Frédéric Crozat wrote:
Somehow, it has worked for her for years now, even when sending to professional manufacturers (for stuff like boxes, etc..) But I guess the color workflow could be improved (but I won't be the one teasing her about that ;)
Lots of people in the graphic arts industries have got by avoiding any color management for all of the professional lives. It usually means that someone else is doing it though (traditionally the scanner operators, pre-press and some degree printers). With the disappearance of scanner operators and the squeezing out of pre-press, and the vast expansion in number of color input and output devices in the modern world, it's got harder to avoid the issue though. Those who are up to speed on color management are regularly horrified when they come across big time printing houses that can't answer the question "which CMYK color space do you want the files in ?".
I was speaking about images named : Mandriva-Powerpack-1024x768.png (and so on). They aren't very bright (except maybe the right part of the gradient).
On my setup they are also relatively dark. Like the photo's, they only start to look OK if I view them in a completely dark room (ie. so that my eyes adapt to a lower light level). With ambient lighting of about the same brightness as my screen, they look slightly dark, and the blue is not particularly saturated. This is no surprise as the highest blue value in the background is 175/255. The logo and graphic on the right look to have perfectly acceptable contrast though.
Yes, they've been tweaked ;) I checked those images with and without calibration and they loose a lot of punch on "calibrated" display.
It doesn't sound right then. Graeme Gill.