[accessibleimage] Tactile museum helps the blind discover birthday of ancient Olympics
- From: Lisa Yayla <fnugg@xxxxxxxxx>
- To: accessibleimage@xxxxxxxxxxxxx, art_beyond_sight_educators@xxxxxxxxxx, art_beyond_sight_advocacy@xxxxxxxxxx, artbeyondsightmuseums@xxxxxxxxxx, art_beyond_sight_learning_tools@xxxxxxxxxx, art_beyond_sight_educators@xxxxxxxxxx
- Date: Thu, 09 Sep 2004 07:05:03 +0200
http://sfgate.com/cgi-bin/article.cgi?f=/news/archive/2004/08/25/sports0107EDT0042.DTL
Tactile museum helps the blind discover birthday of ancient
Olympics
(08-25) 22:07 PDT ATHENS, Greece (AP) --
Dimitris Dovas runs his fingers over the
face and
body of Venus de Milo. "What incredible
art!" he
exclaims.
Dovas might be breaking the cardinal rule
of
museums, where visitors can look at but
not touch the
prized exhibits guarded behind ropes or in
glass
cases. But in an unassuming building on a
quiet side
street in central Athens, something is
different.
The original Venus de Milo -- one of the
most
celebrated examples of Hellenistic art --
is still in
Paris' Louvre museum. But an exact replica
at the
Tactual Museum is the only chance for
Dovas, who is
blind, to understand what the statue looks
like.
"This museum is very important for us. If
you stand in
front of a glass case and someone just
describes
what's inside, you don't really get a very
good idea," he
said. "Here, I understand much more."
All are here: sculptures from Ancient
Olympia; a
Corinthian jewelry box housed in a Boston
museum;
4th-century B.C. vases exhibited in
Munich; the famed
bronze statue of a charioteer from Delphi.
With the Paralympics just around the
corner, the
museum is hoping to attract both athletes
and visitors
who would otherwise have little contact
with Greek
antiquity.
Athens was never a very friendly city for
the disabled.
Its narrow streets were difficult to
negotiate, with no
ramps for wheelchairs, sidewalks
frequently taken
over as parking spots, chaotic traffic,
and little or no
access to many buildings.
But with the city hosting both the
Olympics, which end
Sunday, and the Paralympics, which open on
Sept.
17, something had to be done.
Laws were passed in an effort to make
public areas
and buildings more accessible; ramps were
built on
sidewalks. Even the Acropolis, one of the
world's
great archaeological sites, was fitted
with a specially
constructed open-air elevator to carry
wheelchair
visitors over the monument's 82-foot wall.
The Tactual Museum, part of a foundation
known as
Lighthouse for the Blind of Greece, hopes
to help the
blind gain a greater understanding of the
birthplace of
the ancient Olympics. Reopened in March
after being
shut down since 1999 because of earthquake
damage, it is now in full Paralympics
mode.
The facility will extend its opening hours
and will
provide audio guided tours in English,
French and
German to supplement the current label
explanations
in Braille and in Greek, said Zoe
Geroulanos of the
museum's board of directors. A stack of
Braille books
include calendars and guides to the
Paralympics.
"We're ready for the games," Geroulanos
said.
"During the Paralympics ... we hope the
athletes and
their families will come here to discover
the exhibits
from ancient Olympia, from Delphi, from
Crete, from
the Cycladic museum."
Apart from the replicas of antiquities --
faithful gypsum
reproductions of the originals, chipped
noses and all
-- several new exhibits are
Olympic-oriented. A relief
map of Athens indicating the locations of
sports
venues hangs just inside the entrance,
next to
depictions of the Paralympics and Olympics
mascots
and logos.
"In general, this is the best (museum)
that there is,"
said Maria Makiataki, touring the first
floor with a
guide. "Here, I can understand whatever
you can see
-- the size of the statue, what it
represents, everything.
I can see whatever you see."
The museum also hopes to obtain a genuine
ancient
artifact to give the blind a better idea
of what the
exhibits are made of.
"We want one genuine piece, so they can
understand
the feel of marble. Making a replica in
marble wouldn't
work, because the feel of ancient,
weathered marble
is completely different," Geroulanos said.
"These are
small things that are very easy for us to
see and
understand, but for a blind person, it's
very hard."
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