[argyllcms] Of ink limiting and maximizing gamut
- From: "Alastair M. Robinson" <profiling@xxxxxxxxxxxxxxxxxxxxxxx>
- To: argyllcms@xxxxxxxxxxxxx
- Date: Wed, 28 Jan 2009 18:03:59 +0000
Hi,
In my experiments with Gutenprint and linearization I've come up against
an interesting issue with a trade-off between ink limiting and gamut.
Since one of my goals is to maximize achievable gamut, I've so far been
working on the assumption that it's desirable to maximise the amount of
ink that can be deposited for each channel - thus in my experiments on
100g matte inkjet paper, I've determined the maximum input level at
which I can print a single ink before the paper starts to saturate.
I've then generated and read targets exploring each channel and created
correction curves for those channels - thus the printer is now
linearized with respect to L* (or b, in the case of yellow ink).
The problem is that since each channel is driven to saturation, the ink
limit for the paper is essentially 100%, and attempting to create a CMYK
profile for the printer using Argyll with such a low ink limit gives
very poor gamut.
Reducing the maximum density of each channel to make "headroom" for a
higher ink limit certainly improves matters - but I'm confused as to why
- since [100,100,0,0] for instance with channel densities reduced to 50%
should actually print the same colour as [50,50,0,0] with the channels
at full strength. Logically there should be *more* shades available at
full strength but 100% ink limit than at half-strength and 200% ink limit.
Just for the hell of it, I tried wedging a naive normalization filter
into my print chain (basically, divide each value by
sum(C,M,Y,K)/max(C,M,Y,K) - so there's never more than 100% ink in
total) and profiled through that using a 300% ink limit. The filter did
horrible things to the device linearity of course, but the gamut
increased significantly.
So how should I make the trade-off between gamut and ink limiting? If I
need to reduce the maximum channel densities, what's the lowest
"headroom" I should be thinking in terms of leaving for ink limit in
order to maximise gamut?
And are there any tweaks or switches I can play with to try and improve
how well Argyll can cope with low ink limits?
Any insights or comments much appreciated :)
All the best,
--
Alastair M. Robinson
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