[accessibleimage] audio description

The Guardian (UK)
Wednesday, April 05, 2006

Picture the scene 

By Ian Cook

Audio description allows blind people to enjoy film and television. And the system has possibilities for the sighted, too 

When the BBC sent a blind TV director out on a shoot, it was hailed as a piece 
of political correctness gone mad. How could blind people make TV programmes, 
they don't even watch TV. Or do they?

The BBC's blind director might have been a one-off, but every day, large 
numbers of Britain's two million blind and partially sighted people sit in 
front of the TV - often with sighted family and friends - trying to make sense 
of programmes with varying degrees of success. Television can be a challenging 
experience if you're blind. It can also be distracting for sighted family and 
friends asked to provide commentary or explanation. On trips to the cinema it's 
even worse: imagine a trip to the pictures to see a film such as Casanova. The 
activities of the Italian stallion mean little if you can't actually see what 
is going on in the boudoirs of Venice.

Visual information

Fortunately, Casanova is now among a growing number of films and TV programmes that are 
"audio described". This means a separate narration track is supplied, giving a 
brief outline of the action, scenery and other essential visual information in quiet 
moments between speech or sound effects.

Audio description is delivered via headphones in cinemas and a growing number 
of theatres, offered as a separate track on DVD and also available on a small 
but growing number of TV programmes via digital set-top boxes.

Not surprisingly, it has been enthusiastically received by many people in the 
UK who have sight problems. Typical of those using audio description is 
17-year-old Harry Luckhurst, who lives with his parents and his brother Jamey. 
Harry is blind but, like most youngsters, enjoys TV - in particular soaps and 
action films.

Before the advent of audio description, members of the Luckhurst family had to 
describe things for Harry, with varying degrees of success. As dad Trevor recalls: 
"Imagine you have worked all day and just want to sit and relax in the evening 
in front of the TV. You are just dozing off, when Harry asks, 'What's happening, 
Dad?'.

"Audio description is a godsend. Harry can come home from school and 'watch' 
something on his own. It removes the need to describe everything that is happening in any 
programme, giving us more time to do other things that need doing in everyday life. Audio 
description is one of the best things to come into Harry's life. It has also made a big 
difference to us as parents. "

Another big fan is Mike Townsend, a trustee of the Royal National Institute of the Blind 
(RNIB), who has been blind since childhood. Townsend was one of the first users of the 
Netgem I-Player AD, a Freeview box that can receive audio description. He says it has 
made an enormous difference to his life, and that where audio description works - as in 
programmes like Waking The Dead - it can make a real difference. In fact, he's such a fan 
that his main gripe is that so few programmes - just 8% on TV - are audio described. 
"I like to relax on a Sunday evening and put on Heartbeat, which is audio described. 
I would like Casualty but they don't do that, although strangely enough they often do 
Holby City. I sometimes wonder why this is," says Townsend.

It's a good question. RNIB would like to see far more programmes broadcast with 
audio description, but progress in rolling out the service seems slow. The TV 
target for audio description is set at 10% of programmes by the fifth year of 
the digital transmission start date of a channel, and although audio 
description is available on Sky and on Freeview, audio description on cable is 
only just beginning.

The situation in broadcasting is in sharp contrast to that in the film world, where 
170 cinemas around the UK have an accessible screen delivering audio description 
through headphones, and around 80% of all major film releases are now audio 
described. Not surprisingly, there is a feeling that broadcasters are dragging their 
heels and lack enthusiasm. Leen Petré, head of broadcasting and talking images 
at RNIB, says that the charity wants to see 20% of TV programmes audio described by 
the 10th year of digital licences - not 10% as the system presently demands.

Dr Margaret Rogers is director of the Centre for Translation Studies at the University of 
Surrey and programme director of the first MA programme in subtitling and audio 
description. A great enthusiast of audio description, she agrees that the number of 
audio-described TV programmes is small but warns that there is a need to ensure that 
audio description standards are maintained despite pressure for output to be produced 
"on the cheap" to meet targets. Programmes that are easy to audio describe, 
such as University Challenge, have been criticised by some blind people as not really 
adding much value for them.

New possibilities

Townsend's sighted wife, Edith, sees new possibilities for audio description. She thinks 
that it might catch on among sighted people once they realise how useful it is. So much 
so that she says she would consider using the audio description track when her husband 
isn't around. "Sewing or doing the ironing - something like that is perfect for 
audio description. It makes it like radio."

Dr Rogers goes further. "Sighted people who have watched a video or DVD with audio 
description have frequently said it told them things they would not have noticed with 
their own eyes."

Members of the Surrey team also think that audio description could have the 
potential to turn an audio-visual experience like watching a film into an audio 
product like a talking book or a radio drama - suitable for listening to in the 
car or on a portable stereo or maybe even a mobile phone.

Last year, RNIB held a special event at Vue West End cinema to mark 10 years of 
audio description. Although it was a celebration, the charity stressed that 
more still needs to be done.

Given the little-known fact that blind licence fee payers are expected to pay 
for a TV licence - 50% of the price paid by sighted viewers - it could be 
argued that audio description is, to use that hackneyed phrase, what they pay 
their licence fee for.

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