > > > http://homepages.nildram.co.uk/~riscos/problems/Artefact.zip > > > This tiny gap at the break point is caused by the fact that Artistic > > Lines always have a start and an end. It is not related to the fact > > that you have to open the shape to apply the Artistic Line because > > you can even close the shape again after applying it, and that does > > not make any difference. > > I didn't understand that at the time but your explanation helps > explain why closing the shape doesn't have any effect. > > > The computations at the start and the end of the line are always > > prone to being out by a fraction of a pixel, leading to a tiny gap > > at least on one side of the midpoint. As you noticed, that gap is > > nearly invisible unless you apply an outline to the Artistic Line. > > > There is a relatively simple way around this: Just make sure that > > the start and the end of the line overlap slightly (but beware of > > ArtWorks auto-closing the shape, which gives you identical start and > > end positions, so there is no overlap). That will lead to a tiny > > double peak at the position where the start and the end of the > > Artistic Line meet because the two thickest parts of the line are no > > longer exactly on top of each other, but that is hardly noticeable, > > even with an outline applied. > > Yes that works - if procedure is done at very high magnification then > the paths can be made to overlap relatively simply without shape > auto-closure. > > Thanks for the tip Martin and for providing such an excellent variety > of profiles. I can't immediately think of anymore. I may well have got something wrong but at the top of Richard's artefact was a point. I observed this when I selected the shape and then did Menu > Lines/Shapes > Make shapes. I selected this point, switched to Path editing and deleted it: the artefact vanished and the shape then seemed to me to be perfect. Though at a magnification of 4000, the highest I could set, there does seem to be a double point at the base of where the artefact had been. At other points on the shape there also appear to be these 'double-points'. My view is that the Artefact was the result solely of this surplus point at its top and which I had deleted. It may well be that my use of 'Make shapes' does something else that will lead to other problems. -- Tim Powys-Lybbe tim@xxxxxxxxx for a miscellany of bygones: http://powys.org/ ------------------------------------------------------------ To change, suspend or cancel your subscription go to //www.freelists.org/list/artworks ------------------------------------------------------------