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[opendtv] Re: Whatever happened to...

  • From: "John Shutt" <shuttj@xxxxxxxxx>
  • To: <opendtv@xxxxxxxxxxxxx>
  • Date: Thu, 5 Apr 2007 13:30:01 -0400
Wow! Congrats! No, I won't be in Vegas, but my boss will, so I'll let him know to be there. And I though we had it rough last week with a four camera production of "Florencia en el Amazonas" webcast for the Michigan State University School of Music.

Thanks, and I hope to see a nice write-up of the Met's happenings in the trades. (Unless I missed one already?)

John

----- Original Message ----- From: "Mark Schubin" <tvmark@xxxxxxxxxxxxx>
To: "Open DTV Forum" <opendtv@xxxxxxxxxxxxx>
Sent: Thursday, April 05, 2007 11:19 AM
Subject: [opendtv] Re: Whatever happened to...


The multiplication of media at the Metropolitan Opera happened. If you're at the PBS Technology Conference next week, come to my Friday presentation, subtitled "My Life Since September."

In brief, we are transmitting live HD cinemacasts to sold-out movie theaters around the world. How sold out? The live transmission of "Barber of Seville" on March 24 ranked well within the top-20 in U.S. weekend grosses, despite the fact that it was shown only once.

Why is it taking so much of my time? Here are a few highlights from "Barber" (just one of the series): - 16 transponders on 13 satellites as well as three transoceanic fiber cables
- multiple motion-compensating HD frame-rate converters
- one-hour HD delays to compensate for the different starts of Summer Time in North America and Europe
- 14 HD cameras and 30 recorders
- five robotic mounts, including two extendable towers and a track, all of which had to be deployed in minutes
- a 600-foot live, backwards Steadicam move (ending at a live burro)
- shooting multicamera live in the control room itself (one intermission was shot live in five different venues)
- live subtitling in multiple languages
- stereo, 5.1, and LT/RT sound, discrete and encoded
- coordinating live commercial U.S. radio, non-commercial U.S. radio, global radio, and the HD cinemacasts, all of which sometimes share and sometimes use different production elements - coordinating the parking of production vehicles on three Manhattan blocks with the fire department, the police, and local security

Wheeee!

But I'll try to get something out.

Sorry.

TTFN,
Mark


John Shutt wrote:
Mark's Monday Memo, Twang's Tuesday Tribune, Wolfsson's Wednesday Words, Those Thursday Thoughts, Free Friday Fragments, and Schubin's Saturday and Sunday Stuff?

I don't miss the television ads, but I do miss the industry roundup!



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